【正文】 prolonging living history and its traces of past means listening to the breathing and pulsations of a living means interpreting its rhythms in order to should be seen as the modification of a physical,atomic andbiological continuum. As the modification of a fragment situated at the heart of our immenseuniverse amidst the dizzying discoveries made by macroand the scale of the transformation of a site or place,how can wemunicate the unpredictability of the mutation of a living fragment?Can we domesticate the visible ponents－ clouds,plantlife and livinganisms of every size－ with signs,reflections and new plantings?How does one create a vibration that evokes a hidden depth,a soul?This is surely a task for poetry since only poetry can produce‘the metaphysicsof the instant’:to work at the limits of the achievable with the mysterious,fragile and natural。when we are flooded with the same films with their global screen stars。基于這個(gè)原因，它可以 滲透到任何地方，甚至包括我們的全球政治應(yīng)該感到汗顏的貧民窟?? 武漢科技大學(xué)本科 畢業(yè) 設(shè)計(jì) 外文翻譯 6 Jean Nouvel’s LOUISIANA MANIFESTO is the most profound expression of histhoughts and ideas about architecture with his projects and shortfilm sequences,the text was part of an exhibition at the Louisiana Museum ofModern Art in Denmark that was shown from June 7th through September 18th, was published in many to his philosophy is anarchitecture that is alive,unique,specific and in harmony with its surroundingsand the spirit of the exhibition was a collaboration between AteliersJean Nouvel,guest curator JeanLouis Froment and the Louisiana Museum.（ Noteby Verena ) More than ever before in 2021 architecture is annihilating and violating places,making them the landscape is replaced,created in the image of the architectureitself,which is nothing but another way of effacing contrast,however,there is the case of Louisiana,an emotional living proof of a fotten truth:architecture has the power to can reveal geographies,histories,colours,vegetations,horizons,and qualities of and natural,architecture is in the world,alive,unique,Louisianan. As a microcosm,a bubble,no image or statement can plumb its have to be there to experience and believe is an expansion of our world at a time when that world is a time when we rush across the world faster and faster,when we listen to and watch the same global works,share feelings aboutthe same disasters。它們成為對(duì)引發(fā)暖昧矛盾情緒的過(guò)去進(jìn)行重新詮釋的借口。這個(gè)時(shí)間意識(shí)與居住其中的新生命所帶來(lái)的驚奇，與黎明、黃昏的偉大節(jié)奏，以及不可避免的懶散和衰敗時(shí)光所顯露的無(wú)關(guān)緊要相重疊。它們是顯現(xiàn)與消失的所在地。因此，我們看著它走出黑暗，并想像有一天它會(huì)回到那兒。建筑總是標(biāo)注著日期。這樣的建筑與它的時(shí)代和諧共處。 建筑必須被所在的地方和人所滲透，也要去對(duì)他們產(chǎn)生滲透：要具有強(qiáng)烈感受性，也要引起 感動(dòng)；要吸收，也要散發(fā)。建筑是不斷遭到生命和事件滲透、更新的永恒。 不再有緊身衣，不再有現(xiàn)成的生活！不再有將我們數(shù)字化的數(shù)字建筑！不再有克隆城市，全球化的辦公室，現(xiàn)成的家！我們希望能夠繼續(xù)旅行：聆聽即興演奏的音樂(lè)；體驗(yàn)承載著許多生活經(jīng)驗(yàn)的景觀；遇見創(chuàng)造他們文化的男男女女；發(fā)現(xiàn)陌生未知的顏色。讓我們表明我們的身份！每個(gè)人內(nèi)心都有一個(gè)潛能的世界。讓我們記住，建筑同時(shí)也是一種壓迫、制約行為的工具。讓我們將替虛榮的城市化妝的工作，留給那些自認(rèn)為美容師的建筑師。我們必須停止將建筑局限在采借一種風(fēng)格上。我們從來(lái)就不是在單獨(dú)地建筑。這個(gè)全球現(xiàn)象是強(qiáng)調(diào)不屬于任何場(chǎng)所、可以被移動(dòng)位置、專為直接進(jìn)入美術(shù)館嚴(yán)密精確的白色格子而設(shè)計(jì)的 20 世紀(jì)藝術(shù)的延續(xù)。 這和那些不斷重復(fù)某種形式、風(fēng)格 —— 它被視為“藝術(shù)家的簽名” —— 的藝術(shù)家兼建筑師的態(tài)度完全相反。我們距離產(chǎn)生吸引力的絕對(duì)條件 —— 亦即自然不造作 —— 非常遙遠(yuǎn)。然而，普遍性細(xì)節(jié)和普遍性建筑一樣，屬于預(yù)先制作、不存懷疑、沒(méi)有危險(xiǎn)、離可行的和可感覺的極限有一大段距離的領(lǐng)域；它以到處存在、到處可販賣、傳播一致性、扼殺差異、大量繁殖為使命。而是在全球游走的藝術(shù)家兼建筑師、那些重復(fù)大師的作品，他們對(duì)完美、干枯、恒久不變的細(xì)節(jié)的追求，是情感無(wú)能的真實(shí)告白！ 重復(fù)制作“精通熟練的”細(xì)節(jié)，體 現(xiàn)了他們對(duì)世界上建筑該有的本質(zhì)感覺遲鈍。不論轉(zhuǎn)變、場(chǎng)所、建筑的規(guī)模是大是小，我們?cè)撊绾伪磉_(dá)一個(gè)有生命的斷片發(fā)生轉(zhuǎn)變時(shí)的難以預(yù)料？我們是否能夠藉由符號(hào)、 映像、種植來(lái)掌握可見的構(gòu)成部分—— 云、植物、各種大大小小的生命機(jī)體？我們?cè)撊绾蝿?chuàng)造出能夠召喚隱藏的深度、靈魂的振動(dòng)？這必然是一項(xiàng)詩(shī)意的任務(wù)，因?yàn)槲ㄓ性?shī)懂得如何產(chǎn)生“瞬間的形而上學(xué)”：關(guān)于所能掌握的極限，關(guān)于奧秘、脆弱、自然；關(guān)于時(shí)間的作用、因年久而生成的色澤、會(huì)發(fā)生變化；關(guān)于不完美，因?yàn)椴煌昝里@露了我們可以達(dá)到的極限。建筑必須被視為對(duì)一個(gè)物質(zhì)、原子、生物連續(xù)體的改造。它意味著傾聽一個(gè)有生命的地方的呼吸和脈動(dòng)。它意味著揭示、指引方向。建筑意味著在現(xiàn)有和已存在