【正文】
e folk art into contemporary OP Art imagery. 傳統(tǒng)文化的表達(dá) 現(xiàn)代藝術(shù)的表現(xiàn) ——光譜藝術(shù) 現(xiàn)代藝術(shù)的表現(xiàn) ——光譜藝術(shù) OPTICAL 色 彩 的運(yùn)用 ——地圖設(shè)計(jì) ? Attached is a .jpg of the map. It isn39。t want the ? roads ? to look like they were going over each other when they were all on one level. 平面設(shè)計(jì)與具體產(chǎn)品的結(jié)合 ——門票設(shè)計(jì) 系統(tǒng)性 ——火炬 紀(jì)念幣 標(biāo)志雕塑 服裝 海報(bào) The series of posters for these Games came from the collaboration of three artists: Pedro Ramirez Vazquez, architect and President of the Organising Committee for the Games, Eduardo Terrazas (MEX) and Lance Wyman (USA) who designed the “Mexico 68” logo. They then developed it to create the black and white poster, which recalls the patterns of the Huichole Indians. Some 25,000 copies of the poster presented here were produced in one of the following colours: blue, red, yellow, green or black. A total of 1,591,000 posters were produced on the following themes : 18 sports posters: 287,000 copies 19 cultural posters: 190,500 copies 99 posters of various topics : 1,114,000 copies 運(yùn)動(dòng)場(chǎng)地 其它 模數(shù)系統(tǒng) 設(shè)計(jì)方法 ——攝影 奧運(yùn)會(huì)會(huì)徽 ? 奧運(yùn)會(huì)會(huì)徽是奧運(yùn)會(huì)最有權(quán)威性的形象標(biāo)志。這一規(guī)定保證了奧運(yùn)會(huì)會(huì)徽的嚴(yán)肅性和權(quán)威性。 Athens 1896 Games of the I Olympiad Paris 1900 Games of the II Olympiad St. Louis 1904 Games of the III Olympiad London 1908 Games of the IV Olympiad 歷屆會(huì)徽 Stockholm 1912 Games of the V Olympiad Antwerp 1920 Games of the VII Olympiad Paris 1924 Games of the VIII Olympiad Amsterdam 1928 Games of the IX Olympiad Due to the World War I, the Games of the VI Olympiad failed to be held finally . Los Angeles 1932 Games of the X Olympiad Berlin 1936 Games of the XI Olympiad London 1948 Games of the XIV Olympiad Helsinki 1952 Games of the XV Olympiad Melbourne 1956 Games of the XVI Olympiad Stockholm 1956 Games of the XVI Olympiad Rome 1960 Games of the XVII Olympiad Tokyo 1964 Games of the XVIII Olympiad Mexico City 1968 Games of the XIX Olympiad Munich 1972 Games of the XX Olympiad Montreal 1976 Games of the XXI Olympiad Moscow 1980 Games of the XXII Olympiad Los Angeles 1984 Games of the XXIII Olympiad Seoul 1988 Games of the XXIV Olympiad Barcelona 1992 Games of the XXV Olympiad Atlanta 1996 Games of the XXVI Olympiad Sydney 2022 Games of the XXVII Olympiad Athens 2022 Games of the XXVIII Olympiad ? 2022年雅典奧運(yùn)會(huì)的吉祥物費(fèi)沃斯和雅典娜是一對(duì)兄妹,吉祥物的創(chuàng)意來自古希臘的一種玩具形象。盡管兩個(gè)吉祥物誕生于現(xiàn)代,但他們的名字則都來源于古希臘傳說中的人物。費(fèi)沃斯和雅典娜一起,象征著希臘的歷史和現(xiàn)代奧運(yùn)會(huì)的結(jié)合。一般來說 ,凡奧運(yùn)會(huì)中進(jìn)行的項(xiàng)目 ,都有自己的項(xiàng)目圖案。自 1964年以來 , 奧運(yùn)會(huì)上出現(xiàn)了代表各個(gè)運(yùn)動(dòng)項(xiàng)目的象形圖案 ,寥寥幾筆便準(zhǔn)確而生動(dòng)地將一個(gè)運(yùn)動(dòng)項(xiàng)目表示出來 , 這不僅掃除了人們之間的語言障礙 ,方便了國(guó)際體育盛會(huì)的組織工作 , 而且成為一種特殊的體育文化標(biāo)志。 1936 Berlin 1968 Mexico 1972 Munich 1976 Montreal 1976 Innsbruck 1980 Moscow 1984 Los Angeles 1988 Seoul 1992 Albertsville 1992 Barcelona 1994 Lillehammer 1996 Atlanta 1998 Nagano 1964Japan 2022Sydney 2022Athens 海報(bào)設(shè)計(jì) ? 奧運(yùn)會(huì)除了會(huì)徽和吉祥物等標(biāo)識(shí)外 ,還有多幅招貼宣傳畫。 ? 奧運(yùn)會(huì)宣傳畫始于 1900年巴黎奧運(yùn)會(huì)。這幅宣傳畫 ,其畫面上是女擊劍運(yùn)動(dòng)員 ,手持花劍、佩劍和重劍。 ? 最初 ,宣傳畫的主要模式是做出英雄姿勢(shì)的運(yùn)動(dòng)員占據(jù)畫面的中心 ,如 1912年斯德哥爾摩奧運(yùn)會(huì)瑞典藝術(shù)家約特斯貝里的宣傳畫 ,其形象中就有一個(gè)肌肉發(fā)達(dá)的男運(yùn)動(dòng)員自豪地?fù)]動(dòng)瑞典國(guó)旗。整個(gè)畫面濃彩重墨 ,各色國(guó)旗交織 ,感情熱烈 ,給人以強(qiáng)烈的動(dòng)態(tài)感受。 ? 20世紀(jì) 40年代后期藝術(shù)家們開始采取含蓄的表現(xiàn)手法 ,1948年赫茨為倫敦奧運(yùn)會(huì)繪制的宣傳畫是這種潮流的代表作。 1952年赫爾辛基奧運(yùn)會(huì)的宣傳畫出現(xiàn)追求形式的趨勢(shì)。 ? 后來宣傳畫的設(shè)計(jì)者發(fā)現(xiàn) , 將會(huì)徽作為畫面的一個(gè)構(gòu)成要素 ,可以給他們更多的創(chuàng)作空間并使他們有可能使用攝影、拼貼畫等多種介質(zhì)來表現(xiàn)奧運(yùn)會(huì)的激情、動(dòng)態(tài)和魅力。 90年代以來 ,奧運(yùn)會(huì)宣傳畫的畫面更為精煉。 Athens 1896 Games of the I Olympiad Paris 1900 Games of the II Olympiad St. Louis 1904 Games of the III Olympiad London 1908 Games of the IV Olympiad 吉祥物設(shè)計(jì)