【正文】 ion of stone0cut to look like layers of natural magical feat was only made possible by the new technology of hydraulic engineering which powered the fountain., waterfalls and in size,the Trevi Fountain was an extravagant Baroque fusion of architecture,sculpture,light and the sound of moving an architecture for the senses as one could see,hear,touch,smell and even taste the water if truly thirsty. Versailles,France,16701720,architects:Mansart and Le Brun Around 1670,King Louis XIV(14th)decided to turn a royal hunting lodge,a few miles outside of Paris in Versailles,into a great army of architects,sculptors,painters and landscape architects were brought together to create the greatest monument of the French Baroque/ was a symbol of human power and order over the fragility and disorder of nature. Of the hundreds of rooms within the palace,the most famous was the Galerie des glaces or Hall of Mirrors which overlooked the park from the second floor and extended along most of the width of the central enormous size was heightened by hundreds of mirrors,set into the wall opposite the windows which created the illusion of greater mirror,the ultimate source of illusion,was a favorite element of Baroque interior design. The enormous palace would have appeared unbearable had it not been for its setting in a vast parklike park,designed by Andre Le Notre,transformed and entire forest in to a collection of axially arranged gardens,vistas and paths(allees).The gardens created a gradual transition from formal architecture to wild formal gardens near the palace were tightly designed geometric units but farther away from the palace the design loosened as tree screens or framed views of the distant photograph can describe the experience of the design as the park can only be experienced by walking through though the garden was designed by man,the art of the landscape was purely natural as the garden changed with each hour of the day,the season and the light at that moment. Bishop’sResidence,Wurzburg,1720 1744,architect:Neumann Among the most famous German architects of the Rococo era was Johann Balthasar Neumann. It was in the south of Germany that German Baroque and Rococo reached its illusionism,the bining of painting,sculpture and architecture,was used to expres religious enthusiasm and excessive wealth. Neumann was a master of bringing light into a building through invisible sources and making that light feel like radiance from the Residence(Palace}of the Prince Bishop in Wurzburg, the interiors were the focus of attention as seem in the Main Staircase,the Reception Hall and the raised the idea of the stair from a humble and functional element into something stair climbed up first on a single,central flight and then in the reverse direction,on two wings that doubled back and surrounded the central ascent was into an everwidening,increasingly lighter space that culminated into a great hall with a ceiling gilt framed painting could not contain the activity of the painting as the figures over spilled the stagelike theatre painted on the man’s legs were loosely draped over the edge of the frame while a wolfhound and soldier had fallen out on to the ledge below! The purpose of the stair was to provide access to tie imperial Reception also designed the chapel so its magnificence would have an even greater impact than the main stair. the chapel was a typical immense Baroque oval,excessively rich in detail with pastel colors, veined marble and opulent gold the top of the spiral columns were gold covered Composite addition to extreme religious devotion,the overall impression of the Bishop’s Residence way an architecture that symbolized immense p