【正文】 .[3] Shear, Walter. The Joy Luck Club Generation Dichotomy of . .[4] Souris, Stephen. Only Two Kinds of Daughters:InterMonologue Dialogicity in The Joy Luck Club in Amy Tan, ed. Harold Bloom. Philadelphia: Chelsea House Publishers, 2000.[5] 程愛民. 論譚恩美小說中的母親形象及母女關(guān)系的文化內(nèi)涵[J]. 南京師大學報(社會科學版). 2001,（4）.[6] 劉海平，王守仁. 新編美國文學史（第四卷）[M]. 上海：上海外語教育出版社，2002.[7] [美] 譚恩美 著，程乃珊 [M]. 上海：上海譯文出版社, 2006.[8] 譚恩美. 喜福會: 哈佛藍星雙語名著導讀[M]. 天津：天津科技翻譯出版公司，2003.[9] 王兆勝. [M]. 北京:北京出版集團。 Writing Matters. Chengdu: Sichuan University Press, 2003.[2] Ling, Amy. High Context Cultures and Low Context Cultures. December 13, 2004.t be ignored, and this is the real reason for the mothers to try to bine their history with their lives in American and pass them on to their daughters. In this sense, the aim of recalling the history is to grasp the present and the future better. the ChineseAmerican39。 As to our Chinese culture, it faces many challenges in the context of globalization. Although learning new technologies from other countries and absorbing the essence of other cultures are necessary, Chinese culture should be protected. History and present interacts each other, and they inherit each other. There39。In the novel the Joy Luck Club, Amy Tan describes the conflicts between the mothers and the daughters. The misunderstandings between the mothers and the daughters in the novel are caused by the different cultural backgrounds and experiences. Fortunately, through painful efforts, the mothers and the daughters begin to understand and municate each other at the end of the story, which metaphorically demonstrates the transition of the relationship between Chinese and American culture from conflicts to blending.Although Chinese people are deeply affected by the western culture, especially American culture, in the process of globalization, more and more people realize that Chinese culture has its own value, and it cannot be eliminated. Chinese culture can absorb other cultures’ essence and can keep pace with the world’s development despite the backward aspect of it.Culture should be treated seriously, and anything that belongs to culture can’t be discarded easily, such as the dragon symbol. Dragon in Chinese culture symbolizes the stubbornness and the Chinese nation, but in western culture, it symbolizes the evil, so some one argues to cancel the dragon symbol. More people, however, argue that the dragon symbol could not be cancelled, for it is the root and the most important thing in Chinese culture. If it were cancelled many Chinese idioms and expressions would lose their root, such as “l(fā)ong teng hu yue” and “l(fā)ong ma jing shen”. Chinese people should have confidence on Chinese culture while learning the excellent cultures from other countries。 finally, June visits her halfsisters to fulfill her mother’s wish.Although JingMei fears that she cannot tell the whole story of her mother, Suyuan runs through the novel with JingMei’s voice, and JingMei speaks for her mother in the first and fourth sections. Suyuan’s story represents the struggle to maintain the motherdaughter bonds through cultural and general gaps. JingMei’s trip to China not only makes reconciliation between Suyuan’s two different life styles, but also the reconciliation between cultures and motherdaughter relationship. In addition, the journey brings hope to other motherdaughter pairs. So they can reconcile the oppositions in the lives between past and present, between cultures, and between generations.The understanding and reconciliation between mothers and daughters are shaped gradually. As in the last part of the novel, JingMei and her father go to China to look for JingMei’s half sisters. When they arrive in GuangDong and see her father’s aunty, she still can’t understand her mother’s words of how to rebuild JingMei’s genome to let her be a Chinese again. After JingMei’s father tells her Suyuan’s story after she runs away from GuiLin, she knows why her mother leaves the twins on the road. At that time, she feels she just knows a little about her mother who has gone away forever. When she sees her sisters she realizes the Chinese quality which is hidden in her body and totally understands her mother. In this multicultural novel, the author makes us understand the generational and cultural disparity. The daughters once think that their mothers’ Chinese cultural background is the barrier of munication. They cannot understand their mothers’ belief and their ways of love. But when they meet some difficulties in their life, they turn to their mother to find help, and from their mothers’ stories, they finally understand their mothers. YingYing begins to change herself only when she realizes that she has passed her passivity and fatalism to her daughter Lena. She sees the sadness of her daughter’s marriage, and urges her daughter to take an active position. In the story “Waiting between the Trees”, YingYing says: 【