【正文】 uggles to avoid a groundless fabrication. He devotes his life to the epic of ancient myths, from the collective fantasies of absorbing European nutrients, in order to enrich his own Nakasu world. Lord of the Rings is not only a manifestation of extraordinary imagination, but also the resurrection of Europe39。 it is adapted from the British writer Tolkien’s original literary masterpiece, Lord of the Rings. It is a fantasy novel so much as it is a myth. And the other a character or a fictional event is different from a fictional world of Nakasu① .The world is very real, detailed description of the map。 culture。作為經(jīng)典文學(xué)作品在半個(gè)世紀(jì)前，它包含強(qiáng)大的西方文化價(jià)值觀，隨著的視聽(tīng)震撼效果相結(jié)合，并完全征服了中國(guó)觀眾的心,并吸引了許多學(xué)者從不同角度對(duì)其進(jìn)入深入探討。 簽名： 日期： DeclarationI hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person or material which has to a substantial extent been accepted for the award of any other degree or diploma at any university or other institution of higher learning, except where due acknowledgment has been made in the text.Signature:Date：畢業(yè)論文（設(shè)計(jì)）任務(wù)書(shū)班 級(jí)： 英語(yǔ)20073 姓 名： 杜姍 論文（設(shè)計(jì)）題目： 從指環(huán)王看美國(guó)魔幻電影 專 題： 文化 論文（設(shè)計(jì)）來(lái)源： 學(xué)生自擬 要求完成的內(nèi)容： 1. 閱讀相關(guān)文獻(xiàn)資料 2. 提交論文大綱 3. 指導(dǎo)教師的建議下定論文大綱 4. 進(jìn)行論文寫(xiě)作 5. 指導(dǎo)教師對(duì)學(xué)生論文進(jìn)行至少三稿的修改 6. 在提交論文前定稿，完成畢業(yè)論文寫(xiě)作 發(fā)題日期：2007年12月10日 完成日期：年月 日實(shí)習(xí)實(shí)訓(xùn)單位：新疆西北翻譯產(chǎn)業(yè)有限公司地點(diǎn)：烏魯木齊市新華北路80號(hào)金谷大廈B座178室論文頁(yè)數(shù)： 頁(yè)； 圖紙張數(shù)： 指導(dǎo)教師： 教研室主任： 院 長(zhǎng)： 摘 要 近年來(lái)，雖然西方魔幻課題的幾年中進(jìn)入了電影市場(chǎng)，所有的觀眾們并不熟悉，直到出現(xiàn)了《指環(huán)王魔戒現(xiàn)身》。 magic。 it presents the culture root of American native culture. (Yangxin 132)Besides those, Wushasha, who studies in College of Southwest University, talks about the beauty wilderness of New Zealand Wild in her works that reflect the relationship between nature and mankind, and suggests that the harmony between people and nature before the Industrial Revolution .(Wshasha 51 )According to these views, I believe that there are four main cultural values can be studied in the second chapter. The first one is the resurrection of the spirit and the language and culture of ancient mythology. The second one is escaping from the reality with the antimodern tendency and criticizing the war in industrial technology and the destruction of nature and human nature. The third one is the expression of the Christian redemption of original sin, Sin Salvation belief and the pursuit of good. The last one is to praise heroism of ordinary people. Those ideas all aim to meet audience’s spiritual need for a better illusion. In chapter three, there are reasons why the magic movies as the Lord of the Rings bee so popular around the world. In addition, meeting the needs of the public mind, the demand for antimodern and application of the maturity of digital are also key elements to the success of magic movies. In the last chapter, the reader may know that American magic film in the 21st century has its development period of great prosperity. The desire of the human imagination will never pass, and magic films are to meet the human development of civilization and the ancient mystery of the curiosity and worship. I believe that magic movies will be still quite a long glorious to continue.2 Culture Interpretation of the Lord of the Rings As the Lord of the Rings at the beginning said, history became legend, legend became myth. The story of the film should be placed in any certain historical context, even the magic movies, also in the context of a particular region or area. Lord of the Rings is on Western culture context, which is based on the historical background and selected from the legendary events, the reformed legend has developed into an unattainable myth, and finally magic movies e into being. Culture Roots $ 300,000,000 of investment, nearly ten thousand people involved in the production, representing the props, which lasted 3 years of shooting history, Lord of the Rings trilogy is a masterpiece of Hollywood. This is a shocking movie to millions of people。 Germans also had their own unique myths in history, once is widely populated in Europe. Analysis of the film from several angles we can see, Lord of the Rings everywhere is filled with the shadow of Norse mythology. First, the Lord of the Rings in the Elf and Dwarf race is only in the Nordic mythology, the image appears. When Tolkien describes dwarves and elves, he follows the name of their ancient Nordic mythology, Norse mythology and pletely plies with their ancient description. Second, Tolkien designs a ring as the most powerful treasures the Lord of the Rings, which is consistent with the most powerful weapon in Norse mythology, Odin④. In the eyes of Tolkien, myth is a real presence。 that is a material and political progress, 39。 People should return to the tradition, look for the original moral and living environment. But he also understands the power of modern is hard to resist, eventually the past tradition in the memory will die out as the fate of the British Empire. Lord of the Rings has a touch of sadness, after the destruction of the Rings, the most amazing things have left, and everything has gone, Middleearth is going to be the indifferent world ruled by human. The ecological theme of man and natureRegarded as the West Journey to the West, the Lord of the Rings