土木建筑畢業(yè)設(shè)計(jì)中英文翻譯--高層辦公建筑藝術(shù)思考-wenkub.com
2025-05-29 22:30 本頁面
【正文】 所以他們說建筑物在垂直方向上應(yīng)為三部分，大體和以前相同，只是出于不同的動(dòng)機(jī)。 現(xiàn)在我們從冷靜的、哲學(xué)的角度取觀察這個(gè)問題，讓我們尋求一個(gè)全面的、最終的解決辦法讓難題確實(shí)消失。 用精神設(shè)計(jì)，對自己生活的時(shí)代有責(zé)任感的人一定不是懦弱者、受排斥著、書呆子和門外漢。它也一定是建筑表達(dá)的重要優(yōu)勢，想象力的真正來源。 雖然我們的建筑物在一定程度上擁有了這些，可離我正在嘗試定義的問題的充分解決還很遠(yuǎn)。 但是迄今為止，他的成果也只是相對真實(shí)的部分的，它們還是很膚淺。 當(dāng)提到有建筑才能的人時(shí)，我指的不一定是有造詣的、接受過專門訓(xùn)練的建筑師。我們無需做得更多，只需使其看上去全部相似，因?yàn)樗鼈儽旧矶际窍嗨频?。剩余的其他樓層，我們?yīng)差不多一樣自由、開闊和豪華的方式來處理，這種方式正是基于實(shí)際需要，但又表達(dá)了一種開闊的自由。當(dāng)然，第一層和商業(yè)層對結(jié)構(gòu)間距和開口的需求是最大的；而第二層和部分商業(yè)層的結(jié)構(gòu)間距和開口多少有些相似的形式。因而注意力應(yīng)當(dāng)集中在那些高層辦公建筑始終要面對的主要情況上，排除對那些純粹偶然或巧合的變化情況的考慮，從而不致對主要研究問題的清晰度有不利影響。我相信 例如安裝電梯等問題 在這不必考慮。空間中充滿了容器，管道，閥門，還有為隱藏在地下室里的設(shè)施的啟動(dòng)供給和補(bǔ)充動(dòng)力的機(jī)械附屬設(shè)備。第四，第二層之上是不確定數(shù)目的辦公室，層層堆積，層層相似，間間相似。 廣泛的說，實(shí)際 情況是： 首先需要的是，一個(gè)包含鍋爐、 不同種類 機(jī)房 的地下層。 這是個(gè)問題，我們必須在和它的進(jìn)化確實(shí)相似的過程中去尋找它的解決，那就是他的延續(xù)，通過一步一步的從一般到特殊的方面著手進(jìn)行，從比較粗糙到細(xì)致的考慮。 取決于這點(diǎn)，所有顯而易見的都是唯物論的，是力量、決心和敏銳語言表現(xiàn)智力的展示。簡而言之，情況如下：辦公室是商業(yè)交易的必須場所；高速電梯的發(fā)明和完美創(chuàng)造使曾經(jīng)沉悶令人頭疼的垂直交通變得容易和舒適；鋼產(chǎn)品的 發(fā)展把安全、堅(jiān)實(shí)、經(jīng)濟(jì)的建筑物引向了一個(gè)更高的高度。沙利文 18963 這個(gè)時(shí)代該領(lǐng)域的建筑師開始正視一些新的由于社會(huì)條件變革和整合以及它們特殊組合導(dǎo)致的對高層辦公建筑的立面要求。 3rd, the elevation of the question from considerations of literal planning, construction, and equipment, to the plane of elementary architecture as a direct outgrowth of sound, sensible building。 these successfully piled one upon another, react on ground values and so on, by action and reaction, interaction and inter reaction. Thus has e about that form of lofty construction called the modern office building. It has e in answer to a call, for in it a new grouping of social conditions has found a habitation and a name. Up to this point all in evidence is materialistic, an exhibition of force, of resolution, of brains in the keen sense of the word. It is the joint product of the speculator, the engineer, the builder. Problem: How shall we impart to this sterile pile, this crude, harsh, brutal agglomeratio n, this stark, staring exclamation of eternal strife, the graciousness of these higher forms of sensibility and culture that rest on the lower and fiercer passions? How shall we proclaim from the dizzy height of this strange, weird, modern housetop the peaceful evangel of sentiment, of beauty, the cult of a higher life? This is the problem。 I accept them as the fact, and say at once that the design of the tall office building must be recognized and confronted at the outset as a problem to be solved a vital problem, pressing for a true solution. Let us state the conditions in the plainest manner. Briefly, they are these: offices are necessary for the transaction of business。 the invention and perfection of the high speed elevators make vertical travel, that was once tedious and painful, now easy and fortable。 and we must seek the solution of it in a process analogous to its own evolution indeed, a continuation of it namely, by proceeding step by step from general to special aspects, from coarser to finer considerations. It is my belief that it is of the very essence of every problem that is contains and suggests 2 its own solution. This I believe to be natural law. Let us examine, then, carefully the elements, let us search out this contained suggestion, this essence of the problem. The practical conditions are, broadly speaking, these: Wanted 1st, a story below ground,
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