【導讀】的實際工作能力。（二）按照任務中規(guī)定的任務逐項設計并作出必要的分析與說明。步設置內部生產單位。擇合理的生產組織形式進行組織設計；畫出加工車間平面布置示意圖。依據(jù)資料中給出的某月訂貨情況，運用所學的加工排序方法對該月排出較優(yōu)的投產順序、編制產品進度計劃。選擇合理的生產作業(yè)計劃編制方法：在制品定額法；MRP法；JIT法。備組的進度與負荷平衡圖）。

　　

【正文】 擇和排序 . 最后 ,通過本次課設讓我們體會到 ,對于幾個人組成的一個團隊在解決問題方面具有優(yōu)勢也有不足 .由幾個人組成的團隊在討論過程中 ,往往能互相啟發(fā) ,互相補充 ,彌補由于個人考慮方面的缺陷 .但是 ,同時它也會使自己受到他人觀點的影響 ,而丟棄自己正確的東西 .這就要求我們在進行團隊工作討論的同時 ,注意汲取別人的好的東西 ,幾個人進行綜合平衡 ,最終得出一個組都認同得方案 . 謝謝老師的指 導 ,我們希望在進行完該課程設計的評定之后 ,在下個學期如果有機會的話能夠老師對這次的課設進行一次系統(tǒng)的講評 ,讓大家看看優(yōu)秀的作品 ,看看自己做得不足得地方 ,給我們一個更廣的進行交流機會 . 14 參考文獻： 汪應洛《工業(yè)工程基礎》…………中國科學技術出版社 李懷祖《生產計劃與控制》………中國科學技術出版社 周三多等《管理學原理》………………復旦大學出版社 陳榮秋《生產運作管理》……………………科學出版社 高鵬舉《生產與運作管理》……………東華大學出版社附錄：外文翻譯 In Wang Zuoliang?s translation practices, he translated many poems, especially the poems written by Robert Burns. His translation of Burn?s “A Red, Red Rose” brought him fame as a verse translator. At the same time, he published about ten papers on the translation of poems. Some argue that poems cannot be translated. Frost stresses that poetry might get lost in translation. According to Wang, verse translation is possible and necessary, for “The poettranslator brings over some exciting work from another culture and in doing so is also writing his own best work, thereby adding something to his culture. In this transmission and exchange, a richer, more colorful world emerges. ”(Wang, 1991:112). Then how can we translate poems? According to Wang?s understanding, the translation of poems is related to three aspects: A poem?s meaning, poetic art and language. （ 1） A poem?s meaning “Sociocultural differences are formidable enough, but the matter is made much more plex when one realizes that meaning does not consist in the meaning of words only, but also in syntactical structures, speech rhythms, levels of style.” (Wang, 1991:93). （ 2） Poetic art According to Wang, “Bly?s point about the ?marvelous translation? being made possible in the United States only after Whitman, Pound and Williams Carlos Williams posed poetry in speech rhythms shows what may be gained when there is a genuine revolution in poetic art.” (Wang, 1991:93). （ 3） Language “Sometimes language stays static and sometimes language stays active. When language is active, it is beneficial to translation” “This would require this kind of intimate understanding, on the part of the translator, of its genius, its idiosyncrasies, its past and present, what it can do and what it choose not to do.” (Wang, 1991:94). Wang expresses the difficulties of verse translation. Frost?s ment is sufficient to prove the difficulty a translator has to grapple with. Maybe among literary translations, the translation of poems is the most difficult thing. Poems are the 15 crystallization of wisdom. The difficulties of poetic prehension lie not only in lines, but also in structure, such as cadence, rhyme, metre, rhythm, all these conveying information. One point merits our attention. Wang not only talks about the times? poetic art, but also the impact language?s activity has produced on translation. In times when the language is active, translation is prospering. The reform of poetic art has improved the translation quality of poems. For example, around May Fourth Movement, Baihua replaced classical style of writing, so the translation achieved earthshaking success. The relation between the state of language and translation is so