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本科畢業(yè)論文-基于mcs-51單片機的智能電風扇控制系統(tǒng)(編輯修改稿)

2024-12-16 10:30 本頁面
 

【文章內容簡介】 缺少的課題, 它 的很多知識都應用在機電一 體化中。 現(xiàn)代人類生活中所用的幾乎每件電子和機械產品中都會集成有單片機 。 我們通過用 MCS51單片機為核心,通過溫度傳感器對環(huán)境溫度進行數(shù)據采集,從而建立一個完善的控制系統(tǒng),實現(xiàn)電風扇隨空氣中溫度變化而自動變換檔位,可以再一定 范圍內設置電風扇的最低工作溫度,當溫度低于所設置溫度時,電風扇將自動關閉,當高于此溫度時電風扇又將重新啟動的系統(tǒng)。進一步實現(xiàn)了降低工作成本提高工作效率,響應了國家所提倡的節(jié)能減排口號。 基于單片機的智能電風扇控制系統(tǒng) 17 參 考 文 獻 [1]樓然苗 李光飛 .51單片機設計實例 [M] .北京航空航天大學出版社 [2]余永權 汪明慧 .單片機在控制系統(tǒng)中的的應用 .電子工業(yè)出版社 [3]陳伯時 .電力拖動自動控制系統(tǒng) .機械工業(yè)出版社 [4]楊靖用 .單片機控制的直流電機調速系統(tǒng)機床電路 [5]陳正義 .單片機控制實習 .人民郵電出版社 [6]張鑫 .單片機原理及應用 .電子工業(yè)出版社 [7]明德剛 .DS18B20在單片機溫控系統(tǒng)中的應用 2020. [8]黃朝民 .肖明清 .吳志強 .單片機原理與應用 .現(xiàn)代電子技術 [9]劉進山 .基于 MCS51電風扇只能調速器的設計 .電子質量 [10]陳杰 .黃鴻等 .傳感器與檢測技術 .北京高等教育出版社 [11]陳麗芳 .單片機原理與控制技術 .東南大學出版社 [12]劉迎春,葉湘濱 .傳感器原理設計與應用 .國防科技大學出版社 [13]何立民 .單片機應用技術編選 .北京航空航天大學出版社 [14]基維百科網站 [15]百度網站 基于單片機的智能電風扇控制系統(tǒng) 18 致 謝 非常感謝彭小軍導師對我們的耐心指導,這次畢業(yè)設計 不只是我們智慧的產物 更飽含了彭老師對我們的深情教導和知識 點撥,讓我們能把這次畢業(yè)設計順利完成。通過這次畢業(yè)設計我對單片機又有了更深的了解,發(fā)現(xiàn)我們的很多機械產物都和單片機有著息息相關的聯(lián)系。 再次感謝我的導師彭小軍對我論文的構思以及內容不厭其煩的指導和細心指點,使我在完成論文的同時也深受啟發(fā)和教育給予我很多教益。雖然只有短短的三年,但是在學校卻讓我感受到了家的溫暖,讓我對人生進一步有了明確的目標。 基于單片機的智能電風扇控制系統(tǒng) 19 您好,為你提供優(yōu)秀的畢業(yè)論文參考資料,請您刪除以下內容, O(∩ _∩ )O 謝謝!??! A large group of tea merchants on camels and horses from Northwest China39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。s Zhangye city during their journey to Kazakhstan, May 5, 2020. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2020. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2020. Then they will e back, carrying specialty products from Kazakhstan A s mall art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s performers of the troupe still tour the region39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu,
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