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【正文】 。s manner that when he died, his friend Gees Clemenceau would not stand the black sheet covering the coffin. He exclaimed : No ! No black for Mo ! and replaced it by a flowered material. Influence from Camera ● helping the artists study movement and gestures to capture a sense of reallife spontaneity, to fully understand the surroundings, the details, contrasts to view from another perspective and so on。 ● Inspiring them to experiment with the candid groupings, offcenter focus, deep perspectives foreshortening。 ● recording the real world rather than historical imagination Impressionists motivated to depict people and landscapes without mythological or historical exaggerations. Innovation amp。 Experiments Blurred moving figures slow shutter speed。 blurry effect Mixing primary colours a palette of just eight to ten colors to achieve many variable and subtle effects Painting real people everyday activities。 various classes Complimentary colours create an especially intense effect。 vibrancy Life beyond the frame – seemingly careless cut off figures。 viewers to acknowledge that life continued beyond the frame Public Opinion ● Paintings were rejected by Salon de Paris and some museum exhibitions for many times ● If Impressionists were being appreciated from the 1880s, their situation was still harsh。 the Salon was still refusing their paintings, and in 1894, 25 out of 65 artworks donated to the Luxembourg museum were rejected. ● when Camille Pissarro, the Impressionist patriarch, died in 1903, everybody agreed that this movement was the main 19th century artistic revolution, and that all its members were a
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