【正文】 司。到這里inception的任務(wù)圓滿完成。第三層夢(mèng)境世界的爆炸kick，第二層的電梯kick，第一層的落水kick同時(shí)進(jìn)行。小女孩，小帥哥，印度人等人成功脫險(xiǎn)到第一層。只有日本人死在了第三層夢(mèng)境世界，所以跳過第四層直接進(jìn)了迷失域limbo。與此同時(shí)，leo在第四層夢(mèng)境世界終于狠下心來殺死了妻子的影子，也在爭(zhēng)斗中被影子刺中身亡，同樣來到了迷失域。在這里他見到了日本人，并且說服他用槍殺死leo然后自殺而雙雙回到現(xiàn)實(shí)。（從夢(mèng)境世界到limbo記憶會(huì)不太好使，所以leo說他忘了第一次進(jìn)迷失域之前和妻子在第四層一起老去的事情，他第二次進(jìn)迷失域見日本人的時(shí)候也想了半天才想起來來的目的——日本人回不了現(xiàn)實(shí)不能實(shí)現(xiàn)許諾的讓他回家的報(bào)酬了。）至此，leo的心結(jié)解開，他的對(duì)妻子死去的悔恨因?yàn)榛貞浧鹆撕推拮釉诘谒膶訅?mèng)境世界白頭到老的幸福而被沖淡。日本人在飛機(jī)上醒來后也兌現(xiàn)了諾言打了電話解除了他的通緝。最終的結(jié)尾是開放性的，陀螺不知道停沒停，但也無傷大雅。假如這作為參照的現(xiàn)實(shí)的確是夢(mèng)境的話，那也只不過把六層世界變成七層。如同電影中出現(xiàn)多次的循環(huán)封閉上下樓梯一樣，電影中的多層世界也不過是增加了維度的莫比烏斯圈，1到2到3到0到1到2到3到0……..如此往復(fù)。如果對(duì)我的解釋或者其他地方有疑問的話請(qǐng)回帖。我會(huì)編輯更新。補(bǔ)充一下關(guān)于老臣的情節(jié)。Forger在第一層夢(mèng)境偽裝成富二代老臣，除了套取他和父親關(guān)系的情報(bào)之外，還設(shè)下了在第二層夢(mèng)境誣陷老臣的伏筆。第二層里面的老臣是富二代意識(shí)里面的老臣的投影（projection），所以如果富二代心里面認(rèn)為這個(gè)老臣是中心的話投影就會(huì)表現(xiàn)出忠心的，反之亦然。所以forger在第二層和日本人說他在跟蹤老臣的投影根據(jù)投影的表現(xiàn)判斷富二代有沒有上套。這個(gè)套的目的是讓富二代認(rèn)為第三層夢(mèng)境中那些自己意識(shí)投影的私人軍隊(duì)是老臣意識(shí)中的投影，所謂臺(tái)詞中的讓他自己擊破自己的意識(shí)防衛(wèi)來完成inception。第五篇：盜夢(mèng)空間英文影評(píng)盜夢(mèng)空間英文影評(píng)In a nottoodistant future, no one’s secrets are safe, not even those buried in the deepest recesses of their minds: Hightech“extraction” technology allows teams of spiesforhire to manipulate the dreams of others, creeping around their thoughts and riffling through their subconscious Cobb(Leonardo DiCaprio)is the best in the business—good enough that even former victims like corporate hotshot Saito(Ken Watanabe)turn to him when they need someone to do the is in a position to offer Cobb the one thing he wants most in the world: a way ’s connections can erase the murder charge that forced Cobb to flee his country and abandon his children to the care of their grandfather(Michael Caine), and all he has to do in return is get inside the head of Richard Fischer(Cillian Murphy), heir to a multinational empire, and plant the idea to dismantle it so deep that Fischer will believe he thought of it all by wisdom has it that mental capital only flows one way: You can dig it out, but you can’t sneak it knows otherwise and assembles a team willing to do the mindwarp with him: chameleon Eames(Tom Hardy), who can assume any identity within a dream。chemist Yusuf(Dileep Rao), whose concoctions facilitate deep, prolonged sleep。architect Ariadne(Ellen Page), who imagines every physical detail of the dream world。and pointman Arthur(Joseph GordonLevitt), who sweats whatever details need only newbie in the bunch, Ariadne quickly realizes what the others don’t: that the persistent dream presence of Cobb’s late wife, Mal(Marion Cotillard)—whom he was accused of killing—isn’t just a pesky sign of lingering ’s a giant, flashingneon warning that Cobb is on the fast track to a fullblown mental their nature, rubberreality movies walk a thin line between clever and when they work, the balancing act is breathtaking: Just think back to 1999, when The Matrix had fanboys, mall rats and cineastes alike lined up for a tumble down the rabbit owes both The Matrix and the allbutforgotten Dreamscape(1984), in which a psychic is unwittingly drawn into a plot to assassinate the President of the United States in his dreams, a debt of writerdirector Christopher Nolan is much more than a crass recycler of other people’s cool ideas, and his greatest strength is the ability to tether popculture spectacle to authentic Inception were all spectacle, it would be nothing more than magic trick of the month: nifty but disposable, at the mercy of smart alecks eager to reveal the cogs and wheels behind the while one day soon the eyepopping effects will inevitably look dated, Cobb’s misery—a messy mix of grief, guilt, denial and resentment—will continue to feel painfully or not history validates parisons to Stanley Kubrick’s 2001: A Space Odyssey, Inception is a superior summer movie, one with heart and brains and loads of razzledazzle.