【正文】 r好像認(rèn)不得他，沒發(fā)現(xiàn)他的存在？在飛機(jī)里看不到都算了。在夢(mèng)里為何都認(rèn)不得呢...◆他們說(shuō)悉尼到洛城的747班機(jī)是十小時(shí)，但其實(shí)現(xiàn)實(shí)是至少有十三個(gè)半鐘頭呢。第一層夢(mèng)境（倉(cāng)庫(kù)綁架）部份：◆馬路上的槍戰(zhàn)。有許多拍攝的人物都在街上顯而易見。◆的士被撞時(shí)，附有Hyundai標(biāo)志的車前護(hù)欄被撞毀了、脫落了。但在下一個(gè)鏡頭，它又出現(xiàn)了，已經(jīng)損毀程度沒那么嚴(yán)重。到他們進(jìn)入倉(cāng)庫(kù)時(shí)，它又消失了。◆當(dāng)Cobb和Ariadne在齊藤身邊談話時(shí)，有部Nikon DSLR的相機(jī)在桌面上。但談話間它又神出鬼沒了?！舭咨涇噺膫}(cāng)庫(kù)駛出時(shí)，倒后鏡撞到大門了。但下一個(gè)鏡頭，從車廂里看出去，它又再出現(xiàn)了。但之后它又收起來(lái)了?！糗嚿硐聣檿r(shí)，Arthur沒有戴著耳機(jī)。而擊中水面那一刻，耳機(jī)又回來(lái)了。（很難看到吧。大家只管看他甜美的睡相。）第二層夢(mèng)境（酒店）部份：◆Ariadne的發(fā)髻，位置有時(shí)在頭頂有時(shí)在后腦。◆大伙兒強(qiáng)行突破491號(hào)房間時(shí)，在Cobb的腳踢向門的主觀鏡之前，門已自行五馬分尸了。◆Arthur把大家綁起來(lái)的時(shí)候，清楚見到Eames的手給綁緊了。但在走廊上他的手松開來(lái)浮著了。但進(jìn)了升降機(jī)后他的手又給綁緊了。◆錯(cuò)過(guò)了第一Kick之后，Arthur明明只有兩分鐘時(shí)間。但他竟可以。把大家綁起來(lái)、打架、按升降機(jī)、弄斷鋼索、安置炸藥、炸開。嗯...（我只能說(shuō)JGL你太神了。）第三層夢(mèng)境（雪地醫(yī)院）部份：◆Fisher打開門，密碼應(yīng)該是528491，但他未按1字，門便打開了?！酏R藤用牙打開手榴彈的安全扣，在現(xiàn)實(shí)里根本是超困難的事。而且那個(gè)扣似乎到他拋出去都沒有真正的掉落?！酏R藤投手榴彈的那個(gè)通風(fēng)口，起初明明有蓋子，但到他要投手榴彈時(shí)，那蓋子神秘消失了?！裟鞘至駨棻苫鹎颍褂玫哪莻€(gè)手榴彈型號(hào)其實(shí)不會(huì)有這種效果。◆Eames用繩索在雪地上擋住敵人。繩索在不同鏡頭里有時(shí)是五條，有時(shí)是六條第五篇：盜夢(mèng)空間英文影評(píng)盜夢(mèng)空間英文影評(píng)In a nottoodistant future, no one’s secrets are safe, not even those buried in the deepest recesses of their minds: Hightech“extraction” technology allows teams of spiesforhire to manipulate the dreams of others, creeping around their thoughts and riffling through their subconscious Cobb(Leonardo DiCaprio)is the best in the business—good enough that even former victims like corporate hotshot Saito(Ken Watanabe)turn to him when they need someone to do the is in a position to offer Cobb the one thing he wants most in the world: a way ’s connections can erase the murder charge that forced Cobb to flee his country and abandon his children to the care of their grandfather(Michael Caine), and all he has to do in return is get inside the head of Richard Fischer(Cillian Murphy), heir to a multinational empire, and plant the idea to dismantle it so deep that Fischer will believe he thought of it all by wisdom has it that mental capital only flows one way: You can dig it out, but you can’t sneak it knows otherwise and assembles a team willing to do the mindwarp with him: chameleon Eames(Tom Hardy), who can assume any identity within a dream。chemist Yusuf(Dileep Rao), whose concoctions facilitate deep, prolonged sleep。architect Ariadne(Ellen Page), who imagines every physical detail of the dream world。and pointman Arthur(Joseph GordonLevitt), who sweats whatever details need only newbie in the bunch, Ariadne quickly realizes what the others don’t: that the persistent dream presence of Cobb’s late wife, Mal(Marion Cotillard)—whom he was accused of killing—isn’t just a pesky sign of lingering ’s a giant, flashingneon warning that Cobb is on the fast track to a fullblown mental their nature, rubberreality movies walk a thin line between clever and when they work, the balancing act is breathtaking: Just think back to 1999, when The Matrix had fanboys, mall rats and cineastes alike lined up for a tumble down the rabbit owes both The Matrix and the allbutforgotten Dreamscape(1984), in which a psychic is unwittingly drawn into a plot to assassinate the President of the United States in his dreams, a debt of writerdirector Christopher Nolan is much more than a crass recycler of other people’s cool ideas, and his greatest strength is the ability to tether popculture spectacle to authentic Inception were all spectacle, it would be nothing more than magic trick of the month: nifty but disposable, at the mercy of smart alecks eager to reveal the cogs and wheels behind the while one day soon the eyepopping effects will inevitably look dated, Cobb’s misery—a messy mix of grief, guilt, denial and resentment—will continue to feel painfully or not history validates parisons to Stanley Kubrick’s 2001: A Space Odyssey, Inception is a superior summer movie, one with heart and brains and loads of razzledazzle.