【文章內(nèi)容簡介】 化遺產(chǎn)名目》。從正門出發(fā)，不一會兒就來到了千手觀音佛像前。大家都明白，只要有10只手以上的觀音，就能夠叫千手觀音。而大足的千手觀音，才叫真正的千手觀音。她一共有1007只手眼，分布在88平方米的石窟上。關(guān)于千手觀音還有一個(gè)傳說呢！在南北朝時(shí)，妙莊王有三個(gè)公主，長女叫妙金，此女叫妙銀，小女叫妙善。妙金和妙銀都常年在宮中，只有妙善出家為尼。妙莊王命妙善回宮，但妙善不愿回家，妙莊王一怒之下趕走了僧尼，可這驚動了天神。他們讓妙莊王身上長滿了膿包。有一位大夫說，要用親身女兒的手眼方可治好。于是，妙莊王求助于妙金和妙銀，但兩位公主都拒絕了。妙善明白后，便獻(xiàn)出了手眼，治好了妙莊王的病。這件事讓佛主明白了，便送給了妙善一千只手眼。所以，她就成了千手千眼的觀世音菩薩。據(jù)說千手觀音刻好以后，七仙女正好下凡，看見了千手觀音。便在原先的手眼中又加上了7只手和眼。能找出這七只手和眼的人，便可長命百歲！本次參觀圓滿結(jié)束了，謝謝你們的光臨，祝你們一路順風(fēng)！重慶大足石刻導(dǎo)游詞（三）大足石刻位于大足區(qū)景內(nèi)，建于唐末、宋初，以佛教題材為主。大足石刻群擁有石刻造像70多處，現(xiàn)存雕刻造像四千六百多尊，是中國著名的古代石刻藝術(shù)，是中國晚期石窟造像藝術(shù)的代表，大足石刻規(guī)模宏大、藝術(shù)精湛、內(nèi)容豐富，可與敦煌莫高窟、云岡石窟、龍門石窟齊名。其中以寶頂山和北山石刻最為著名。游客朋友們，請大家注意腳下臺階，以防摔倒。寶頂山石刻共有13處，造像數(shù)以萬計(jì)，其中以大佛灣和小佛灣規(guī)模最大。大佛灣、小佛灣是由19組佛經(jīng)故事組成的大型群雕，各種雕像15000多軀，設(shè)計(jì)之精巧，竟無一像雷同，主要造像有：“千手觀音”、“臥佛”等等。在這些雕像中，最著名的是被稱為人間一絕的“千手觀音”?，F(xiàn)在我們已經(jīng)來到這尊佛像面前，大家請仔細(xì)觀看。“千手觀音”雕鑿于南宋中后期，距今已有800多年歷史。這尊造像在88平方米崖面上，，刻有800多只手。其上下、左右、前后都伸出了手，有的手里拿著斧頭，有的手拿著寶劍，千姿百態(tài)。真是名副其實(shí)的千手觀音，被譽(yù)為“天下奇觀”。這尊雕像集雕塑、彩繪、貼金于一體，狀如孔雀開屏，金碧輝煌。據(jù)了解，關(guān)于“千手觀音”雕像，在民間還流傳著一個(gè)動人的故事，千手觀音是妙莊王的三公主，因獻(xiàn)一手一眼為父王合藥治病，佛感其孝行，賞還她千手千眼。因此，千手象征其法力無邊，能拯救眾生；千眼象征其智慧無窮，能明察秋毫。其次，寶頂臥佛是寶頂大佛灣最大的一尊造像，也是大足石刻最大的一尊造像，全長31米這尊像是橫臥著的，所以人們叫它“臥佛”。佛經(jīng)里叫“釋迦涅盤圣跡圖”。臥佛頭北腳南，背東面西，右側(cè)而臥。兩眼半開半閉，似睡非睡，安祥平靜。在臥佛面前從地里涌出18弟子，或內(nèi)向，或外向，或合掌而立，或手捧香花水果，或手持如意，或側(cè)首佇望，表現(xiàn)了弟子對逝者崇敬厚愛而依依眷戀之情。游客朋友們，我們今天的游覽即將結(jié)束，希望這次游覽能給大家留下難忘的回憶，美麗的大足石刻歡迎您們下次再來，謝謝大家。再見！第四篇：重慶大足石刻英語導(dǎo)游詞重慶大足石刻英語導(dǎo)游詞Dazu Rock Carvings in Chongqing guides English words Good friends are wele to visit the Dazu rock rock carvings, was built in the first year of Tang 6th(650), through the Five Dynasties period, pared to the 10971138, remnants until Ming and Qing, China advanced stone works of Rock Carvings in Chongqing Municipality is Dazu County Cliff main performance figures of the grotto art published for the heritage conservation units Cliff figures up to 75, more than 50,000 body statue, inscriptions 10 million , in the northern mountains, Grotto Mountain, Nanshan, Stone Fragrance Hill, Cliff Shimenshan most prevalent Rock Carvings on December 1, 1999 by the UNESCO as a cultural heritage on the World Heritage stone statues in Beishan Cliff Dazu County, Longgang Town of km and Tang drilled in the first year of King Fuk Shaoxing 31 years to the Southern Song Dynasty(8921162), through numbered 290, figures of 10,000, with carving delicate, exquisite, elegant known to Songyilian display of the late Tang Chinese folk belief and Buddhist grotto art style of the development and change, Hailed as the Tang and Song stone art Late Tang sculptures graceful fullness, temperament knew ends finer go about in bodyfitted with Tang particular resolution 245 AmitayurBuddhist disguised as rich, structured, engraved with the figure Category 539, all kinds of shapes more than 460 pieces, preserving the image of the various grotto in similar subjects were leading Dynasties works Beishan figures for the third over this period is the most prevalent, have an important role in the characteristics are small and exquisite, the posture changes, looked relaxed and patterns bee increasingly prosperous Korea, showing by the transition Yuerlian to Songyilian Tang Southern Song Dynasty statues most prominent, known as “the Chinese Goddess of Mercy taken at the museum.”During this period more work to the life, embodies the aesthetic appeal of the Song have distinct personalities, body beautiful, mel