【正文】 長 春 工 業(yè) 大 學(xué) 畢 業(yè) 論 文 電視劇情片《玻璃缸里的金魚》的 設(shè)計與實踐 The feature film “The goldfish in the glass container” Design and practice 學(xué) 院：信息傳播工程 專 業(yè)：廣播電視編導(dǎo)學(xué) 班 級： 051404 姓 名：劉 燁 2021 年 5 月 18 日 長 春 工 業(yè) 大 學(xué) 畢 業(yè) 論 文 2 摘 要 美國電影理論家斯坦利梭羅門認為，聲音進入電影，引起了電影美學(xué)觀念的變化。他在《電影的觀念》一書中進一步指出，由于聲音進入電影，使得影片中人物對話成為可能，從而大大豐富了電影的藝術(shù)表現(xiàn)力，使得電影能夠做到戲劇和小說一直在做的事了：講述關(guān)于人的復(fù)雜故事，而且故事中的人物能用語言來表述自己的問題。正因為如此，戲劇化電影便應(yīng)運而生。所謂戲劇化電影，主要是指三四十年代在世界各國電影中占主導(dǎo)地位的電影樣式，其特點是以戲劇沖突律為基礎(chǔ)，采用傳統(tǒng)戲劇式的結(jié)構(gòu)原則。一般來講，戲劇化電 影并不照搬戲劇作品的結(jié)構(gòu)形式，而是結(jié)合電影藝術(shù)自身的特點，將戲劇沖突律融會其中。 本短片《玻璃缸里的金魚》以三段有關(guān)愛的故事為主要情節(jié)，以戲劇化電影的特征為主要創(chuàng)作方向，具有明顯的開端、發(fā)展、高潮和結(jié)局，按照戲劇沖突律來組織和推進情節(jié)，大量利用懸念、巧合、誤會、偶然性等，強調(diào)以情動人。短片以 94 年夏天、 97 年夏天、 99 年夏天為三個時間段，講述了發(fā)生在三個女孩身上的故事，或有關(guān)愛情、或有關(guān)友情、或有關(guān)親情。但無論故事的發(fā)生發(fā)展和結(jié)局如何不同，它們都有一個共同的主題，就是存在于人與人之間、在苦難的時候給人以鼓 勵、在憎恨的時候讓人學(xué)會寬容的力量 —— 愛。短片圍繞一間小屋、玻璃缸里的金魚還有一群背后藏有故事的人展開，試圖做到在向觀眾傳遞某種情緒的同時，滲透愛的情感和生活的力量。 關(guān)鍵詞： 戲劇化電影；結(jié)構(gòu)；玻璃缸里的金魚；愛 長 春 工 業(yè) 大 學(xué) 畢 業(yè) 論 文 3 Abstract The American film theorist Stanley Solomon stated that, since the sound has bee an important element of the film art, the concept of the film aesthetics has changed. In the book of “The concept of film”,he further pointed out that,because of the sound has bee an important element of the film art that it makes the dialogues between pople in the film possible which could greatly enriched the film’s artistic expression. And this could make the film to do the things which drama and fiction always do: tell plex stories about people, and the characters in the stories could use language to express their own problems. For this reason, the dramatic films came into being. The socalled dramatic films mainly refer to the dominant type of film all around the world in the 2020s and it based on the law of the conflict which uses traditional dramatic principles of structure. Generally speaking, the dramatic films doesn39。t copy the structure of dramatic works but tell stories where the conflict set bing with the characters of the film art itself. The main plot of the film “The goldfish in the glass container” is three paragraphes of love stories and the production of the film is the same with the features of dramatic films: the start, development, climax and conclusion is clear。 anizing and pushing forward the plot according to the law of the conflict。 make a good use of suspense, coincidence, misunderstanding and accidental etc.。 emphasizing the role of emotion. The film has divided into three time periods : summer in 1994, summer in 1997, summer in 1999 and it tells stories happened on three girls about love or friendship or relationship. No matter how different the occurrence,development and the oute of stories are, they share one mon theme that exists between people which could encourage people who were suffering a lot to move forward and make people learn the importance of fiving other tries to convey some kind of emotion to audience while deliver the feeling of love and the power of life which begins the story with a hut, the goldfish in the glass container and a group of people who have stories behind them. Keywords: dramatic films。 structure。 the goldfish in the glass container。 love 長 春 工 業(yè) 大 學(xué) 畢 業(yè) 論 文 4 目 錄 摘 要 ........................................................................................................................................................... 2 ABSTRACT ................................................................................................................................................... 3 目 錄 ......................................................................................................................................................... 4 第一章 電視劇情片《玻璃缸里的金魚》 ................................................................................................. 7 概念界定 ............................................................................................................................................... 7 何為戲劇化電影 ........................................................................................................................... 7 戲劇化電影的主 要特征： .......................................................................................................... 7 研究背景 ............................................................................................................................................... 8 戲劇化電影的誕生 ....................................................................................................................... 8 戲劇化電影的類型片 ................................................................................................................... 8 選題內(nèi)涵及意義 .................................................................................................................................. 8 選題背景 ....................................................................................................................................... 8 選題內(nèi)涵及意義 .......................................................................................................................... 9 第二章 電視劇情片《玻璃缸里的金魚》 ............................................................................................... 11 創(chuàng)作劇本 ............................................................................................................................................ 11 撰寫分鏡頭腳本 ................................................................................................................................12 分鏡頭腳本的概念及作用 ........................................................................................................12 分鏡頭腳本的繪制要求 ...........................................................................................................12 電視劇情片《玻 璃缸