【正文】 s essay affects me very deeply. Not as an urging to bee self reliant – I39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－ all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the boundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week, but it failed to create much spring in the art market. Although two pieces of Chinese painting fetched more than 100 million yuan, the decline in trading volume and sa le rate showed a downturn this year. In the ―Grand View: Chinese Painting Highlight‖ session at China Guardian 2021 spring auctions, Pan Tianshou’s representative work Eagle, Rock and Flora hit a record auction price of 279 million yuan, while Li Keran’s masterwork Jinggang Mountain fetched million yuan, an unexpected high in recent years. However, the trading volume fells to billion yuan from billion yuan in the same period the year before. The Huangchen 2021 Spring Auctions, which recorded million yuan in total sales, experienced the same. The section number went down to 5 from 12 pared to last year. According to expert Shao Jianwu, the art market did not attract much excitement this year due to the booming stock market and the persistent problems of fery and fake deals. The two pieces of Chinese painting notched up high price this spring due to their own value not due to a revival in the market. The successful transaction of two works with a hammer price of more than 100 million yuan once again confirms that valuable and rare works of high quality always earn the longlasting high price. Chinese painting and calligraphy is still the pillar of the market. However, the overall sales rate has dropped slightly, which reflects the demand for the ordinary auction goods has weakened,‖ said the president of China Guardian’s Hu Yanyan. Besides, the entry of new buyers also makes certain changes to the direction of purchasing. In a word, the overall market trend is very unpredictable. Although China Guardian 2021 Spring Auctions has achieved remarkable results, it does not mean that the market has walked out of the predicament. We still have to wait for the big economic boom to invigorate the art market.‖ Even so, the hot pursuit of some special items appeared this spring. A special session of China Guardian Spring Auctions titled ―Fine Gilt—Bronze Buddhist Images‖ achieved a great deal with total sales volume of million yuan and 92 percent sale rate. The 5th Shamar Rinpoche Statue from 1617th century of Tibet was sold for million yuan. The Beijing Chengxuan Auctions featured almost 2,800 items of coins and stamps in three sessions with good sale rate. The Huachen Auctions also set a special session of photographs under the condition of largescale decline of auction sessions. There was a palpable dull thud of disappointment that acpanied the return of the imperial entourage of Zhen Huan to her homeland. It followed a couple years of hushed excitement as Chinese fans were fed tidbits about their proud concubine who was supposed to conquer the high ground of the North American market. Zhen Huan is, of course, the title character of The Legend of Zhen Huan, a 2021 television series that swept China off its feet and later took other Asian countries by storm. Two years ago, it was reported that HBO, a premium cable service headquartered in the United States, was going to air it in North America after some modification. Now, a condensed version that provides English subtitles but no dubbing has finally been made available on Netflix for online streaming. This version, highly anticipated as a milestone in China39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。并將一直持續(xù)下去?? 12 參考文獻： [1] 袁 行霈 ： 《中國文學史》第一卷 （ M） .北京：高等教育出版社 ,2021年 7月第 2版 . [2] 馬茂元 ： 《古詩十九首初探》 （ M） .陜西：陜西人民出版社 ,1981年 6月第 1版 . [3] 朱自清 、 馬茂元 ： 朱自清馬茂元說古詩十九首 (M). 上海：上海古籍出版社， 1999. [4] 趙敏俐 ： 《漢代詩歌史論》 （ M） .吉林：吉林教育出版社 ,1995年 12月第 1版 . [5] 劉大杰 ： 《中國文學發(fā)展史》上卷 (M).廣州：百花文藝出版社 ,1999年 2月第 1版 . [6] 賀靈揚 : 《古詩十九首》研究 （ M） .上海：光華書局， 1927. [7] 王強模 :《古詩十九首》評譯 （ M） .貴陽：貴州人民出版社， 1991. [8] 張茹倩 :張啟成 :《 古詩十九首 創(chuàng)作時代新探 》 （ J） .貴州民族學院學報， 1990. [9] 楊得貴 :論《 古詩十九首 的生命意識》 （ J） .信陽師范學院學報， 1991. [10] 劉則鳴 :《 古詩十九首 的孤獨傷痛與漢末士人的生存焦慮》 （ J） .內(nèi)蒙古大學學報， 1997. [11] 葉幼明 :《 古詩十九首 在我國詩歌史上的地位 》 （ J） .中國文學研究， 1987. [12] 趙敏俐 :《 論漢代文人五言詩的藝術(shù)特征 》 （ J） .文 學遺產(chǎn)， 1995 [13] 蕭統(tǒng)編李善注 ： 《文選》上中冊 （ M） .上海：中華書局 ,1997年 11月第 1版 . [14] 章培恒 、 駱玉 ： 《中國文學史》上卷 （ M） .上海：復旦大學出版社 ,1996年 3月第 1版 . [15] 游國恩 ： 中國文學史 （ M） . 北京：人民文學出版社， 1996. 13 致謝詞 衷心感謝我的導師侯宏堂老師，我的論文正是在他的悉心指導下完成的。故《十九首》雖此二意，而低回反復，人人讀之皆若傷我心者，此詩所以為性情之物。總之，《古詩十九首》在以上各方面都有所突破并取得了突出成就，從它流傳之日起，它就影響著每一代讀者，歷久彌新，長盛不衰，直至現(xiàn)在乃至將來更久更遠的時代，《古 詩十九首》在中國詩史特別是五言詩的發(fā)展史上有相當重要的意義，占據(jù)著舉足輕重的地位，歷代文人學者都給予它很高的評價，僅在這里幾條具有概括力和代表性的評價，例如：劉勰 的《文心雕龍》稱它為“ 觀其結(jié)體散文，直而不野，婉轉(zhuǎn)附物，怊悵切情，實五言之冠冕也 ” 鐘嶸的《詩品》卷上贊頌它“文溫以麗，意悲而遠，驚心動魄，可謂幾乎一字千金。河漢清且淺，相去復幾許。這一方面，縱觀全詩