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utlook in Joseph Conrad39。s “Heart of Darkness”12. The Special Effect of the First Person Narration in English Novels13. An analysis on “The Old Man and the Sea” by Earnest Hemingway14. An analysis on “The Happy Prince”/ “The Nightingale and the Rose” by Oscar Wilde15. Failure of American DreamA Structuralist Reading of The Great Gatsby16. A Tale of Rebirth A Thematic Study on D. H. Lawrence’s Lady Chatterley’s Lover17. A Study on the Biblical Archetypes in D. H. Lawrence’s The Rainbow18. The Cause Of Tess’ Tragedy in Tess of the D’ Urbevilles19. A Comparison of Jane and Elizabeth’s Characters and Destiny in Jane Austen’s Pride and Prejudice20. On William Somerset Maugham39。s Novels21. A Preliminary Study of Robinson Crusoe39。s Characters in Robinson Crusoe22. Humor and Irony in Mark Twain’s Novels23. Modernist Features in Emily Dickinson’s Poems24. Lord Jim: a Man in Search of Universal Truth25. Romanticism in Walt Whitman’s Poems26. An Analysis of Faulkner’s Language Style27. Profound Humanistic Concerns of Robert Frost’s Poetry28. The American “Jazz Age”: an Reflection through the Novels by Scott Fitzgerald29. Artistic Features of the 19thcentury Romantic Poetry30. Multisymbolism in The Scarlet Letter31. 追尋夢(mèng)幻的蝴蝶:麥克尤恩《蝴蝶》中的成長(zhǎng)主題與道德寓意In pursuit of Illusionary Butterfly: On the Moral Implications of Ian McEwan’s “Butterfly”32. “精神的救贖”并置于“文學(xué)創(chuàng)作的反思”:論麥克尤恩《贖罪》中的元小說(shuō)書寫Spiritual Atonement and Reflections on Literary Creation: On the Metafictional Nature Ian McEwan’s Atonement33. “聲名”不能承受之輕:論麥克尤恩《日光》中的反諷The Unbearable Lightness of Reputation: On the Ironies of Ian McEwan’s Solar34. 藝術(shù)作為政治思想的表達(dá):解構(gòu)麥克尤恩《星期六》中的反恐元素Arts as an Expression of Political Concept: On the “CounterTerrroist” Elements of Ian McEwan’s Saturday35. 虛幻的成長(zhǎng):麥克尤恩《夢(mèng)想家彼得》的“幻想癥” Growing up in Daydreams: On the Fantasies Embodied in Ian McEwan’s The Daydreamer36. 倫理身份的移形與換位:麥克尤恩《水泥花園》的文學(xué)倫理學(xué)解讀The Dislocations of Ethical Identities: An Exploration of Ian McEwan’s The Cement Garden from the Perspective of Ethical Literary Criticism37. 難以逾越的生命之坎:把脈麥克尤恩《在切爾斯沙灘上》的心理病癥The Unbearable Frustration: A Pyshcological Reading of Ian McEwan’s On Chesil Beach38. “幻想”與“迷思”:麥克尤恩《時(shí)間中的孩子》的主題分析Fantasy and Illusion: A New Reading of the Theme in The Child in Time39. “男性中心主義”的垮掉:莫里森《慈悲》的女性主義研究視角The Fall of the Male Domination: A Feminist Reading Toni Morrison’s A Mercy40. 自然的報(bào)復(fù):莫里森《慈悲》的生態(tài)主義批評(píng)The Revenge of Nature: An Ecological Reading of Toni Morrison’s A Mercy41. “為你,千千萬(wàn)萬(wàn)遍”:解析胡塞尼《追風(fēng)箏的人》的倫理特性“For You, a Thousand Times Over”: An Ethical of Reading Khaled Hosseini’s The Kite Runner42. 小說(shuō)的另類書寫:論庫(kù)切《夏日》的文類混雜性Finding a New Way to Write a Novel: On the Genre Hybridity of J. M. Coetzee’s Summertime 1. 若不給自己設(shè)限,則人生中就沒有限制你發(fā)揮的藩籬。2. 若不是心寬似海,哪有人生風(fēng)平浪靜。在紛雜的塵世里,為自己留下一片純靜的心靈空間,不管是潮起潮落,也不管是陰晴圓缺,你都可以免去浮躁,義無(wú)反顧,勇往直前,輕松自如地走好人生路上的每一步3. 花一些時(shí)間,總會(huì)看清一些事。用一些事情,總會(huì)看清一些人。有時(shí)候覺得自己像個(gè)神經(jīng)病。既糾結(jié)了自己,又打擾了別人。努力過(guò)后,才知道許多事情,堅(jiān)持堅(jiān)持,就過(guò)來(lái)了。4. 歲月是無(wú)情的,假如你丟給它的是一片空白,它還給你的也是一片空白。歲月是有情的,假如你奉獻(xiàn)給她的是一些色彩,它奉獻(xiàn)給你的也是一些色彩。你必須努力,當(dāng)有一天驀然回首時(shí),你的回憶里才會(huì)多一些色彩斑斕,少一些蒼白無(wú)力。只有你自己才能把歲月描畫成一幅難以忘懷的人生畫卷。學(xué)習(xí)參