【正文】 isual integrated of general features of nature, human contact with nature has a mysterious atmosphere by a metaphor out of the art scene, landscape architecture in the function and esthetics were given on the basis of meaningful artistic Martha Schwartz Landscape Design works are denied the authenticity of the material, instead of a serious instead of simple, modernist landscape of dull and discard the reason was the to express artistic ideas and new understanding of the landscape: the landscape is a manmade or artificial modification of the set of the space, which is the basis and background of public life, is related to art and novel materials with almost eerie and staggered hybrid system reflects the position of postmodern American society plex and contradictory social reality to the image of diverse social values embodied multisource, expressed in this plex society to vulner able groups, speech power of the social ideals of the performance style, these active experiments with neoclassical 19th century landscape architecture are similar, the same inspiration for the visual arts, also emphasized the use of circular geometry rather than the socalled naturalistic here, the individual imagination 安徽建筑大學(xué)畢業(yè)設(shè)計成果 1 18 bines the functions of caring modernist sound art to think about the social elements of the modern landscape as a creative opportunity, rather than constraints, and create a unique landscape art in the role of the environment reestablished and this time the art is designed to encourage, rather than a priori form of domination. 3 Conclusion After a century in both the arts and sciences extension and development of modern American landscape architecture has its own characteristics in their social and ecological scale and traditional garden set aside the watershed, in the constant expansion and change has be e the values of a diverse multiprofessional , the nature of human perception of the media, three potential concern for landscape architecture aesthetic, environmental and social, in the United States in the development of modern landscape architecture, and not weakened over time, on the contrary, emphasized the human landscape harmony with nature, emphasizing social justice embodied in the landscape, emphasizing the spiritual landscape in the joy of the people want more and more clear as the cornerstone of which constitute its value small scale to large garden courtyard and streetscale national parks, the care of their value in practice may be different emphasis, but each design is a good balance of these three values and prehensive, not just designorienteda simple form or function to , as China39。 