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e of ninetytwo. 【文章大意】本文是記敘文, 主要介紹了畢加索多變的畫風(fēng)。1. Picasso’s school teachers in Spain _______. A. taught him a new way of paintingB. praised him for good gradesC. made him drop out of schoolD. disliked his creativity【解析】選D。細(xì)節(jié)理解題。根據(jù)第二段Although Picasso did well, his teacher wouldn’t let him develop his own style. So he changed schools. Though his new teachers praised his work, they still criticized it as being too different. 可知, 盡管畢加索畫得很好, 他的老師不允許他發(fā)展自己的風(fēng)格, 因此他換了學(xué)校。盡管老師們稱贊他的作品, 他們依然批評他的作品太不同了, 故可知, 學(xué)校老師不喜歡畢加索的畫畫風(fēng)格。2. What’s Paragraph 3 mainly about?A. What Picasso learned in Paris. B. The death of Picasso’s best friend. C. How the Blue Period came into being. D. The copies of Picasso’s paintings. 【解析】選C。 段落大意題。根據(jù)第三段an important development in his own style came along及This is known as his “Blue Period”. 可知, 該段介紹了畢加索的藍(lán)色時期是如何形成的。3. What had a great influence on Picasso’s painting style during his Rose Period?A. Sadness. B. Love. C. Flowers. D. Friendship. 【解析】選B。推理判斷題。根據(jù)第四段中的his painting style changed again when he fell in love with an artist’s model可知, 畢加索玫瑰時期的形成主要是受愛情的影響。4. What can we learn about Cubism?A. It was thought to be unusual. B. It has objects that look real. C. It uses the same shapes. D. It was inspired by African buildings. 【解析】選A。細(xì)節(jié)理解題。根據(jù)倒數(shù)第二段中的Cubism was so unique that it became very popular. 可知, 立體主義時期的作品特色鮮明、與眾不同。BKaren Bystedt was born in Israel, but lived in London and California as a child. In 1982, as a photography (攝影) student at New York University, she was photographing male models for a book when she came across an ad featuring Andy Warhol, a very famous artist. She thought it would be really great to put him in her book. So she called Andy Warhol at his studio in Union Square and asked if she could photograph him. Two weeks later, Bystedt took a rented Hasselblad camera and lights to Warhol’s famed “Factory” on 14th street. She ended up taking 36 pictures, and published two in her book, Not Just Another Pretty Face, published in 1983. Warhol came to its launch (發(fā)行) party—and that was the last time she saw him. A few years later, she packed the portraits in a box and moved to Los Angeles. But after she’d gotten settled, she couldn’t find them. She couldn’t remember whether she had given the photos away or just left them in some forgotten storage unit. Either way, she thought they were lost forever. In 2011, Bystedt became determined to find the missing films(底片). She spent two weeks going through two old garages, where she had p