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……………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………一級(jí)標(biāo)題單獨(dú)起頁(yè)、Times New Roman三號(hào)、頂格加粗、下空小四一行一級(jí)標(biāo)題標(biāo)題上面小三Times New Roman空三行,單倍行距IV. On the Mechanism of Metaphor二級(jí)標(biāo)題、Times New Roman四號(hào)、頂格加粗、上空一行、下不空行…………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………….. Black’s Interaction Theory(章內(nèi)每節(jié)標(biāo)號(hào)及標(biāo)題左起頂格,四號(hào)字,加粗,前后空一行為小四號(hào)字。② 文獻(xiàn)題名及版本(初版省略)。對(duì)于專著、論文集中的析出文獻(xiàn),其文獻(xiàn)類型標(biāo)識(shí)建議采用單字母“[A]”;對(duì)于其他未說(shuō)明的文獻(xiàn)類型,建議采用單字母“[Z]”。參考文獻(xiàn)序號(hào)用方括號(hào)標(biāo)注,而注釋用數(shù)字加圓圈標(biāo)注(如①、②…)。四、文后參考文獻(xiàn)表編排格式參照ISO 690及ISO 6902,每一參考文獻(xiàn)條目的最后均以“.”結(jié)束。二、參考文獻(xiàn)類型及其標(biāo)識(shí)根據(jù) GB 3469規(guī)定,以單字母方式標(biāo)識(shí)以下各種參考文獻(xiàn)類型:參考文獻(xiàn)類型、文獻(xiàn)類型標(biāo)識(shí)專著[M], 論文集[C], 報(bào)紙文章[N],期刊文章[J],學(xué)位論文[D],報(bào)告[R],標(biāo)準(zhǔn)[S],專利多個(gè)責(zé)任者之間以“,”分隔,注意在本項(xiàng)數(shù)據(jù)中不得出現(xiàn)縮寫(xiě)點(diǎn)“.”(英文作者請(qǐng)將作者名寫(xiě)全)。本例為整段引用,即block quotation, 前后空五號(hào)字一行 )All metaphors, Aristotle believes, fall into at least one of these four categories, although analogy metaphors are the most pleasing. Aristotle also holds that metaphor can make the prosaic style charming, and stresses that it can only be confined to poetry (ibid. 72). This perspective leads to the later theorists making distinction between poetic language and everyday language. Especially in Chapter 21 and 22 of Poetics, Aristotle states that every word “is either current, or strange, or metaphor, or ornamental, or newly coined, or lengthened, or contracted, or altered”(). It is obvious that Aristotle classifies metaphors as lying outside normal language use. They are deviant or aberrant forms of discourse. He also holds that metaphor has no cognitive value and is merely an embellishment of language (Kittay 1). Also in this chapter of Poetics, he elaborates how metaphors are unusual and discusses the relationship between metaphor and genius, viewing metaphor as a talent of epic poets and tragedians:引文:前縮進(jìn)10個(gè)字母、后不縮進(jìn)、上下各空1行The greatest thing by far is to have a mand of metaphor. This alone can not be imported by another。 (大約200字左右)小四、宋體、加粗關(guān)鍵詞:隱喻;搭配;術(shù)語(yǔ)(中文摘要的內(nèi)容和關(guān)鍵詞應(yīng)與英文摘要相對(duì)應(yīng),關(guān)鍵詞35個(gè),詞與詞之間用分號(hào)分開(kāi))*** 正文引文中涉及到中國(guó)作者有兩種情況:1)在參考文獻(xiàn)中,如果用英文表述中國(guó)作者及著作,Shen, Dan. Stylistics and Translation. Beijing: Peking UP, 1995. 那么在正文中,引用原作者話之后要這樣在括號(hào)里標(biāo)注, 例如,Professor Shen writes that the standard of faithfulness and accuracy is not only “a principle for translating business contracts, but an attitude in translation” (Shen 191). (引文標(biāo)注用漢語(yǔ)拼音)。其余的按本格式復(fù)制。兩千多年來(lái),隱喻一直被僅僅看作一種修辭手段,一種語(yǔ)言的陪襯,被看作是兩種不同事物事先存在的相似性的比較或一個(gè)詞對(duì)另一詞的替代,進(jìn)而形成對(duì)隱喻闡述的比較論和替代論。Times New Roman、小四、2倍行距Times New Roman、小三、加粗Abstract The mechanism of metaphor is actually the nucleus of the study of metaphor. For more than two thousand years, metaphor was viewed as a device of rhetoric, an attachment to language. In accordance with this perspective, metaphor was a parison between two things that do not belong to the same category or was regarded as one word used to substitute another because there were preexisting similarities between them. As a result of this perspective, two theories took shape: one was the Comparison Theory, the other was the Theory of Substitution. But modern scholars discard the perspective, holding that metaphor is not only a device of rhetoric, to be more important, it is a leading way for human beings to know this world, a way of thinking. (中文摘要的對(duì)應(yīng)譯文)Times New Roman、小四、加粗Key words: metaphor。如在頁(yè)首則其前不空行,但其后空行)三級(jí)標(biāo)題、Times New Roman小四號(hào)、頂格加粗、上下不空行 Introduction to Interaction Theory Interaction Theory was originated from I. A. Richards’ theory. In his definition he says: “In the simplest formulation, when we use a metaphor we have two thoughts of different things active together and supported by a single word, or phrase, whose meaning is a resultant of their interaction”(Richard 89). The most important in this definition is “two active thoughts interact with each other.” He first provided the basic terminology and conceptual framework for discussing metaphor. He argued th