【文章內容簡介】 應加強對我國進出口企業(yè)在政策上的引導和扶持 在人民幣升值的大背景下，中國政府應該在進一步優(yōu)化出口商品結構，遏制對外貿易順差過快增長，促進我國產業(yè)結構升級方面有所作為。主要體現在政策上對進出口企業(yè)進行適當地引導和扶持。例如，政府在 2022 年采取的一系列調整措施，包括對 “ 兩高一資 ” （高耗能、高污染、資源性）產品加征出口關稅及降低出口退稅，降低暫定進口關稅稅率、取消自動進口許可管理等方式鼓勵進口等；在 WTO 規(guī)則允許的范圍內采取一定的出口補貼，主要包括鼓勵研發(fā)的補貼、支持落后地區(qū)的補貼和環(huán)保項目的補貼；完善出口信用保險制度，比如出口信貸、出口信貸擔保和出口信用保險等出口的公共支持；還可設立專門機構為國內出口企業(yè)提供各種信息和咨詢服務，包括國際市場行情、市場調查、潛在貿易對象及投資環(huán)境等，幫助國內出口企業(yè) 開拓國際市場。同時，加強對綠色貿易壁壘和技術性貿易壁壘的學習和運用 , 防止外國高污染、低質量產品進入國內沖擊我國同類產品。 參考 文獻 ： [1]張穎 .人民幣升值對我國對外貿易的影響分析 [J].合肥學院學報：社會科學版， 2022，（ 11）：127130. [2]陶雙玉 .人民幣升值對中國進出口貿易的影響 [J].集團經濟研究， 2022，（ 10）： 132. [3]陳文芳 .試論人民幣升值背景下我國的對外貿易發(fā) 展 [J].福州黨校學報， 2022，（ 5）： 6265. [4]馬慧敏 .人民幣匯率升值是中國外貿行業(yè)發(fā)展的新機遇 [J].集團經濟研究， 2022，（ 8）：188189. [5]馮正強 ,楊曉霞 .人民幣匯率對我國對外貿易結構的影響分析 [J].經濟經緯， 2022，（ 4）：4244. [6]劉源 ,石媛倩 .人民幣升值對貿易的影響及應對的措施 [J].商場 現代 化， 2022，（ 12）： 339. [7]劉君 .人 民幣匯率對我國出口商品結構影響分析 [J].特區(qū)經濟， 2022，（ 7）： 6768. [8]陳芳 .人民幣匯率變動對我國出口貿易的影響 [J].廣西 農村 金融 研究， 2022，（ 3）： 6063. [9]唐麗漪 .人民幣匯率與中國對外貿易 [J].時代經貿， 2022，（ 8）： 185186. 為你提供優(yōu)秀的畢業(yè)論文參考資料，請您刪除以下內容， O(∩ _∩ )O 謝謝?。?！ A large group of tea merchants on camels and horses from Northwest China39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。s Zhangye city during their journey to Kazakhstan, May 5, 2022. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2022. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2022. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s performers of the troupe still tour the region39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a six