【正文】 《紅與黑》不是一部單純的愛情小說，是“最強(qiáng)烈的現(xiàn)實(shí)小說”，深刻地揭示了法國社會矛盾的種種復(fù)雜的現(xiàn)實(shí)關(guān)系，是法國批判現(xiàn)實(shí)主義的開山之作，在藝術(shù)上取得的很高成就也是有目共睹的。這種復(fù)雜的心境描寫，也是從另一個(gè)隱秘的角度為于連英年早逝斷送前程的命運(yùn)作出鋪墊吧。因?yàn)楦粍P建議于連與他一起做木材生意，并許下了很高的金額。他發(fā)現(xiàn)一只鷹從他頭頂上的巨大巖石間飛過，它的飛行既安詳平穩(wěn)，又強(qiáng)健有力，深深震撼著他的心靈。另外，作者精心布局，巧妙構(gòu)思，設(shè)置了幾個(gè)預(yù)言性場面，從而大大增強(qiáng)了文章結(jié)構(gòu)的緊密性。在書中有一處，瑪?shù)贍柕掠靡环N奇怪的神情注視著于連，于連在內(nèi)心里想著，“看來這就是當(dāng)?shù)嘏嗽谫u弄風(fēng)情了，正像德在這個(gè)主體框架中，作者又穿插了眾多的回憶性片斷，人物、情節(jié)、環(huán)境，都緊緊圍繞于連的個(gè)人奮斗互相交織，組成一個(gè)完美無瑕的藝術(shù)整體。斯丹達(dá)爾懂得“從內(nèi)部觀察到的心靈，抒情的心靈與現(xiàn)實(shí)的厚壁”相對照的藝術(shù)。雷納爾夫人墜入情網(wǎng)時(shí)的那種喜悅、痛苦、懺悔而又不甘放棄幸福的復(fù)雜心里的展現(xiàn)，也令人拍案叫絕。這只手很快便縮了回去，于連心想，他應(yīng)該有責(zé)任做到讓這只手在他碰到時(shí)不縮回去。當(dāng)女仆埃莉莎向雷納爾夫人談及她的婚事時(shí)，她覺得自己是病了，一種類似高燒的癥狀攪得她徹夜難眠。其次，作者運(yùn)用獨(dú)特深刻的心理描寫，突出人物內(nèi)在心理特征的表現(xiàn)。個(gè)人野心支配著他的一切行動，直到他發(fā)現(xiàn)貴族階級對平民存在根本的敵視之后，又恢復(fù)了反抗精神，寧死也不肯妥協(xié)。最后一個(gè)典型環(huán)境是拉莫爾侯爵府，在這里，斯丹達(dá)爾為于連典型性格的形成完成了最終的塑造。書中記敘了于連的好朋友富凱的來訪，那次拜訪給于連留下深刻的印象。這種從雷納爾市長家到神學(xué)院的過渡，或許也是對結(jié)局的一種暗示吧。最終，在雷納爾市長家，于連始終保持著自己的反抗意識，并在自己的“責(zé)任”意識下尋找著自己成功的機(jī)會。在于連心目中，維里埃爾市長始終代表著世界上一切有錢和傲慢的人。他認(rèn)為故鄉(xiāng)的一切都禁錮、僵化著他豐富的想象力?！薄都t與黑》也被看作是法國乃至歐洲現(xiàn)實(shí)主義的奠基作。首先，正如他的創(chuàng)作作品總是形象鮮明地反映十九世紀(jì)二十年代法國王政復(fù)辟時(shí)期的社會現(xiàn)實(shí)和歷史特征一樣，斯丹達(dá)爾借助《紅與黑》再現(xiàn)十九世紀(jì)三十年代的法國。Sometimes, honest, sometimes mildly deceitful, telling white lies, and sometimes boldfaced liars? Since Stendhal is faithful to this, and does not give us character in black and white, he has produced a masterpiece.第五篇：《紅與黑》讀書筆記范文第二次拾起斯丹達(dá)爾《紅與黑》中的文字，我仍為里面的故事情節(jié)以及人物性格深深吸引著。s most brilliant and human creationand one of the greatest characters in European really enjoyed this many reviewers, I feel the book does transcend people and culture today, puters and all, are a lot like those in Stendhal39。 psychology and reflection of society, he is considered one of the earliest and foremost practitioners of realism in his two novels Le Rouge et le Noir(The Red and the Black, 1830)and La Chartreuse de parme(The Charterhouse of parma, 1839).Stendhal laid down for himself in a diary entry of May 1804:“regard everything I’ve read to date about man as a prediction。s political aristocrat is born German Switzerland that mayor is restores the dynasty in here highest representative, the maintenance restoration political power, prevents the bourgeoisie free party member is in power in politics regards as the inherent collection post manager Valno the promise originally is the petty bourgeois, as a result of hires oneself the church secret organization saint can obtain the now the fat difference, thus oneself with restoration political power hitch in same hall Father Maslon is the spy which the church sends, all people39。 of place: 在錯誤的位置，在不適當(dāng)?shù)奈恢谩? a room for one or more prisoners in a prison or police ，單間牢房。: a group of members of the public who listen to the facts of a case in a court of law and decide whether or sb is guilty of a 。: a machine that was used in France in the past for cutting people’s ，斷頭臺。：a secret plan by a group of people to do sth bad or ，共謀。: a large church that is the most important one in a 。: knowledge that you get from ，知識。:(used about a person)too proud of your own appearance, abilities, ，自負(fù)的。：a priest with a high position in branches of the Christian church who is responsible for all the churches in a city or a 。: any of various diurnal birds of prey of the 。：level, flat and smooth。: receive(property, rank, title, etc)by legal descent or 。: despotism is cruel and unfair government by a ruler or rulers who have a lot of ，專制政治，暴政。: a person who owns land, especially a large area o