【正文】 .The New York Times, Jun 3, 1998AWARDSNew York AIA Project Award, USA, 1999NYC AIA Design Award, USA, 1995。s addition, clad in bright, sandcolored Kasota stone and concrete block loses no time in performing its educational mission. Within, the plan is exceptionally open and draws visitors along sloping pathways bathed in natural light, past bursts of contrasting colors and playful display. By attaching a new structure to bridge Saarinen39。As a museum of natural history and science that draws 250,000 visitors a year, the institute is by far the most public of Cranbrook39。 Magazine / Aamp。. Architecture, 39。.Area, Feb 1, 200039。 which winds inside and outside the building does not simply offer spectacular views, masterfully framed by a delicate and fetching work of architecture: in fact, along the entire itinerary Holl39。The 39。s Institute of Science offers the user a spatial sequence that is delicately articulated in didactic terms.39。Holl is perhaps the only architect practicing today who habitually engenders his work through three interwoven heuristic devices: first, a particularly sensitive reading of the context in which the work is situated。 the Hall of Minerals and the Hall of Man. A slipped U shape, like the scientific diagram for Strange Attractors, allows for multiple paths within the exhibitions and other programs of the Institute. The slipped U shape, like the scientific diagram for strange attractors allows for multiple paths within the exhibitions and programs. With this concept as an analog, Steven Holl Architects aims for a free and openended addition. Its circuits are unique, allowing for the potential that no visit to the new science museum will be a repeat experience, rather each engagement is provocative and unpredictable. The new Institute is centered around an inner garden where scientific phenomena are exhibited in the open air. Within this Science Garden is the Story of Water。 RENOVATION: 30,000 amp。Along with the bold geometry and glimmering skin, a striking playfulness distinguishes the structure from its architectural neighbors. The building tilts at a 5degree angle, as if it were tipsy, allowing Holl to sink approximately one third of the cube into the ground and link it via tunnel, in an apparently effortless way, to a 900year old network of wine vaults, about 65 feet downhill from the cube. Linking old and new, Holl managed to insert a Modern and idiosyncratic structure into the periphery of a historic region. And perhaps because of his refusal to yield to the pressure of ersatz surroundings, his leaning, aluminumclad cube seems right at home on the hillside...39。s design concept is derived from the geometry of the wine vaults. The simple 24m x 24m x 17m volume is cut and liced to create a rich geometry. Some of the deep cuts are glazed in recycled bottle glass with rich green hues that cast their lustrous light on the interior. Partially set into the earth of the vineyard, the slight forward tilt of the structure indicates its subterranean connection by ramp to the antique vault system. Upon entering, the visitor perceives a wonderful volume of space and steps out to the vineyard and past a caf233。 Co. KGSIZE: 13,200 sfSTATUS: pletedOn the edge of the town of Langenlois, 60 minutes west of Vienna, on a gently southsloping vineyard, a new wine center and visitors39。 Associatesglass consultant– . Heintges amp。Dell, Irene Vogt, Urs Vogt, Christian Wassmann (project team)local architect– BNIM Architectsstructural engineer– Guy Nordenson and Associatesassociate structural engineer– Structural Engineering Associatesmechanical engineer– Ove Arup amp。s movement through space and time. (? The threaded movement between lightgathering lenses of the new addition weaves the new building with the landscape in a fluid dynamism based on a sensitive relationship to its context.39。Dominic Bradbury, Telegraph UK39。s best work from the past (? Holl39。.Richard Lacayo, Time, March 19, 200739。s term or lanterns. They39。ll pour (diffused) light into the galleries. After dark, lit from within, they39。s most visible building on the strength of being the building that39。s addition to the NelsonAtkins Museum of Art in Kansas City, Mo., which opens in June. It39。Now that architecture is practically as glamorously daredevil as bullfighting, every year has its Most Anticipated Building. (...) This year there39。 Owen Phillips, Men39。Steven Holl sheds light on his new subterranean marvel (...). The evocative shapes, which the London Telegraph referred to as the building blocks of America39。The white plenums punctuating the lawn are crucial to this ordered design, something that both the architect and client believe is a significant departure for a museum. Visitors to the spaces below will be able to see the changing patterns and luminosity of the sky.39。 the results are unexpected and pelling39。What Holl39。s finest by far, but also one of the best of the last generation. Holl has produced as striking and inventive a piece of architectural form (...) and yet it is a serene and exhilarating place in which to view art39。. Bill Millard, Icon, May, 200739。s Bloch Building transforms the NelsonAtkins Museum of Art in Kansas City, Missouri, from a respected regional institution into a focal point of worldwide at