【正文】
「考點解析」 這是一道例(舉)證與細節(jié)理解題。第一段的倒數(shù)第一、二句是全文的中心主旨句,全文就是根據(jù)這兩句話展開論述的。39。39。39。39。39。39。39。39。39。39。39。39。本文為2010年筆試的閱讀的一篇,并提供答案解析以供參考。大街網求職招聘:中國銀行校園招聘官方討論區(qū):中國銀行2010筆試閱讀真題及答案解析——大街網傾情奉獻中國銀行2010筆試閱讀理解真題中國銀行校園招聘筆試英語的難度跟六級和考研的難度差不多,而且時間非常緊張,根本不夠用的。題型大致分為:單選(老六級)、改錯、完型、閱讀、閱讀新題型(段落排序、句子排序)、快速閱讀等,題量筆研究生考試的題量還要大,而且時間只給一個半小時。Proponents of different jazz styles have always argued that their predecessor39。s musical style did not include essential characteristics that define jazz as jazz. Thus, 194039。s swing was belittled by beboppers of the 195039。s who were themselves attacked by free jazzes of the 196039。s. The neoboppers of the 198039。s and 199039。s attacked almost everybody else. The titanic figure of Black saxophonist John Coltrane has plicated the arguments made by proponents of styles from bebop through neobop because in his own musical journey he drew from all those styles. His influence on all types of jazz was immeasurable. At the height of his popularity, Coltrane largely abandoned playing bebop, the style that had brought him fame, to explore the outer reaches of jazz. Coltrane himself probably believed that the only essential characteristic of jazz was improvisation, the one constant in his journey from bebop to openended improvisations on modal, Indian, and African melodies. On the other hand, this dogged student and prodigious technician — who insisted on spending hours each day practicing scales from theory books — was never able to jettison pletely the influence of bebop, with its fast and elaborate chains of notes and ornaments on melody. Two stylistic characteristics shaped the way Coltrane played the tenor saxophone: he favored playing