【正文】 and,shows us the historical ages and those who have journeyed through an architecture is built up in harmony with its stragglers whoare still constructing the archetypes of the 20th century are diachronically ill, is know it to be mortal and endangered as sure as weknow it is so we watch it emerging from the darkness and imagine that it will returnthere one day. The architectures of situation,of the specific,the Louisianan architecturesweave bonds between the past and the future,the mineral and the vegetal,theinstantaneous and eternity,and the visible and the are the loci of emergence and distil the essence of their own slow,poignant consciousness of time overlays the surprises of the new lives lived in theplace,the great rhythms of dawn and twilight,the indifference of the inevitablehours of idleness and decay...Louisianan architectures are dreamed architectures,full of silences－ notonly places of fetfulness but also of bee the cue for reinterpretations of an ambivalent past. Louisianan architectures move us because they have been dreamed into life,insecurity,resistance and sometimes despair。can let you read the topography,the lay of the land。andto work with imperfection as a revelation of the limits of the architectures that kill emotion are not are the 武漢科技大學(xué)本科 畢業(yè) 設(shè)計 外文翻譯 8 work of globetrotting artistarchitects,princes of repetition,specialists in the perfect,dry and perennial detail that are the true confession ofemotional impotence! The repetition of the‘controlled’detail is proof of their insensitivity to thepossible nature of an architecture in the construction is used as misconstruction!Weight and emphasis are understood as vectors of architectural pedantry!The detail－ like the totality－ is an opportunity to invent,dislocate,enrichthe world,repose,reassemble and provoke confrontations of textures,lightand unlikely generic detail,like generic architecture,manifests the an absence of doubt that takes no risks and holds back as far as possiblefrom the limits of the feasible and vocation is to exist and sell itselfeverywhere,spreading uniformity and killing differences in order to are in the domain of simplistic thinking－ of the systemic,the are far from the sine qua non of seduction:the architecture that creates singularity in duality and is invented through theconfrontation with a situation is Louisianan. It opposes the attitudes of these artistarchitects who follow a recipe ofrepeating a kind of formal order passed off as the‘signature of the artist’.Itopposes what can be dropped down on the landscape on any occasion in any global phenomenon perpetuates an artistic tradition of the 20th centuryart that is in essence unsituated,dislocated and designed to take its place amongthe mathematical white boxes of the these works of art that can function in isolation,autonomousarchitectures are doomed to the status of static interference,absurd collages andsudden sneezes that disturb their surroundings。when we shop in cloned shopping centres,work behind the same eternalcurtainwalls...and,when whatever aspects of these factors that might be positive are notpartofglobalpriorities...Why,for instance,shouldn’t education eradicate illiteracy more quickly andsurely?Why doesn’t the medicine that saves the victims of pandemics get to them intime?Architecture is by no means spared of these new conditions of an efficient,profitableworld increasingly marked by an ideology delivered as the baggage of the economy. The global economy is accentuating the effects of