【正文】 。而昆德拉暗示這個(gè)答案就在最后一幕，Tomas和Tereza終于在一個(gè)小鄉(xiāng)村旅店里經(jīng)過一夜的狂舞后找回了他們自己。一部以一種挑戰(zhàn)的眼光對待歷史對個(gè)體生命的沖擊和沉思著個(gè)人定義的小說，《不能承受的生命之輕》，盤問著男女之愛存在著的漏洞和自由選擇還有必需要做這二者怎樣共同塑造我們生命。而且因?yàn)樗械氖虑槎贾话l(fā)生一次，并且會(huì)永遠(yuǎn)的寄存在歷史的長河里，所以在它的小說的世界里存在好像顯得失去了它（存在）本身的客觀性和應(yīng)有的“重量”。Sabina是一位國際知名的畫家，而Tomas一直長期和她沉浸于不可救藥的“性歡歷險(xiǎn)”中。s final scene, in which Tomas and Tereza find themselves in a small country hotel after a rare evening of Tomas turns on the light in their room, “a large nocturnal butterfly” rises from the bedside lamp and circles the room in which they are alone with their happiness and their ：Tereza and Tomas, Tomas and Sabina, Sabina and Franz, Franz and MarieClaude這四個(gè)人之間分別有著四種不同類型的關(guān)系，米蘭昆德桑這部杠鼎之作就是講了這四種關(guān)系之間的連串的故事。s novel is one in which lives are shaped by irrevocable choices and fortuitous is a world in which, because everything occurs only once and then disappears into the past, existence seems to lose its substance and with both the consequences of their own actions and desires and the intruding demands of society and the state, Kundera39。英文版：“Unbearable Lightness of Being” by Milan KunderaTereza and Tomas, Tomas and Sabina, Sabina and Franz, Franz and MarieClaudefour people, four Kundera39。每一次重新與《不能承受的生命之輕》親密接觸，都好像是又認(rèn)識了一位新朋友，每一次閱讀都會(huì)有新的領(lǐng)悟，我知道，當(dāng)我慢慢長大，經(jīng)歷了所有酸甜苦辣悲歡離合之后再去品味它，一切都將是云淡風(fēng)輕，塵埃落定。也許生命一切的結(jié)果，無論暗淡還是輝煌，都不值得追悔或者贊嘆，一切的抉擇也沒有什么正確和錯(cuò)誤的區(qū)別，那只是一道生命的軌跡，因?yàn)閷τ谖覀兯x擇的道路，我們根本沒有機(jī)會(huì)比較其優(yōu)劣！而使我們必須這樣走的理由，便是無數(shù)偶然表象下的必然，是你命中注定的“非如此不可”。當(dāng)我意識到這一點(diǎn)的時(shí)候，我的腦海中忽然出現(xiàn)一個(gè)畫面：十八歲的我站在岸邊，和八十歲的自己說話，八十歲的“我”對十八歲的“我”說著些“生命可貴，三思而后行之類的話”。當(dāng)看到小說結(jié)尾，我已經(jīng)不能輕松地微笑，一縷深切的悲涼從遙遠(yuǎn)的天際襲來。小說主人公雙雙意外身亡的悲劇，不僅是他們所屬的那個(gè)時(shí)代的悲劇，同時(shí)也是我們許多現(xiàn)代人的悲劇。在永恒輪回的世界里，一舉一動(dòng)都承受著不能承受的責(zé)任重負(fù)，這就是尼采說永恒輪回的想法是最沉重的負(fù)擔(dān)的緣故吧。“如果我們生命的每一秒鐘得以無限重復(fù)，我們就會(huì)像耶穌被釘在十字架上一樣被釘死在永恒上?！边@是托馬斯最初對是否開始這段愛情的掙扎。但是這本書對于我，卻是真切的有一種不可言喻的魔力，書不在我身邊的日子，我總會(huì)莫名的想念托馬斯和薩比娜，就像想念身在遠(yuǎn)方的親友一樣，在學(xué)校里，我也會(huì)經(jīng)常像著了魔似的念叨著“Muss es sein?Es muss sein!”對了，這是貝多芬四重奏里的話，意思是“非如此不可？非如此不可！”是的，非如此不可！生活中，我們常常會(huì)遇到許多難以抉擇的問題，選擇據(jù)理力爭還是忍氣吞聲？選擇打抱不平還是熟視無睹？每當(dāng)我為選擇游戲還是學(xué)習(xí)困擾的時(shí)候，我就會(huì)放下手中的一切做一次深呼吸，想象著彼岸花開的美景，然后不停地告訴自己“為了夢想，非如此不可！”在這種情況下，這本書的確幫了我不少忙，遠(yuǎn)離輕松選擇刻苦，這不是自虐，是在迷茫中自己給自己力量，就像托馬斯念著這句話離開醫(yī)院去波西米亞找特雷莎并與之共度一生一樣。這的確是一部值得反復(fù)讀的作品，前提是你必須懂得它的價(jià)值何在。they go to a village where an old patient of Tomas39。s infidelity, she enters a onetime and unpleasant sexual liaison with the , she fears the engineer might have been a secret agent for the r233。gime demands his signature to a letter repudiating the refuses, and isfrom practicing medicine。gime consider himand prevent his the invasion, Tomas wrote an article paring the Soviets to。they begin a love some time, he decides to abandon his wife and family for hearing the declaration, Sabina abandons Franz, feeling he would emotionally weigh her , Tereza and Tomas attempt to adapt to Switzerland, whose people Tereza finds she discovers that Tomas continues womanizing, she leaves him and Switzerland, and returns to by her leaving, Tomas follows Tereza t