【正文】 but since they are white, they contribute to the brilliance by reflecting the light from their stillglowing neighbors. A slightly bigger form of the metal will burn for a longer time.30 What does the passage mainly discuss?(A) The history of the photoflash(B) Theories about how the eye reacts to light(C) The technology of modern photography(D) The dangers of using the early photoflash31 According to the passage,1/25 second is the minimum amount of time required for the (A) recording of an image on film(B) generation of artificial light(C) creation of a photographic emulsion(D) human eye to react to light32 According to the passage, an advantage of using a photoflash is that it(A) can produce repeated bursts of light(B) intensities colors in photographs(C) is short enough not to bother human eyes(D) supplements existing lighting33 The word “ignited” in line 9 is closest in meaning to (A) set on fire(B) cut into(C) opened(D) shaken34 Which of the following phrases is defined in paragraph 1?(A)”appreciable period”(line 1)(B)”photographic emulsion”(line 3)(C)”highspeed movement”(line 5)(D)”odd poses”(line 11)35 The word “evolution” in line 12 is closest in meaning to (A) publicity(B) adoption(C) development(D) manufacture36 The function of the glass in the first flashbulbs was to(A) produce the spark that initiated the flash(B) magnify the light produced by the flash(C) protect the photographer from the heat of the flash(D) keep the metal and oxygen apart before the flash37 The word “it” in line 18 refers to (A) oxygen(B) battery(C) wire(D) current38 The word “momentarily” in line 20 is closest in meaning to(A) effortlessly(B) briefly(C) electronically(D) gradually39 According to the passage, the white color of the smoke particles generated by a flashbulb contributes to(A) rapid cooling(B) bright illumination(C) electrical conductivity(D) intense heat40 According to the passage, a flashbulb can be made to burn longer by using(A) thicker wire(B) more oxygen(C) thinner glass(D) continuous electricityQuestions 4150 The stylistic innovation in paining known as Impressionism began in the 1870’s. The Impressionists wanted to depict what they saw in nature, but they were inspired to portray fragmentary moments by the increasingly fast pace of modern life. They concentrated on the play of light over objects, people, and nature, breaking up seemingly solid surfaces,(5 ) stressing vivid contrast between colors in sunlight and shade, and depiction reflected light in all of its possibilities. Unlike earlier artists, they did not want to observe the world from indoors. They abandoned the studio, painting in the open air and recording spontaneous Impressions of their subjects instead of making outside sketches and then moving indoors to plete the work form memory.(10) Some of the Impressionists’ painting methods were affected by technological advances. For example, the shift from the studio to the open air was made possible in part by the advent of cheap rail travel, which permitted easy and quick access to the countryside or seashore, as well as by newly developed chemical dyes and oils that led to collapsible paint tubes, which enabled artists to finish their paintings on the spot.(15) Impressionism acquired its name not from supporters but from angry art lovers who felt threatened by the new painting. The term “Impressionism” was born in 1874,when a group of artists who had been working together organized an exhibition of their paintings in order to draw public attention to their work. Reaction from the public and press was immediate, and derisive. Among the 165 paintings exhibited was one called(20)Impression: Sunrise, by Claude Monet(18401926),Viewed through hostile eyes, Monet’s painting of a rising sun over a misty, watery scene seemed messy, slapdash, and an affront to good taste. Borrowing Monet’s title, art critics extended the term “Impressionism” to the entire exhibit. In response, Monet and his 29 fellow artists in the exhibit adopted the same name as a badge of their unity, despite individual differences. (25) From then until 1886 Impressionism had all the zeal of a “church”, as the painter Renoir put it. Monet was faithful to the Impressionist creed until his death, although many of the others moved on to new styles.41 What