娛樂美聯(lián)英語樂壇大戰(zhàn)坎耶卡戴珊夫婦手撕斯威夫特-資料下載頁
2024-10-13 23:30本頁面
【正文】 though it has bee a catchall term, it still carries undeniable historical didn’t like hearing herself referred to in that fashion, regardless of the she was concerned about her young female fan base and the word’s effect on she simply got cold ，如果這場**集中于對那個字眼的解讀，那么這其中可能有涉及上下文背景的誤讀，也或許是價值體系的沖突。韋斯特來自嘻哈音樂世界，他們太常使用這個字眼來指女人了，以至于它已經(jīng)失去了原本的貶義。2012年，韋斯特推出歌曲《完美的婊子》(Perfect Bitch)，是寫給卡戴珊韋斯特的，她當時還是他的女友。但是，盡管它已經(jīng)成為一個籠統(tǒng)的 詞，它仍然帶有不可否認的歷史涵義?；蛟S不管上下文如何，斯威夫特都不喜歡被這樣稱呼。或許她擔心自己的年輕女性粉絲，不希望這個詞影響她們?；蛟S她只是反悔了。Whatever the case, both sides have opted for public escalation over private and West are armed with selectively edited documentation optimized for social media are primed for , and her team increasingly transmit an air of West’s GQ interview, ’s representative released a statement that concluded, “Taylor cannot understand why Kanye West, and now Kim Kardashian, will not just leave her alone.”不管怎樣，兩邊都選擇了公開地升級矛盾，而不是私下和解。韋斯特和卡戴珊韋斯特有精心剪輯的記錄，非常適合社交媒體傳播。他們也慣于戰(zhàn)斗。另一方面，斯威夫特和她的團隊越來越流露出厭倦。卡戴珊韋斯特在《GQ》的訪談面世后，斯威夫特的代表發(fā)表聲明，結尾處說，“泰勒不理解為什么坎耶韋斯特，如今又是金卡戴珊，總是不肯放過她?！盇nd ’s latest reply concludes with a similar sentiment, though this time from her directly: “I would very much like to be excluded from this narrative, one that I have never asked to be a part of, since 2009.”斯威夫特的最新回應中也有類似情緒，不過這次是她本人直接發(fā)言：“我非常希望自己能被排除在這段故事之外，自從2009年起，我從來沒有要求成為它的一部分?！盉ut this bespeaks a misunderstanding of how public storytelling is crowdsourced, not written from the top the past, ’s refusal to name the subjects of her songs or any of her personal antagonists also robbed them of their opportunities to respond, keeping the narrative that’s not an option when the two main characters are equally ’s revulsion only amplifies the situation: The farther from she tries to pull, the more tightly they are 。公眾敘事是以一種集體創(chuàng)作，而不是一人寫完大家看。過去，斯威夫特拒絕說出她歌曲里的主人公是誰，也不說出她的敵人的名字，這也就剝奪了他們反駁的機會，讓她的敘事保持嚴謹。但是如果故事里的兩個主人公有同樣的知名度，就不能這么做了。斯威夫特的強烈拒斥只是把事態(tài)放大：她越是想遠離韋斯特，這兩個人就越是緊緊地綁在一起
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