【正文】 rature as the art, obviously attaches great importance to his work in the perfection of the form. His literary works presents the colorful aesthetic world to the readers. The art is the lie, it does not tell the true story about the beauty. Whether themes, characters, or scenes, they are trying to stimulate the reader39。s yearning for ideal beauty. In “The Picture of Dorian Gray”, Oscar Wilde does his best to practice his faith of the aestheticism, the musicality of the language and awakening of the quality on the beauty of visual effects, it can make those into people39。s portrait is on behalf of the art itself, and Dorian is the speaker of the life. Dorian who lives in the life is beautiful, and Dorian39。s fallen, his looks is contrary to his heart. We not only see his face and body which are scared to Heaven39。s misdeeds bees increasingly more ugly. So in fact, Dorian is more afraid of his growing old, he is fear of losing youth. He treats his portrait as a benchmark of life, but after repeated constantly struggling, and finally he uses a dagger to stab himself in contradictions, and died lying on the ground. However, the portrait stands in place, it still maintains its original. The youthful in the portrait is in the solidification of the eternal. Visiblely, the life acknowledges being defeated by the art. Art and life have no relationship with each other or art can catch the beauty unless it is over the life, it can reflect its nonutilitarian nature, no purpose, and this is even a manifestation which the life imitates the art, that is, the life imitates the art, even more than the art imitates the life.Part 3 Analyse Aestheticism from Four Main CharactersSo, how does Oscar Wilde39。 personality psychology in the text. This is the best embodiment of Oscar Wilde39。s look at Basil Hallward, he is the painter who paints a portrait for Dorian. After reading the whole text, we can clearly see that he is a typical aestheticism, his pursuit of the art has reached the crazy point that the whole people bee stiff atheists. When Basil Hallward sees the moment of Dorian, he is shocked by Dorian’s beauty, he feels that the whole person, the soul, together with the art itself are swallowed by him, Dorian39。s beauty bees only a way of life and supports his conviction, so we see that he is addicted to painting for Dorian at the first time. In a quiet atmosphere, he gets narcissism, selfparalysis, he finds Dorian39。s appearence, Dorian39。s reflection of his own pursuit for aestheticism.Basil Hallward also does not want to display the portrait, because the aestheticism advocates nonutilitarian nature, he is not willing to use art in exchange for money and fame, just as a gift for Dorian, so Basil Hallward is focus on only form or the moment of beauty, and has nothing to do with the morality.[3]Originally the painter treats the portrait as his ideal beauty, but the harsh reality has continued to be tampering with his ideals, the artistic beauty which the artist creats by his own ideals falls in connection with the gradual decline of Dorian39。s hedonism has taken root in his mind, as the ideal beauty is the gratuitous nonsense even without pleasure, at the same time it will arouse Dorian39。s tragedy, then it is also the aestheticism39。s contradiction and disillusionment. Oscar Wilde lets Basil Hallward go to die, on the one hand, it shows that he might have realized that the pursuit of pure beauty and separating the relationship between art and life are inevitable demise of the oute. And Basil Hallward, who is his overemphasis on art above all else, even poses that each portrait painting drawn by the inner emotion is the artist not a model, the model is occasionally involved in. It is an incentive, the artist reveals not the model on the color of the canvas, but the artist himself, I do not want to take this picture to be displayed, because it exposes the secrets of my soul 。s fall, the rumors have been imagined no authenticity and eventually he dies in the hands of Dorian and bees victim of his own workbeautiful offerings。s contradiction and confusion. Originally Basil Hallward is on behalf of Oscar Wilde39。s death is his thought of society and life39。s look at Lord Henry, it is said that Oscar Wilde is a person who seems from outside world, the reality of Oscar Wilde and Henry in the text have been used to make a similar parison, there is no doubt that Lord Henry is an aesthete. Because we say, in nineteenthcentury, British society is capitalism in transitional period, Victorian is filled with moral hypocrisy, panmercantilism and the utilitarian nature of color of the social habits. Oscar Wilde practices aesthetic doctrine with standing all this critical position on the hands, he thinks that in this era of turmoil and confusion, in this moment of terrible strife and despair, there is only worryfree paradise of the beauty, you can make people forget and be happy. Where we should go if we do not go to the beautiful paradise? The temple of beauty is the aestheticism and his nothing more than another ideal state. In action, he often wares loose collar, tunic spike trimmed with black velvet, filament socks, and velveteen pants. And he wins the crowd39。s humor and antitheory paradox is throughout a themethe pleasure principle. When he looks the portrait for the first time, although he thinks it is beautiful, despite the artist Basil Hallward repeatedly praises the beauty of Dorian even causing his desire of the creation, he still says that the portrait of the people never use their brains, I am convinced that he is a kind of beautiful creatures which do not have mind, when the winter has no flowers and summer needs to refresh the brain, the best there is in his eyes, which can be seen that the object of his own is lack of anger and causes by no soul, that is, that the portrait reflects only the shape and appearance models, it does not reflect the essential and inner nature. So Henry