【正文】 （1）設(shè)計(jì)步驟：到施工地進(jìn)行精確的量房，初步對此居室進(jìn)行認(rèn)識。緒論 本設(shè)計(jì)(論文)的主要內(nèi)容室內(nèi)設(shè)計(jì)師通過創(chuàng)造室內(nèi)空間環(huán)境為人服務(wù),設(shè)計(jì)者始終需要把人對室內(nèi)環(huán)境的要求,包括物質(zhì)使用和精神兩方面,不斷發(fā)現(xiàn)設(shè)計(jì)與生活的結(jié)合技巧。此外，大量使用鋼化玻璃、不銹鋼等新型材料作為輔材，也是現(xiàn)代風(fēng)格家居的常見裝飾手法，能給人帶來前衛(wèi)、不受拘束的感覺。高純度色彩大量運(yùn)用，大膽而靈活，不單是對簡約風(fēng)格的遵循，也是個(gè)性的展示。各種不同造型的金屬燈和玻璃燈，都是現(xiàn)代簡約派的代表產(chǎn)品。并且盡可能不用裝飾和取消多余的東西，我認(rèn)為任何復(fù)雜的設(shè)計(jì)，沒有實(shí)用價(jià)值的特殊部件及任何裝飾都會增加建筑造價(jià)，強(qiáng)調(diào)形式應(yīng)更多地服務(wù)于功能。，我設(shè)計(jì)的現(xiàn)代簡約風(fēng)格室內(nèi)空間寬敞、內(nèi)外通透，在空間平面設(shè)計(jì)中追求不受承重墻限制的自由。緒論 本設(shè)計(jì)(論文)的主要方法和設(shè)計(jì)進(jìn)展在裝飾公司實(shí)習(xí)期間，使我積累了大量的工作經(jīng)驗(yàn)，把握了對當(dāng)前室內(nèi)設(shè)計(jì)的流行趨勢，以及在網(wǎng)上搜索大量的有關(guān)資料，并考察材料市場，才使得畢業(yè)設(shè)計(jì)順利完成。然而現(xiàn)代人在裝扮家的時(shí)候越來越講究風(fēng)格，積具親和力的田園風(fēng)情與柔和的色調(diào)來組合搭配，非常大氣而且極具浪漫主義氣息的地中海風(fēng)格，更是引起了人們的追棒。從微觀的、個(gè)別的作品來看，室內(nèi)設(shè)計(jì)水平的高低、質(zhì)量的優(yōu)劣又都與設(shè)計(jì)者的專業(yè)素質(zhì)和文化藝術(shù)素養(yǎng)等聯(lián)系在一起。隨著社會發(fā)展的歷代的室內(nèi)設(shè)計(jì)，總是具有時(shí)代的印記，猶如一部無字的史書。由于人們長時(shí)間半生活活動(dòng)于室內(nèi)，因此現(xiàn)代室內(nèi)設(shè)計(jì)，或稱室內(nèi)環(huán)境設(shè)計(jì)，相對地是環(huán)境設(shè)計(jì)系列中和人們關(guān)系最為密切的環(huán)節(jié)。設(shè)計(jì)師要發(fā)揮獨(dú)創(chuàng)性，運(yùn)用與眾不同的表現(xiàn)角度和表現(xiàn)手法，可以造就一種應(yīng)變能力，不走人家走過的老路。設(shè)計(jì)作品應(yīng)給人以高雅、不落俗套的感覺，對于設(shè)計(jì)的基本原理、法則的把握應(yīng)恰到好處，在實(shí)踐中不斷緒論積累經(jīng)驗(yàn)，不斷探索刻意求新，從而掌握規(guī)律，總結(jié)經(jīng)驗(yàn)，提高審美水平，開闊視野。室內(nèi)設(shè)計(jì)的藝術(shù)特色是在不經(jīng)意中自然而然顯露出來的，是人們在使用的過程中無意之中體會到的，而那些過分強(qiáng)調(diào)文化內(nèi)涵，欲把中外文明史全都匯集于一室的設(shè)計(jì)，會有堆砌繁復(fù)，令人窒息之感；而沒有文化內(nèi)容的設(shè)計(jì)又顯得空間呆板，缺乏品味。這種生活方式由于設(shè)備、陳設(shè)、家具等高度成就而大大改觀了室內(nèi)設(shè)計(jì)的本質(zhì)，使之不再滿足于人們對室內(nèi)視覺上的美化裝飾要求，而是綜合運(yùn)用技術(shù)手段、藝術(shù)手段創(chuàng)造出符合現(xiàn)代。因?yàn)?，相對于外部空間來說，室內(nèi)空間與人的生活和各種行為有著更加密切、更加直接的關(guān)系。上述含義中，明確地把“創(chuàng)造滿足人們物質(zhì)和精神生活需要的室內(nèi)環(huán)境”作為室內(nèi)設(shè)計(jì)的目的，即以人為本，一切圍繞為人的生活生產(chǎn)活動(dòng)創(chuàng)造美好的室內(nèi)環(huán)境。室內(nèi)設(shè)計(jì)是根據(jù)建筑物的使用性質(zhì)、所處環(huán)境和相應(yīng)標(biāo)準(zhǔn)，運(yùn)用物質(zhì)技術(shù)手段和建筑美學(xué)原理，創(chuàng)造功能合理、舒適優(yōu)美、滿足人們物質(zhì)和精神生活需要的室內(nèi)環(huán)境。都有了更高的要求。消費(fèi)時(shí)代，設(shè)計(jì)改變了人們的價(jià)值觀，從實(shí)際單純的生活需求變成對表相時(shí)髦的追求，人們沒有自己的價(jià)值觀，追逐外物而找不到自己。 簡約風(fēng)格的設(shè)計(jì)手法.........................................2 ..............................................2結(jié) 論..................................................10 致 謝..................................................10 參考文獻(xiàn)................................................13III緒論第1章 緒論 本設(shè)計(jì)(論文)的背景和意義時(shí)代在變化,但設(shè)計(jì)的價(jià)值是永恒不變的。 關(guān)于簡約風(fēng)格設(shè)計(jì)............................錯(cuò)誤！未定義書簽。s modern family contracted decorate a style has the following meanings: simple does not mean simple, it is after over in one39。即注重生活品位、注重健康時(shí)尚、注重合理節(jié)約科學(xué)消費(fèi)。現(xiàn)代家庭簡約裝修風(fēng)格有以下含義：簡約不等于簡單，它是經(jīng)過深思熟慮后經(jīng)過創(chuàng)新得出的設(shè)計(jì)和思路的延展，不是簡單的“堆砌”和平淡的“擺放”，裝修的簡約一定要從務(wù)實(shí)出發(fā)，切忌盲目跟風(fēng)而不考慮其他的因素。住宅小空間多功能是現(xiàn)代室內(nèi)設(shè)計(jì)的重要特征現(xiàn)代裝飾藝術(shù)將現(xiàn)代抽象藝術(shù)的創(chuàng)作思想及其成果引入室內(nèi)裝飾設(shè)計(jì)中?，F(xiàn)代室內(nèi)設(shè)計(jì)中的簡約主義設(shè)計(jì)自從產(chǎn)生以來，堅(jiān)持面向大眾的立場。Continental antique glass lamps and wall decoration, with oriental traditions furniture and furnishings, sketch and so on mixed style while in the design not to stick to one pattern, using a variety of styles, but the design is stillhave great originality, elaborate form, color, material and other aspects of the overall position and visual effects.