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Nayyar — $22 million庫(kù)納納亞爾——2200萬美元 Helberg — $ million西蒙黑爾貝格——2250萬美元 Galecki — $24 million約翰尼蓋爾克奇——2400萬美元 Parsons — $ million吉姆帕森斯——2550萬美元第三篇:娛樂美聯(lián)英語 《致青春2原來你還在這里》中外影片里的青春小編給你一個(gè)美聯(lián)英語官方免費(fèi)試聽課申請(qǐng)鏈接: 美聯(lián)英語提供:娛樂英語 《致青春2?原來你還在這里》 中外影片里的青春中外影片里的青春Depicting youth I went to the movie theater the other day to see Never Gone(《致青春2?原來你還在這里》).I knew it was probably going to be another film where actors in their late 20s pretend to be in high surprise ,我去電影院看了《致青春2?原來你還在這里》。我猜這大概又是一部讓20大幾歲的演員裝成高中生樣子的電影。事實(shí)上也果然如此。The one unexpected part came in the casting of the , Chinese youth films tend to focus on the chemistry between a high school bad boy and his polar opposite, a *prim, upstanding female Gone switches the roles and turns it into the story of a rich, straightA boy who meets an *underprivileged after a fleeting moment of surprise, I soon realized it was just the same Cinderella tale all over 。典型的中國(guó)青春片大多描繪的是在高中校園里,一個(gè)壞男孩和一個(gè)端莊優(yōu)秀的女孩之間的化學(xué)反應(yīng)。之前還從來沒有過男女雙方的形象互換:一個(gè)成績(jī)優(yōu)秀的富家男孩遇見了一個(gè)來自下層社會(huì)的女孩。但隨著驚喜感的消逝,我慢慢開始意識(shí)到,這不過又是一個(gè)灰姑娘的故事。Youthoriented films seem trapped in a fixed pattern: They all center on a *sensational love story, rife with anxiety about school and the future, and they all have to be told in the form of dramas–lots and lots of clich233。d and almost always predictable plot twists manage to kill all the :一場(chǎng)轟轟烈烈的愛情故事,以及對(duì)于學(xué)校生活和前途的焦慮。而這些都以戲劇化的方式呈現(xiàn)出來——大量戲劇化場(chǎng)面。而正是這些老套且?guī)缀蹩梢灶A(yù)見的情節(jié),抹殺了影片的所有樂趣。Then a friend remended an American film, Everybody Wants Some!, released earlier this was the work of the veteran American director Richard Linklater, and it had gotten largely positive reviews for its tale of collegeaged *,一個(gè)朋友向我推薦了一部今年早些時(shí)候上映的美國(guó)電影《各有少年時(shí)》。這部影片是老練的美國(guó)導(dǎo)演理查德?林克萊特之作,且因其講述的一個(gè)大學(xué)生惡作劇而廣受好評(píng)。The story couldn’t be any late August 1980, three days before the new semester starts at Texas Southern University, an 18yearold freshman namedJake arrives in his new dorm and meets his three, short days form the time frame for the whole film, in which the boys get laid, get stoned, get bored–just being young and absolutely also talk, play baseball and search for 。故事發(fā)生1980年8月底,在南德州大學(xué)開學(xué)前三天,一名叫做杰克的18歲大一新生來到新宿舍,并見到了他的室友們。這短短的三天便構(gòu)成了整部影片的時(shí)間框架。在這三天里,這些男孩們?cè)L(fēng)流一夜,飄飄欲仙,也曾無所事事,百無聊賴——年少?gòu)垞P(yáng)而又無拘無束。他們也會(huì)一起聊天,一起打棒球,一起探求自我。The whole time while watching the film I was waiting for something to happen–the usual *clunky plot twist, one that veered the narrative into the realm of *sappy teen nothing like that film has no climax and little seems to flow naturally, as if the characters are in an *eternal film is about three days of youth, yet it seems to show all th