【正文】 ainting. He was the most consistent and prolific(多產(chǎn)的 ) practitioner of the movement39。 ● recording the real world rather than historical imagination Impressionists motivated to depict people and landscapes without mythological or historical exaggerations. Innovation amp。 Experiments Blurred moving figures slow shutter speed。s philosophy of expressing one39。 various classes Complimentary colours create an especially intense effect。s manner that when he died, his friend Gees Clemenceau would not stand the black sheet covering the coffin. He exclaimed : No ! No black for Mo ! and replaced it by a flowered material. Influence from Camera ● helping the artists study movement and gestures to capture a sense of reallife spontaneity, to fully understand the surroundings, the details, contrasts to view from another perspective and so on。ll bring back from here will be softness itself, white, pink, blue, all of this wrapped in this fairy air. Claude Mo The Netherlands(1886) Venice, Italy(1908) ● affected by cataract(白內(nèi)障 ), vision altered London, England(1900,1903) Houses of Parliament, Effect of Sunlight in the Fog(1900) The Late Year: Giverny (1883 1926) Whereas you are philosophically seeking the world in itself, I am simply focusing my efforts on a maximum of appearances in close correlations with unknown realities. Claude Mo ● Bought 10 years after his arrival at Giverny。 the Salon was still refusing their paintings, and in 1894, 25 out of 65 artworks donated to the Luxembourg museum were rejected. ● when Camille Pissarro, the Impressionist patriarch, died in 1903, everybody agreed that th