【導(dǎo)讀】藥行業(yè)也不例外。然而在傳統(tǒng)門診藥房中，醫(yī)院極少給病人提供一個(gè)獨(dú)立的平臺(tái)。來(lái)查詢病人需要的藥品信息。價(jià)格不透明，信息不完善等多方原因，導(dǎo)致醫(yī)院亂。收費(fèi)、過度治療、百姓看病難、看病貴等。下三個(gè)方面的內(nèi)容：中使用到的+SQLServer技術(shù)。門診藥品查詢系統(tǒng)的后臺(tái)設(shè)計(jì)，包括數(shù)據(jù)庫(kù)表的設(shè)計(jì)等。查詢，藥品管理，藥品報(bào)警,系統(tǒng)管理等功能。它的功能將會(huì)得到不斷的發(fā)展和完善。

　　

【正文】 博的知識(shí)和嚴(yán)謹(jǐn)?shù)闹螌W(xué)作風(fēng)使我受 益匪淺，對(duì)順利完成本課題起到了極大的作用。在此向她表示我最衷心的感謝！ 感謝 王祖儷老師 在課題研究初期給予的幫助，在 王祖儷老師 的幫助下課題才得以很好的展開，有了一個(gè)很好的開端！ 在論文完成過程中，本人還得到了其他老師和許多同學(xué)的熱心幫助，本人向他們表示深深的謝意！ 最后向在百忙之中評(píng)審本文的各位專家、老師表示衷心的感謝！ 作者簡(jiǎn)介 姓 名：任雅蘭 性別： 女 出生年月： 1984 年 7 月 8 日 民族： 漢 Email: 第 24 頁(yè) 共 24 頁(yè) 聲 明 本論文的工作是 2020 年 2 月 至 2020 年 6 月在成都信息工程學(xué)院 網(wǎng)絡(luò)工程系完成的。文中除了特別加以標(biāo)注地方外，不包含他人已經(jīng)發(fā)表或撰寫過的研究成果，也不包含為獲得成都信息工程學(xué)院或其他教學(xué)機(jī)構(gòu)的學(xué)位或證書而使用過的材料。除非另有說(shuō)明，本文的工作是原始性工作。 關(guān)于學(xué)位論文使用權(quán)和研究成果知識(shí)產(chǎn)權(quán)的說(shuō)明： 本人完全了解成都信息工程學(xué)院有關(guān)保管使用學(xué)位論文的規(guī)定，其中包括： （ 1）學(xué)校有權(quán)保管并向有關(guān)部門遞交學(xué)位論文的原件與復(fù)印件。 （ 2）學(xué)?？梢圆捎糜坝?、縮印或其他復(fù)制方式保存學(xué)位論文。 （ 3）學(xué)校可以學(xué)術(shù)交流為目的復(fù)制、贈(zèng)送和交換學(xué)位論文。 （ 4）學(xué)?？稍试S學(xué)位論文被查閱或借閱。 （ 5）學(xué)?？梢怨紝W(xué)位論文的全部或部分內(nèi)容（保密學(xué)位論文在解密后遵守此規(guī)定）。 除非另有科研合同和其他法律文書的制約，本論文的科研成果屬于成都信息工程學(xué)院。 特此聲明 作者簽名： 年 月 日 第 25 頁(yè) 共 24 頁(yè) Christopher Tolkien AINULINDAL? The Music of the Ainur There was Eru, the One, who in Arda is called Il 鷙 atar。 and he made first the Ainur, the Holy Ones, that were the offspring of his thought, and they were with him before aught else was made. And he spoke to them, propounding to them themes of music。 and they sang before him, and he was glad. But for a long while they sang only each alone, or but few together, while the rest hearkened。 for each prehended only that part of me mind of Il 鷙 atar from which he came, and in the understanding of their brethren they grew but slowly. Yet ever as they listened they came to deeper understanding, and increased in unison and harmony. And it came to pass that Il 鷙 atar called together all the Ainur and declared to them a mighty theme, unfolding to them things greater and more wonderful than he had yet revealed。 and the glory of its beginning and the splendour of its end amazed the Ainur, so that they bowed before Il 鷙 atar and were silent. Then Il 鷙 atar said to them: 39。Of the theme that I have declared to you, I will now that ye make in harmony together a Great Music. And since I have kindled you with the Flame Imperishable, ye shall show forth your powers in adorning this theme, each with his own thoughts and devices, if he will. But I win sit and hearken, and be glad that through you great beauty has been wakened into song.39。 Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and ans, and like unto countless choirs singing with words, began to fashion the theme of Il 鷙 atar to a great music。 and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Il 鷙 atar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void. Never since have the A inur made a ny music like to this music, though it has been said that a greater still shall be made before Il鷙 atar by the choirs of the Ainur and the Children of Il 鷙 atar after the end of days. Then the themes of Il鷙 atar shall be played aright, and ta ke Being in the moment of their utterance, for all shall then understand fully his intent in their part, and each shall know the prehension of eac h, and Il 鷙 atar shall give to their thoughts the secret fire, being well pleased. But now Il 鷙 atar sat and hearkened, and for a great while it seemed good to him, for in the music there were no flaws. But as the theme progressed, it came into the heart of Melkor to interweave matters of his own imagining that were not in accord with the theme of Il 鷙 atar, for he sought therein to increase the power and glory of the part assigned to himself. To Melkor among the A inur had be en given the greatest gifts of power and knowledge, and he had a share in all the gifts of his brethren. He had gone often alone into the void places seeking the I mperishable Flame。 for desire grew hot within him to br ing into Being things of his own, and it seemed to him that Il 鷙 atar took no thought for the Void, and he was impatient of its emptiness. Yet he found not the Fire, for it is w ith I l 鷙 atar. But being alone he had begun to conceive thoughts of his own unlike those of his brethren. Some of these thoughts he now wove into his music, and straightway discord arose about him, and many that sang nigh him grew despondent, and their thought was disturbed and their music faltered。 but some began to attune their music to his rather than to the thought w hich they had at first. Then the discord of Melkor spread ever wider, and the melodies which had been heard before foundered in a sea of turbulent sound. But Il 鷙 atar sat and hearkened until it seemed that about his throne there was a raging storm, as of dark waters that made war one upon another in an endless wrath that would not be assuaged. Then Il 鷙 atar arose, and the Ainur perceived that he smiled。 and he lifted up his left hand, and a new theme began amid the storm, like and yet unlike to the former theme, and it gathered power and had new beauty. But the discord of Melkor rose in uproar and contended with it, and again there was a war of sound more violent than before, until many of the Ainur were dismayed and sang no longer, and Melkor had the mastery. Then again Il 鷙 atar arose, and the Ainur perceived that his countenance was stern。 and he lifted up his right hand, and behold! a third theme grew amid the confusion, and it was unlike the others. For it seemed at first soft and sweet, a mere rippling of gentle sounds in delicate melodies。 but it could not be quenched, and it took to itself power and profundity. And it seemed at last that there were two musics progressing at one time before the seat of Il鷙 atar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended w ith an immeasurable sorrow