【正文】 草圖！生命之畫圖是如此的潦草，還未來得及修正，也根本沒有機會修正，就畫完了匆匆的那一筆。當我意識到這一點的時候，我的腦海中忽然出現(xiàn)一個畫面：十八歲的我站在岸邊，和八十歲的自己說話，八十歲的“我”對十八歲的“我”說著些“生命可貴，三思而后行之類的話”。我之所以出現(xiàn)這個奇怪的念頭大概是因為米蘭對生命的探索讓我猛然間變成了飽經(jīng)滄桑的老人，其實，我還有很多事情沒有去體驗。也許生命一切的結(jié)果，無論暗淡還是輝煌，都不值得追悔或者贊嘆，一切的抉擇也沒有什么正確和錯誤的區(qū)別，那只是一道生命的軌跡，因為對于我們所選擇的道路，我們根本沒有機會比較其優(yōu)劣！而使我們必須這樣走的理由，便是無數(shù)偶然表象下的必然，是你命中注定的“非如此不可”?！斑@非如此不可”是加載在我們身上的一道命運的符咒，那或許就是你最想要而不能得到的部分，是你內(nèi)心真正的渴望。每一次重新與《不能承受的生命之輕》親密接觸，都好像是又認識了一位新朋友，每一次閱讀都會有新的領(lǐng)悟，我知道，當我慢慢長大，經(jīng)歷了所有酸甜苦辣悲歡離合之后再去品味它，一切都將是云淡風輕，塵埃落定。你知道的，非如此不可。英文版：“Unbearable Lightness of Being” by Milan KunderaTereza and Tomas, Tomas and Sabina, Sabina and Franz, Franz and MarieClaudefour people, four Kundera39。s masterful novel, The Unbearable Lightness of Being(1984), tells the interlocking stories of these fourrelationships, with a primary focus on Tomas, a man torn between his love for Tereza, his wife, and his incorrigible “erotic adventures,” particularly his longtime affair with the internationally noted painter, world of Kundera39。s novel is one in which lives are shaped by irrevocable choices and fortuitous is a world in which, because everything occurs only once and then disappears into the past, existence seems to lose its substance and with both the consequences of their own actions and desires and the intruding demands of society and the state, Kundera39。s characters struggle to construct lives of individual value and lasting novel of ideas, a provocative look at the ways in which history impinges on individual lives, and a meditation on personal identity, The Unbearable Lightness of Being examines the imperfect possibilities of adult love and the ways in which free choice and necessity shape our lives.“What then shall we choose?” Kundera asks at the beginning of his novel.“Weight or lightness?” This internationalbestseller is his attempt to answer that the answer is hinted at in the novel39。s final scene, in which Tomas and Tereza find themselves in a small country hotel after a rare evening of Tomas turns on the light in their room, “a large nocturnal butterfly” rises from the bedside lamp and circles the room in which they are alone with their happiness and their ：Tereza and Tomas, Tomas and Sabina, Sabina and Franz, Franz and MarieClaude這四個人之間分別有著四種不同類型的關(guān)系，米蘭昆德桑這部杠鼎之作就是講了這四種關(guān)系之間的連串的故事。其中米蘭主要是著眼于托馬斯，一個在他妻子tereza和Sabina之間不斷徘徊的男人。Sabina是一位國際知名的畫家，而Tomas一直長期和她沉浸于不可救藥的“性歡歷險”中。在昆德拉的小說世界里，每個生命的都是在數(shù)不清的必須選擇和偶然發(fā)生二者共同努力下共同塑造的。而且因為所有的事情都只發(fā)生一次，并且會永遠的寄存在歷史的長河里，所以在它的小說的世界里存在好像顯得失去了它（存在）本身的客觀性和應有的“重量”。昆德拉的主人公們在應付他們理想與實際現(xiàn)實之間的差距還有社會和國家的大環(huán)境中，掙扎的構(gòu)建生命的獨立價值，想要使自己的生命有著持久的意義。一部以一種挑戰(zhàn)的眼光對待歷史對個體生命的沖擊和沉思著個人定義的小說，《不能承受的生命之輕》，盤問著男女之愛存在著的漏洞和自由選擇還有必需要做這二者怎樣共同塑造我們生命?！澳敲吹降自撨x擇什么呢？”昆德拉在小說一開始的時候就把這個問題擺了出來，“是輕還是重？”這部世界上最暢銷的小說就是他試圖回答這個問題的答案。而昆德拉暗示這個答案就在最后一幕，Tomas和Tereza終于在一個小鄉(xiāng)村旅店里經(jīng)過一夜的狂舞后找回了他們自己。就當Tomas關(guān)掉了房間的燈，一個大的蝴蝶讓燈光一驚，飛離燈罩，在房間里盤旋，陪伴Tomas和Tereza的是他們自己的快樂和憂傷。