【正文】 the floor debris in the suite, in the mother39。s room, in the purser39。s safe on C deck... (seeing something) Hang on a second. A tech coaxes some letters in the water tray to one side with a tong... revealing a pencil (conte crayon) drawing of a woman. Brock looks closely at the drawing, which is in excellent shape, though its edges have partially disintegrated. The woman is beautiful, and beautifully rendered. In her late teens or early twenties, she is nude, though posed with a kind of casual modesty. She is on an Empire divan, in a pool of light that seems to radiate outward from her eyes. Scrawled in the lower right corner is the date: April 14 1912. And the initials JD. The girl is not entirely nude. At her throat is a diamond necklace with one large stone hanging in the center. Lovett grabs a reference photo from the clutter on the lab table. It is a period blackandwhite photo of a diamond necklace on a black velvet jeller39。s display stand. He holds it next to the drawing. It is clearly the same piece... a plex setting with a massive central stone which is almost heartshaped. LOVETT I39。ll be God damned. CUT TO: 16 INSERT A CNN NEWS STORY: a live satellite feed from the deck of the Keldysh, intercut with the CNN studio. ANNOUNCER Treasure hunter Brock Lovett is best known for finding Spanish gold in sunken galleons in the Caribbean. Now he is using deep submergence technology to work two and a half miles down at another famous wreck... the Titanic. He is with us live via satellite from a Russian research ship in the middle of the Atlantic... hello Brock? LOVETT Yes, hi, Tracy. You know, Titanic is not just A shipwrick, Titanic is THE shipwreck. It39。s the Mount Everest of shipwrecks. CUT TO: 17 INT. HOUSE / CERAMICS STUDIO PULL BACK from the screen, showing the CNN report playing on a TV set in the living room of a small rustic house. It is full of ceramics, figurines, folk art, the walls crammed with drawings and paintings... things collected over a lifetime. PANNING to show a glassedin studio attached to the house. Outside it is a quiet morning in Ojai, California. In the studio, amid incredible clutter, an ANCIENT WOMAN is throwing a pot on a potter39。s wheel. The liquid red clay covers her hands... hands that are gnarled and agespotted, but still surprisingly strong and supple. A woman in her early forties assists her. LOVETT (.) I39。ve planned this expedition for three years, and we39。re out here recovering some amazing things... things that will have enormous historical and educational value. CNN REPORTER (.) But it39。s no secret that education is not your main purpose. You39。re a treasure hunter. So what is the treasure you39。re hunting? LOVETT (.) I39。d rather show you than tell you, and we think we39。re very close to doing just that. The old woman39。s name is ROSE CALVERT. Her face is a wrinkled mass, her body shapeless and shrunken under a onepiece Africanprint dress. But her eyes are just as bright and alive as those of a young girl. Rose gets up and walks into the living room, wiping pottery clay from her hands with a rag. A Pomeranian dog gets up and es in with her. The younger soman, LIZZY CALVERT, rushes to help her. ROSE Turn that up please, dear. REPORTER (.) Your expedition is at the center of a storm of controversy over salvage rights and even ethics. Many are calling you a grave robber. TIGHT ON THE SCREEN. LOVETT Nobody called the recovery of the artifacts from King Tut39。s tomb grave robbing. I have museumtrained experts here, making sure this stuff is preserved and catalogued properly. Look at this drawing, which was found today... The video camera pans off Brock to the drawing, in a tray of water. The image of the woman with the necklace FILLS FRAME. LOVETT ...a piece of paper that39。s been underwater for 84 years... and my team are able to preserve it intanct. Should this have remained unseen at the bottom of the ocean for eternity, when we can see it and enjoy it now...? ROSE is galvanized by this image. Her mouth hangs open in amazement. ROSE I39。ll be God damned. CUT TO: 18 EXT. KELDYSH DECK NIGHT CUT TO KELDYSH. The Mir subs are being launched. Mir Two is already in the water, and Lovett is getting ready to climb into Mir One when Bobby Buell runs up to him. BUELL There39。s a satellite call for you. LOVETT Bobby, we39。re launching. See these submersibles here, going in the water? Take a message. BUELL No, trust me, you want to take this call. CUT TO: 19 INT. LAB DECK / KELDYSH NIGHT Beull hands Lovett the phone, pushing down the blinking line. The call is from Rose and we see both ends of the conversation. She is in her kitchen with a mystified Lizzy. LOVETT This is Brock Lovett. What can I do for you, Mrs... ? BUELL Rose Calvert. LOVETT ... Mrs. Calvert? ROSE I was just wondering if you had found the Heart of the Ocean yet, Mr. Lovett. Brock almost drops the phone. Bobby sees his shocked expression... BUELL I told you you wanted to take this call. LOVETT (to Rose) Alright. You have my attention, Rose. Can you tell me who the woman in the picture is? ROSE Oh yes. The woman in the picture is me. CUT TO: 20 EXT. OCEAN DAY SMASH CUT TO AN ENORMOUS SEA STALLION HELICOPTER thundering across the ocean. PAN 180 degrees as it roars past. There is no land at either horizon. The Keldysh is visible in the distance. CLOSE ON A WINDOW of the monster helicopter. Rose39。s face is visible, looking out calmly. CUT TO: 21 EXT. KELDYSH DAY Brock and Bodine are watching Mir 2 being sweng over the side to start a dive. BODINE She39。s a goddamned liar! A nutcase. Like that.