室內(nèi)設(shè)計(jì)外文翻譯外文文獻(xiàn)英文文獻(xiàn)自然簡(jiǎn)約—對(duì)室內(nèi)設(shè)計(jì)現(xiàn)象分析(已改無(wú)錯(cuò)字)
2023-01-18 04:44:26 本頁(yè)面
【正文】 of the person to person, because of people39。s age, knowledge, quality of life, different backgrounds, and the taste will be different requirements. social development, the progress of the times, new thinking, new structure, the emergence of new materials will have to adapt to this new concept of decoration, new forms, new space. decorative simplicity of this modern form of expression has depth affect the building products, industrial products, in many fields such as Living Products. several pipe, a timber, a reactor cloth can make different forms of modern furniture. it has quietly let people39。s way of life and ideas have been a qualitative change. think concise design style is bound to outshine others, to bee people39。s lives, the pursuit of 21st century fashion. A concise form of expression to meet the people39。s space environment, the kind of instinctive, emotional and rational needs, this is also the international munity today. popular design style and modern fastpaced, highfrequency, full load, has no people to Reusable? point increase in the acceptance of people in this increasingly busy life, a desire to be able to pletely relax, simple and pure spirit to regulate the conversion of space, which is dominated in the plementary sense, arising from trying to shake off cumbersome, plicated, easy and natural to pursue the psychological. hostels in Indonesia Bali Series design, inspired by Bali39。s folk style, but in space architecture and dynamic line arrangements are designed to extend the spirit of simplicity? performance in the Materials the emergence of the local natural original timber, straw and stone? designers of these natural elements of folk with accurate and concise detail to deal with in order to strengthen the theme will also be part of decorative simplistic, presented by the space can be said modern Balinese style. Taking a panoramic view of the world39。s architectural design, whether they are German Master ? Mies van der Rohe, or the United States ? Richard Meyer, Tadao Ando of Japan, ChineseAmerican IM Pei, they are the most pure form, with a very ordinary materials, use of the most concise way, showing great depth of meaning and noble qualities? space a piece of their work is full of spirituality has infinite vitality, and their design idea in today39。s era of shock? also led the development trend of the times. 附件 1：外文資料翻譯譯文 自然 簡(jiǎn)約 — 對(duì)室內(nèi)設(shè)計(jì)現(xiàn)象分析 摘 要 : 自然 ?簡(jiǎn)約的室內(nèi)設(shè)計(jì)展現(xiàn)的是一種生活方式 ,它讓我們更接近自然 ,更強(qiáng)調(diào)功能 ,更關(guān)注生活本身 ?營(yíng)造的是一種 詩(shī)意的空間 ? 關(guān)鍵詞 : 簡(jiǎn)約 ?？臻g 。品位 。室內(nèi)設(shè)計(jì) 。感覺(jué) 遠(yuǎn)古時(shí)期 ,中國(guó)的木構(gòu)架建筑 ?東方古印度的石窟建筑 ?歐洲古希臘 ?古羅馬的石砌建筑等等裝飾與構(gòu)件緊密結(jié)合 ,與建筑主體溶為一體 ?然而十七世紀(jì)初歐洲巴 洛 克時(shí) 代和十八世紀(jì)中葉的洛可可時(shí)代 ,開(kāi)始了室內(nèi)裝飾與建筑主體的分離 ,外部的建筑主體與內(nèi)部的裝修在使用年限上不匹配 ,因而導(dǎo)致建筑主體與室內(nèi)裝飾的分離 ,在營(yíng)造法國(guó)宮廷建筑和貴族宅邸時(shí) ,新的職業(yè) “ 裝飾工匠 ” 誕生了 ,對(duì)建筑物的內(nèi)部頻繁不斷地進(jìn)行改裝 ,不動(dòng)建筑主體 ,更換建筑 “ 服裝 ” 的時(shí)期已經(jīng)到來(lái) ?巴 洛 克式建筑的室內(nèi)設(shè) 計(jì) ,一反文藝復(fù)興時(shí)期的嚴(yán)肅 ?含蓄 ?平衡 ,傾向于豪華 ?浮夸 ?在教堂及宮殿中把建筑 ?雕塑 ?繪畫(huà)結(jié)合成一個(gè)整體 ,追求動(dòng)勢(shì)與起伏 ,企圖造成幻象 ?而洛可可式建筑室內(nèi)則是皇宮貴族為了得到舒適的 ?私密的室內(nèi)而追求優(yōu)雅的更為親 切的室內(nèi)裝飾效果 ?具有纖細(xì) ?輕巧 ?華麗和繁瑣的裝飾性 。喜用 C形 ?S形或漩渦形的曲線和輕淡柔和的色彩 ,多以花鳥(niǎo) ?貝殼為題材 ,并為適應(yīng)宮廷的異國(guó)情趣要求 ,在室內(nèi)采用了許多中國(guó)式裝飾 ?巴 洛 克和洛可可式的手工制作達(dá)到了
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