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given more chances to receive education. The things that matter to men include such things as rainsing good cotton, riding well, shooting straight, dancing lightly, and squiring ladies with elegance and carrying liquor like a gentleman. Brought up in such an environment, Scarlett is actually a representative of Southern women who are deeply influenced by Southern culture.Scarlett shares dissemblance, an essential trait of Southern Womanhood, with the other girls. Thanks to her mother’s and Mammy’s continuous admonition and harping, she bees a fairly beautiful, sweet and demure girl. Men have a mon interest in appreciating the beauty, sweetness and demureness of a girl. Scarlett’s beauty is partially inborn and partially acquired, but her sweetness and demureness are chiefly achieved by means of dissemblance. Scarlett understands of how to dissemble her own true feelings is even better than that of other girls. Scarlett’s “manners had been imposed upon her by her mother’s gentle admonitions and the sterner discipline of her Mammy, her eyes were her own” (). Her mother Ellen does not realize that it is only a veneer, for Scarlett always shows her best face to her mother, concealing her escapades, curbing her temper and appearing as sweet as she can. She is utterly willing to pretend to be sweet and demure in order to succeed in catching her beloved Ashley as her husband. Scarlett the Rebellious GirlThe woman chained to her household tasks has known as a girl that it is the first duty of a girl to get married. However from the outset, Scarlett challenges the conventions of her society. A tomboy who can ride horses, throw stones and climb trees as well as any make panion, by 1861 she has evolved into a typical young lady only under the insistent instruction of her mother Ellen and her Mammy. Scarlett seems femininity remains merely a superficial shell, embodying outward signs, but arising from no genuine inner grace. Most of her natural impulses are unladylike. She pretends to look sweet, charming and giddy, but she is in reality rebellious, selfwilled and vain.Scarlett is fond of love and marriage just like other girls and she can pretend to suppress her true feelings successfully. Actually Scarlett never ceases to seek to air her feelings openly, whatever the consequences or the chaos she may create. In the old South, arranged marriages are widespread. A girl is expected to find a marriageable man and she has to accept the husband chosen by her parents. Gerald O’Hara (father) insists that “the best marriages are when the parents choose for the girl” () and that she should marry one of the Tarleton twins. The clever and rebellious girl goes so far as to demand freedom in love and she is not satisfied with the future husband chosen by her father. When she es back, she quickly makes full preparation for her great purpose of catching Ashley right on the following afternoon. A minute description of her feelings is provided to strengthen her longing for Ashley’s love. Unlike the mon girls, she is determined to act on her own wishes. Thus, while her rivals retire according to the convention of the submissive female, she slips downstairs retire according to the convention of the submissive female, she slips downstairs to confront Ashley in the belief that he will not be able to resist her assault. Though her love is declined by Ashley, her efforts to obtain her true love do not wither away even in adversity. As we can see in the later chapters, if she has no love for Ashley, she will have been discouraged in adversity and will not have lived through so many difficulties to obtain financial independence.The very obvious is her disregard for religion, and indispensable element in Southerners’ life. At prayer time in the evening before the ball, while all the other family members and the blacks are praying piously and asking Holy Mary to forgive their sins. Scarlett is so absentminded that she neglects to make any responses, causing her mother to look at her reprovingly. Ever since childhood, prayer time is a moment for adoration of her mother Ellen, rather than Holy Mary. To the pious people, it is sacrilegious to show any indication of irreligion. Her heart goes up to God in sincere thankfulness only when a pathway for her has been opened to the arms of Ashley. In other circumstances, God is not important or sacred to her at all. As a matter of fact, her irreligion is more and more apparent in the following years of her life. In Chapter XXX, everything is unfavorable to her, because her mother is dead, her father in a state of dementia, and her two sisters ill. She is annoyed to see her sister Carreen always on her knees by her bed praying for a better life. Scarlett’s God is a bargaining God.Compare with God, Scarlett trust more herself, in her eyes the God is an absentee God. “The Lord stopped thinking about us years ago, and don’t go telling me Mother is turning in her grave to hear me say it either” (). As we can find in the later chapters, every time she does odious or unethical deeds in order to protect her own life, Tara, or the lives of those for whom she is responsible, Scarlett repeats to herself an important motto: “I’ll think about it tomorrow.” This motto bees her survival mechanism and justifies every future decision she makes. Owing to her irreligion, it is not unusual for her not to bother about things that do not matter, such as the expectations and civilities of the Old South. But though she is so perseverance and so brave, at some time she also afraid of God. When her conscience torments her over the cold, bald way in which she has used Frank Kennedy, her second husband, who is later killed in an attack to revenge her, she sighs to herself, “Oh, if only God did not seem so furious and vengeful! If only the minutes did not go by so slowly and the house were not so still. If only she were not so alone” () When she confides her fear and remorse to Rhett Butler, “I’m afraid