第四篇：室內(nèi)設(shè)計(jì)論文2014屆學(xué)生畢業(yè)設(shè)計(jì)(說明書)現(xiàn)代室內(nèi)居室設(shè)計(jì)系 別： 年 級： 學(xué) 號： 姓 名： 專 業(yè)： 指導(dǎo)教師：藝術(shù)傳媒系 2011級 xxxxxxxxxxxxxxxx 電腦藝術(shù)設(shè)計(jì)xxx二〇一三年十一月摘 要摘要現(xiàn)代設(shè)計(jì)追求的是空間的實(shí)用性和靈活性。s the rise of the public art, postmodernstyle to modern style of pure rationalism tendency critically, it believes that the construction and interior decoration should have historical continuity, but not rigidly adhere to the traditional ways of logical thinking, innovative modeling techniques, pay attention to human, often in an indoor setting exaggeration, deformation of the column and fracture of the arch, or the classical ponent abstract form with new style bined together, which adopts thenontraditional mix, superposition, dislocation, fission and other practices and symbols, metaphors and other means, in order to create a solution ofperceptual and rational, the set of traditional and modern, and popular with experts in one” also“ image of the building and indoor the postmodern style not only to see the visual image to the evaluation, we need through the image from the design idea to modern stylerepresented by P Johnson, R Venturi, M , natural styleNatural style” regression is natural“, highly aesthetic nature, bined with the natural, in today39。s early Russian architectural theorist M Ginzburg said,“ style” this word is full of ambiguity.......We often make distinctions between art the mostsubtle and meticulous differential those feature called style, sometimes we put a whole era or centuries feature called style“.The interior design style and genre classification, is a further research and discussion, the Zhang Houshu style and genre name and classification, nor as inconclusive, just as reading and learning reference, and it is possible for us to design analysis and creation of style of the interior designIn the embodiment of artistic and creative personality at the same time,relatively speaking, can think style across a long time, contains the broader in styles of interior design can be divided into: a traditional style, modern style, modern style, natural style and mixed , traditional styleThe traditional style of interior design, is in the indoor layout, line, color and furniture, furnishings design and so on, to learn traditional decorative” shape“ and ” God“.For example, to learn traditional Chinese wooden structure building39。sometimes with the correspondingperiod of the painting, plastic arts, and even literature, music style and school for the origin and example, architecture and interior design of“ postmodernism” and its meaning, the earliest is used in Spanish literature, while the“ style” is distinctive in Holland a school of , architectural art in addition to having with materials, engineering technology closely related features, also and literature, music and painting, sculpture and other arts of causes and effectsInterior design styles, different ethos and regional characteristics, the creation idea and performance, has bee a representative interior design typical type, usually with the local humane factors and natural conditions are closely related, and need of conception and shape style of the extrinsic and intrinsic the performance in the form of style, but the style with art, culture, social development and the profound connotation。Interior design styleInterior design style and genre, and belongs to the indoor environment artistic design and mental function design style and genre are often well as furniture and architectural styles and genres closely。室內(nèi)布置中也有既趨于現(xiàn)代實(shí)用，又吸取傳統(tǒng)的特征，在裝潢與陳設(shè)中溶古今中西于一體，例如傳統(tǒng)的屏風(fēng)、擺設(shè)和茶幾，配以現(xiàn)代風(fēng)格的墻面及門窗裝修、新型