【正文】 son, what responsibility does that person bear in return? How can an immortal robot cope with outliving its organic creators? Writers from Mary Shelley to Isaac Asimov have been fascinated by these dilemmas.(The film Bicentennial Man, which explores similar terrain, is based on an Asimovpenned piece.)Perhaps Spielberg attempts too much with some degree, by trying to tackle all of these issues, he fails to effectively present any of threads are dropped at an alarming an ambitious film that, when it misses its mark, does so because it strives for so script does not insult the audience39。s intelligence, and it gets us thinking about ”big issues“, such as love, life, god, and our place in the 39。s unfortunate that as much thought didn39。t go into structuring the narrative as went into crafting the movie39。s thematic those who have e to equate science fiction with action will be a drama with little in the way of adrenalineboosting has consciously slowed things down, relying on viewers39。 curiosity about the ideas and identification with the characters to keep them involved in the acting, as is usually the case with a Spielberg film, is , who is still best known for seeing dead people in The Sixth Sense, is pelling as the Pinocchiolike imbues the robotic character with genuine humanity, but, by slightly exaggerating his mannerisms and some vocal inflections, constantly reminds us that David is not of this is subtle。there are no herkyjerky movements and he does not speak in a O39。Connor(the Australian actress who starred in Mansfield Park)is credible as the conflicted , in the part of Gigolo Joe, an android made to give women pleasure, Jude Law is spry and alwaysdour William Hurt plays David39。s creator(he also serves as the mouthpiece for much of the film39。s expositionuntil a big iceberg gets in the way of their newfound is no stranger to spectacle, and the amazing boatsinking effects paper over the cracks in the story so well that even the most cynical viewer is drawn You don39。t like don39。t care about 39。re grimly aware of every hyperefficient emotional trigger and fastforward through whole tranches of bad acting and writing, but in the end, Cameron39。s monumental epic still prises open the tear Gump(阿甘正傳)1994 Ever find the grind of life getting you down? Is the daytoday struggle threatening to drag you under? If so, there is a movie out there that can replenish your energy and refresh your and magical, Forrest Gump is a tonic for the weary of those who feel that being set adrift in a season of action movies is like wandering into a desert, the oasis lies when Tom Hanks39。 movie career was relatively new, the actor made a film called Big, which told the story of a young boy forced to grow up fast as a result of an illadvised wish made at a some ways, Forrest Gump represents a return to the themes of that earlier this case, the main character remains a child in heart and spirit, even as his body grows to is called upon yet again to play the Gump(Hanks), named after a civil war hero, grows up in Greenbow, Alabama, where his mother(Sally Field)runs a boarding Forrest is a little ”slow“(his IQ is 75, 5 below the state39。s definition of ”normal“), his mental impairment doesn39。t seem to bother him, his mother, or his best(and only)friend, Jenny Curran(played as an adult by Robin Wright).In fact, the naivete that es through a limited understanding of the world around him gives Forrest a uniquely positive perspective of the next thirty years, Forrest bees a star football player, a war hero, a successful businessman, and something of a pop it all, however, there is one defining element in his life: his love for is never far from his thoughts, no matter what he39。s doing or where he trio of assets lift Forrest Gump above the average ”life story“ drama: its optimism, freshness, and emotional the movie does not seek to reduce every member of the audience to tears, it has moments whose power es from their as important is laughter, and Forrest Gump has moments of humor strewn the 60s and 70s, no topic more inflamed the turbulent national consciousness than that of Vietnam and those who were sent overseas to , as might be expected, has a singular viewpoint on his time spent there: ”We took long walks and were always looking for this guy named Charlie.“ In this observation can be found the essence of the title character39。s the miracle of visual effects, Forrest meets his fair share of famous peopleone that appeared in the same 39。Different Seasons39。 collection that spawned the films Stand By Me and Apt Pupiland provides a narrative payoff as satisfying as it is a voiceover narration, much of which is taken verbatim from King39。s story, the film39。s great triumph is its sincerity, and even those moments that might have felt mawkishachieve the dignity of genuine nearly two and a half hours in length, it39。s a film with plenty of time on its hands yet, thanks to engagingly warm performances by Robbins and Freeman, it very rarely in particular locates a deepseated humanity in his enigmatic banker(who unexpectedly benefits from his accounting skills), while the issues that Darabont is concerned withare woven seamlessly into the fabric of the director returned to Stephen King for his belated followup, The Green Mile, which failed to live up to the promise of his debut, replacing its warmth and subtlety with sheer though Darabont achieves that rarest of goals and creates a film that not only stands up to repeated viewings but which, for its legion of dedicated fans, approaches the power and significance of onscreen Powerful, poignant, thoughtprovoking and finally irresistibly to quietly dignified performances and Darabont39。s own inventive direction, The Shawshank Redemption remains a first class example of how to approach potentially weighty issues with conviction, style, lightness and The Shawshank Redemption（肖申克的救贖）1994”The Shawshank Redemption“ is a movie about time, patience and loyaltynot sexy qualities, perhaps