6Desert Research Institute, Reno, NV Abstract:The new century came in the end, turn of the century, a century or even millennium replace actually replaced in a flash, in this moment, the United States Modern Landscape Architecture profession has gone through an extraordinary the passing away of hundred years, the United States the emergence of modern landscape architecture and development to guide the direction of modern landscape architecture, and covers almost all of the , we hope that through their review and thinking, can and enlightenment. Keywords:Landscape Architecture Development professional practice naturalistic style Ecological Ethics 安徽建筑大學(xué)畢業(yè)設(shè)計成果 1 12 1 Development Industrial revolution has brought about tremendous and farreaching changes to the 19th century, known as the father of American landscape architecture of the FL Olmsted and Vaux designed by British architect, New York39。在用地局促、綠道無法連續(xù)的情況下可合理借道。規(guī)劃設(shè)計應(yīng)堅持人與自然和諧共生的理念，尊重本地的生態(tài)基底、自然山水格局，依托綠色空間的同時盡量減少對自然環(huán)境的干擾和破壞。據(jù)安裝在步行橋頭的進出口自動計數(shù)器顯示，步行橋的日使用人數(shù)平均達 4 萬余人次。難怪當(dāng)?shù)厥忻穹Q其“最富有詩意的橋” 。步行橋飄忽燕尾洲 頭的植被之上，使游客能在城市之中近距離觸摸到真實的自然。梯田河岸同時將來自陸地的面源污染和雨洪滯蓄和過濾，避免對河道造成污染。 與水為友的彈性設(shè)計 地處中國東部亞熱帶地區(qū)，金華受強烈的海洋季風(fēng)氣候特征，有旱、雨季分明，雨季常受洪水之?dāng)_。 步行小徑的感受隨著架高的木棧道逐漸增強，讓參觀者能夠俯瞰休斯頓最寶貴的風(fēng)景之一 案例 二 ： 燕尾洲公園 1. 場地與挑戰(zhàn) 安徽建筑大學(xué)畢業(yè)設(shè)計成果 1 6 在隔江相望的城市包圍下，燕尾洲已經(jīng)成為金華這一具有100 萬人口的繁華都市中的唯一尚有自然蒹葭和楓楊的芳洲。志愿者將在波浪中種 植漂浮的新芽植物?？傮w規(guī)劃嘗試擴展現(xiàn)場提供的服務(wù)內(nèi)容，但同時也意識到園區(qū)的訪客承載能力，以達到無干擾自然區(qū)域和設(shè)計區(qū)域的平衡。樹冠樹木生長在 “ 凹陷 ” 地區(qū)。這個過程成功地為利益相關(guān)者之間的對話提供了一個互動的論壇，也為所有的參與者提供了寶貴的學(xué)習(xí)經(jīng)驗。 挑戰(zhàn) 休斯頓植物園和自然中心的位置靠著水牛河（ Buffalo Bayou），是一個155 英畝的地區(qū)性資源，用于為原生動植物提供庇護場所，同時也是城市的環(huán)境教育的一個聚點。 通過對國內(nèi)生態(tài)保護公園的研究，初步探討景區(qū)保護景觀設(shè)計策略。 畢業(yè)實習(xí)重點是針對畢業(yè)設(shè)計選題進行調(diào)研，赴省內(nèi)外考察、學(xué)習(xí)，重點了解畢業(yè)設(shè)計選題在國內(nèi)外已達到的狀況和發(fā)展趨向。 安徽建筑大學(xué) 20xx 屆景觀學(xué)專業(yè)畢業(yè)設(shè)計成果 1 專 業(yè) 景 觀 學(xué) 班 級 11 城建景觀 1 班 學(xué)生姓名 樊 林 亞 學(xué) 號 11202920xx5 課 題 鷺山湖景區(qū)景觀設(shè)計 指導(dǎo)教師 冀 鳳 全 建筑與規(guī)劃學(xué)院 景觀系 20xx 年 3 月 18 日 安徽建筑大學(xué)畢業(yè)設(shè)計成果 1 1 目錄 目錄 畢業(yè)實習(xí)開始前，每名學(xué)生在熟悉和了解畢業(yè)設(shè)計選題的基礎(chǔ)上，制訂調(diào)研計劃和提綱。 通過案例分析和數(shù)據(jù)研究分析，探討景區(qū)保護的景觀設(shè)計原則。這個 1500 英畝的紀(jì)念公園由景觀建筑和規(guī)劃公司 Hare amp。在討論會上，相關(guān)人士確定了 兩個重要目標(biāo) —— 實現(xiàn)景觀多樣性，并且平衡添加功能的 “ 野外 ” 空間。這些區(qū)域水容易積聚，樹木發(fā)展出較為淺和疏的根系。具有自然韻律的基準(zhǔn)和相對的設(shè)計空間是從相關(guān)的植物園和林園取材的。將會種植大片的草原和熱帶草地，并且每年會進行切割或者控制性焚燒來進行再生。烏江和武義江在此交匯而成婺江（金華江）。同時，為了爭取更多的便宜土地進行城市建設(shè)，大量河漫灘被圍建開發(fā)。本項目盡管只有一段微不足道的生態(tài)防洪區(qū)域，但可作為婺江流域河道防洪設(shè)計的樣板，供借鑒和推廣。色彩上用具有民俗特征和喜慶熾烈的紅黃交替，同時結(jié)合晚間燈光和照明功能，流暢絢麗、便捷輕盈。 動感流線編織的彈性體驗空間 圓弧形的大型建筑（金華婺劇院）給場地空間和形態(tài) 設(shè)計提出了挑戰(zhàn)，包括如何創(chuàng)造彈性空間同時滿足瞬時集散和平時游人的空間需要和體驗，形成宜人的環(huán)境、形成包容性的游憩空間、防洪及巨型建筑與江岸的關(guān)系等。當(dāng)?shù)孛襟w驚呼 “一座城市為一座橋而發(fā)狂”。通過對綠道兩側(cè)綠化景觀安徽建筑大學(xué)畢業(yè)設(shè)計成果 1 10 的提升，強化廊道的生態(tài)聯(lián)通功能。靈活處理綠道線路之間的銜接，因地制宜地選擇鋪裝和綠化方式，避免大拆大建，盡量結(jié)合利用現(xiàn)有資源，更多關(guān)注綠道實際效能的發(fā)揮。s Central Park (1858) the construction, marking the ordinary living landscape to a starting point, the landscape architecture from the path of independence, and with mode