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【正文】 r ―diegetic‖? ? 2. How is the narrative focalized? ? 3. Who is telling the story? ? 4. How is time handled in the story? ? 5. How is the story ―packaged‖? ? 6. How are speech and thought represented? (Barry 23139) Gete (1) – Mode Mimetic Diegetic Showing Staging a scene Slow motion Telling Summarizing Fastforward ―What is done and said is ?staged‘ for the reader, creating the illusion that we are ?seeing‘ and ?hearing‘ things for ourselves.‖ ― A rapid summary of a long sequence of events, but all taking place ?offstage‘, as it were.‖ (Barry 23132) Gete (1) – Mode Mimetic Diegetic 當(dāng)他從美國回來，跑到我南京的家來，衝著我倏地敬個軍禮，叫我一聲師娘時，我著實吃他唬了一跳。 or one role may employ several characters (multiple villains, for instance . . .‖ (Scholes 65). Food for thought ?Identify the functions and roles in The Hunchback of Notre Dame, or “The Aspern Papers”. A Derivative ?Campbell, Joseph. The Hero with a Thousand Faces. Princeton, NJ: Princeton UP, 1949. Joseph Campbell ? “ The standard path of the mythological adventure of the hero is a magnification of the formula represented in the rites of passage: separation—initiation—return: which might be named the nuclear unit of the monomyth‖ (Campbell 30). Joseph Campbell ? A hero ventures forth from the world of mon day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero es back from this mysterious adventure with the power to bestow boons on his fellow man‖ (Campbell 30). Campbell‘s Monomyth (1) I. Departure (or separation) I. Initiation Campbell‘s Monomyth (1) I. Departure (or separation) ? 1. The Call to Adventure (or the signs of the vocation of the hero) ? 2. Refusal of the Call (or the folly of the flight from the god) ? 3. Supernatural Aid ? 4. The Crossing of the First Threshold ? 5. The Belly of the Whale (or the passage into the realm of night) Campbell‘s Monomyth (2) II. Initiation ? 1. The Road of Trials (or the dangerous aspect of the gods) ? 2. The Meeting with the Goddess (or the bliss of infancy regained) ? 3. Woman as the Temptress (or the realization and agony of Oedipus) ? 4. Atonement with the Father ? 5. Apotheosis (deification) ? 6. The Ultimate Boon Campbell‘s Monomyth (3) III. Return (or reintegration with society) ? 1. Refusal of the Return (or the world denied) ? 2. The Magic Flight (or the escape of Prometheus) ? 3. Rescue from Without ? 4. The Crossing of the Return Threshold (or the return to the world of mon day‖ ? 5. Master of the Two Worlds ? 6. Freedom to Live (or the nature and function of the ultimate boon) Food for thought ?Does Campbell‘s monomyth exist in 我愛黑眼珠 or ―The Aspern Papers‖? Potential problems: Character Phelan, James. Re
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