【正文】 , but an island of refuge from sleepless night, chaos, loneliness, old age, the meaninglessness of life, and impending death. In some novels and stories, some characters are symbolic. Such characters usually appear briefly and remain slightly mysterious. In Joseph Cornard’s Heart of Darkness, a steamship pany that hires men to work in Congo maintains in its waiting room two women who knit black wool—they symbolize the classical Fates. Such a character is seen as a portrait rather than as a person, at least portrait like. Faulkner’s Miss Emily, twice appears at a window of her houses “l(fā)ike the carven torso of an idol in the niche.” Though Faulkner invests her with life and vigor, he also clothes her in symbolic hints: she seems almost to重慶綦江通惠濱河路市政工程項目建議書目 錄第 1 章 項目業(yè)主單位情況簡介 ......................................................1第 2 章 項目建設(shè)的背景及必要性 ....................................................2 項目建設(shè)背景 ...................................................................2 區(qū)域社會背景 ..............................................................2 項目背景 ..................................................................3 項目建設(shè)必要性 .................................................................4 項目建設(shè)是綦江縣規(guī)劃路網(wǎng)的要求 .............................................4 項目建設(shè)是城市化發(fā)展的要求 ................................................5 項目建設(shè)是改善人民生活水平的需要 ...........................................5 項目建設(shè)是調(diào)整產(chǎn)業(yè)結(jié)構(gòu)、促進(jìn)經(jīng)濟(jì)發(fā)展的要求 ................................5第 3 章 項目建設(shè)條件 ..............................................................7 項目所在地理位置 ...............................................................7 工程建設(shè)條件 ...................................................................7 相交道路現(xiàn)狀及規(guī)劃 ........................................................7 道路建設(shè)條件 ..............................................................7第 4 章 工程建設(shè)方案 ..............................................................9 工程建設(shè)初步方案 ...............................................................9 工程規(guī)模 ......................................................................11第 5 章 項目進(jìn)度安排設(shè)想 .........................................................12第 6 章 工程投資估算及資金籌措 ...................................................13 投資估算 ......................................................................13 工程建設(shè)費(fèi)用 ..............................................................13 建設(shè)工程其它費(fèi)用 ..........................................................13 基本預(yù)備費(fèi) ................................................................13 建設(shè)期貸款利息 ............................................................13 投資估算表 ................................................................14 資金籌措 ......................................................................15第 7 章 效益分析與社會影響 .......................................................16 社會效益和國民經(jīng)濟(jì)效益 ........................................................16types of sentence are used, what is their function? Sentence plexity: Do sentences on whole have a simple or a plex structure? What is the average sentence length? Does ple。 its syllables, the narrator tells us, “cast an Eastern enchantment over me.” Even a locale, or a feature of physical topography, can provide rich symbolic suggestions. The caf233。 they point, they hint, or, as Henry James put it, they cast long shadows. Symbolism The term symbolism refers to the use of symbols, or to a set of related symbols, which is one of the devices that enrich short fiction and pensate for its briefness in space. 2. There are two broad types of literary symbols Symbol is generally acknowledged to be one of the most frequently employed devices in poetry. In works of fiction it is no less frequent and no less important. The fact is that, when a reader reads a work of fiction, his focus is mostly cast upon the plot, the character, and the language used, so that the symbols are automatically backgrounded on the reader’s part. But in some novels and stories, the symbolism looms so large that the reader will fail to get a prehensive understanding of the work without paying special attention to the symbols. The Scarlet Letter by Nathaniel Hawthorne is one of such works. The very title points to a double symbol: the scarlet letter A worn by Hester conveys a multiple of senses which differ greatly from what it literally stands for, and the work eventually develops into a test and critique of symbols themselves. Thomas Pynchon’s V. continues along much the same line, testing an alphabetical symbol. Another example is Herman Melville’s MobyDick, in which the huge white whale in the title of the book acquires greater meaning than the literal dictionarydefinition of an aquatic mammal. It also suggests more than the devil, to whom some of the characters liken it. The huge whale, as the story unfolds, es to imply an amplitude of meanings: among them the forces of nature and the whole universe. Literary symbols are of two broad types: one type includes those embodying universal suggestions of meaning. Flowing water suggests time and eternity, a journey into the underworld and return from it is interpreted as a spiritual experience or a dark night of the soul, and a kind of redemptive odyssey. Such symbols are used widely (and sometimes unconsciously) in western literature. The other type of symbol secures its suggestiveness not from qualities inherent in itself but from the way in which it is used in a given work, in a special context. Thus, in MobyDick the voyage, the land, and the ocean are objects pregnant with meanings that seem almost independent of the author’s use of them in the story。 he hints that some sad, passionate spirit is brooding as it watches the passing procession of humanity. Such an object is a symbol: in literature, a symbol is a thing that refers or suggests more than its literal meaning. There are quite a lot of symbols that appear in ordinary life, for the use of symbol is by no means of limited to literatur