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卡森麥卡勒斯作品中女主人公形象分析英文-全文預(yù)覽

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【正文】 ibution to the novel genre,” and “the term Bildungsroman is most closely associated with a small group of German novels written in the late eighteenth century and the first half of the nineteenth” (Mullane 92). It “is considered the story of a child’s initiation into adulthood or youths struggling for identity, maturation, and a place in society”. (Sun 12) Johnann Wolfgang von Goethe’s Wilhelm Meisters Lehrjahre is considered to be the archetype of this genre. It was from England that American writers borrowed the genre and connected it with their own tradition, the interest in childhood. But later this literary tradition spread to the American mainland and flourished there. “Since then, American writers of different generations have been overwhelmingly fascinated by this kind of novel and its typical theme of the psychological growth of a central character from adolescence to maturity plays upon the heartstrings of their readers.” (Sun 3) As the United States is a youthful nation, the stories of the young are vibrant too. Famous works of the Bildungsroman are numerous, such as Dickens’s Great Expectations, Gorky’s My Childhood and Joyce’s A Portrait of the Artist as a Young Man. Their long lasting and popularity is due to the nature: everyone has gone through the pains and confusion of growing up, so it is easy to sympathize with the characters. And if most traditional novels labeled as Bildungsroman consider an acmodation between the individual and the society an essential characteristic of the genre, many American apprenticeship novels, unlike their German counterpart, doubt or deny the possibility of achieving a gratifying result. Put under the background of Southern Renaissance, and especially in the works of Carson McCullers, the story of a child’s initiation into adulthood often goes wrong. They are not lucky enough to be born with a silver spoon. They are either lacking in paternal guidance or totally ignored by the family. In McCullers’s works, the girls’ mothers are more or less invisible, and they have some difficulty municating with their fathers. This absence shows the writer’s questioning and introspection of the environment of southern adolescents. That is just where the purpose of this paper lies: after probing into the three protagonists’ process of growing up, we can see their efforts for pursuing their dreams and being a better self. Their Bildungsroman gives us confidence to believe that with so many youngsters striving for their tomorrow, the American South will see a brilliant sunrise in the not too distant future. 2. Demonstration The Heart Is a Lonely HunterMick Kelly This is McCullers’ maiden work, which brought her to a national fame and established her literary reputation. Originally entitled筆者轉(zhuǎn)而從成長小說的角度來證明這些反南方淑女形象的主人公們是南方文藝復(fù)興中日益崛起的一股新興力量,她們和新南方共同成長。盡管貧窮而飽受挫折,這些女孩沒有向父權(quán)制社會(huì)的束縛低頭,也沒有失去自我認(rèn)同。盡管她的一生短暫又多舛,這位杰出的女作家給我們留下一系列卓越的作品。 A THESISSUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OFBACHELOR OF ARTSBYSu XixinSUPERVISED BYZhao Li麥卡勒斯作品中女主人公形象分析學(xué) 院: 外國語學(xué)院 專 業(yè): 英語 學(xué) 號(hào): 070703217 學(xué)生姓名: 指導(dǎo)教師: 職 稱: 講師 二零一一年六月“A Wall, a Flight of Stairs, an Open Road”A Brief Interpretation of the Female Images in Carson McCullers’s Major Works麥卡勒斯是美國最富影響力的作家之一。在美國南方文藝復(fù)興的背景下,本論文試著從成長小說的角度來證明卡森幾部主要作品中的女主人公的積極形象都代表著一個(gè)全新的南方。通過細(xì)致的分析來重點(diǎn)探討女主人公各自的轉(zhuǎn)變過程,本文摒棄哥特主題和人心疏離的傳統(tǒng)觀點(diǎn)。 (1943), and The Member of the Wedding (1946). Her novels have similar themes and are all set in a small town in the South, deep in the summer heat. Loneliness and spiritual isolation are the perpetual themes of McCullers’s novels. It was the grotesque, freakish, and incongruous human condition that caught her attention. (Chang 274) However, McCullers also takes care of other themes like racial, religious and cultural concerns. In her fictional world, there is an outstanding group: adolescents who find it hard to love and live normal lives. In this regard, Carson McCullers successfully depicts a series of struggling teenage girls such as Mick Kelly, Frankie and Frances. They are tall and gangly boyish girls, all having some haunting sorrow. In this sense, I think we can also view McCullers as an author of initiation stories (namely Bildungsroman, which will be discussed in the following section). Through her vivid description, McCullers offers us a rare insight into the awkwardness and frustration associated adolescence, which represent the paradoxes of provincial American South when faced with changes and revolutions. Since she was a child, McCullers has been an outoftheordinary child. She never cared to behave like a belle, which made her an offbeat girl among her peers. In The Lonely Hunter: A Biography of Carson McCullers, Virginia Spencer Carr said McCullers always dressed herself in some dirty sneakers and loose khaki suits or shorts. Silk stockings and dresses were a nuisance to her because they made her feel uneasy. Tall, thin, and moonfaced, McCullers did not care whether others were mocking her or not, she just went her own path. All her characters are an epitome of herself in this or that regard. They seek, with McCullers, after the true meanings of their lives, regardless of traditional stereotypes and difficult surroundings. Through their painful growing up, they show to the world their courage and ambition.Native of south, Carson McCullers spent all her childhood and adolescence in a small town of Georgia. She was always vacillating between two kinds of feelings toward south: on the one hand, the unenlightened oldfashioned small town was the nightmare of her childhood。 a political radical, Jake Blount。has been lauded for its sharp insights into the awkwardness and frustration associated with adolescence, unrealized love, spiritual isolation, and the failure of interpersonal muni
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