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絡(luò)承載。直到最后全部業(yè)務(wù)都由 LTER 網(wǎng)絡(luò)承載,完全實(shí)現(xiàn) GSMR 向 LTER 系統(tǒng)演進(jìn)。 大連交通大學(xué) 2021 屆本科生畢業(yè)設(shè)計(jì)(論文) 23 謝辭 時(shí)間飛逝,四年美好的大學(xué)生活轉(zhuǎn)眼就要結(jié)束了,昔日的學(xué)習(xí)生活一點(diǎn)一滴仿佛就像在昨天。畢業(yè)設(shè)計(jì)是大學(xué)中的最后一門課。在此,我要感謝我的指導(dǎo)老師陳少華老師在畢業(yè)設(shè)計(jì)方面給予我的指導(dǎo)和幫助。畢業(yè)設(shè)計(jì)期間,陳老師耐心的幫助我們選課題,對(duì)我們提出建議,指導(dǎo)我們進(jìn)行畢設(shè)論文的撰寫工作,關(guān)心我們的設(shè)計(jì)進(jìn)度,認(rèn)真審閱我們的論文內(nèi)容,高標(biāo)準(zhǔn)要求我們。陳老師嚴(yán)禁的教學(xué)態(tài)度,淵博的知識(shí)內(nèi)涵,以及親切的交流方式,給我們留下了深刻的印象。 在論文撰寫的過程當(dāng)中,引用了很多的技術(shù)文獻(xiàn)資料,在這里對(duì)這些文獻(xiàn)資料的作者表示感謝,感謝這些作者,拓寬了我的知識(shí)面,在畢業(yè)設(shè)計(jì)的研究中給了我許多的幫助。 如今我們即將告別大學(xué)的生活,走向我們的工作崗位。四年的大學(xué)時(shí)光,我成長了很多,學(xué)會(huì)了很多,最重要的是我遇到了一群可愛的同學(xué),我們一起學(xué)習(xí),互相幫助、關(guān)心、照顧。感謝你們,我的朋友們,謝謝你們四年里的陪伴,無論我今后走到哪里,我會(huì)永遠(yuǎn)把這份情誼放在心上。同時(shí)我還要感謝我的父母,感謝你們?cè)谖页砷L的歲月中無私的關(guān)懷和支持,你們的期望永遠(yuǎn)是我努力的精神動(dòng)力。 大連交通大學(xué) 2021 屆本科生畢業(yè)設(shè)計(jì)(論文) 24 參考文獻(xiàn) [1] 徐丹、周峰、楊大成, 4G技術(shù)發(fā)展與挑戰(zhàn),北京郵電大學(xué)電信工程學(xué)院無線通信中心, [2] 謝文輝, 4G技術(shù)在現(xiàn)代通信中的應(yīng)用與發(fā)展初探,遼寧本溪機(jī)電工程學(xué)校信息技術(shù)教研室, [3] 蔡天培, 4G移動(dòng)通信技術(shù)應(yīng)用及發(fā)展研究,東華大學(xué)信息科學(xué)與技術(shù)學(xué)院, [4] 劉剛, WLAN在旅客信息系統(tǒng)中的應(yīng)用,現(xiàn)代城市軌道交通, [5] 張娟麗、趙守國、呂曉軍、唐增建,鐵路旅客信息系統(tǒng)的發(fā)展及應(yīng)用研究 [6] 王壯峰,現(xiàn)代化旅客信息系統(tǒng),鐵路計(jì)算機(jī)應(yīng)用,第 8卷,第 5期 [7] 俞筱楠 , 4G通信的網(wǎng)絡(luò)結(jié)構(gòu)與關(guān)鍵技術(shù)解析 ,南京工程學(xué)院尼康學(xué)院, 2021,2 [8] 車君, IPTV技術(shù)及標(biāo)準(zhǔn)淺析,重慶郵電大學(xué)信科公司, 2021,5 [9] 卜愛琴 , 鐵路下一代移動(dòng)通信技術(shù) LTER應(yīng)用的探討 , 天津鐵道職業(yè)技術(shù)學(xué)院 , 2021,2 [10] 王焱,鐵路旅客服務(wù)信息系統(tǒng)的應(yīng)用及發(fā)展,原鐵路局職工培訓(xùn)中心大同分中心 ,2021,9 [11] 曲玲玲,基于 4G 通信的網(wǎng)絡(luò)結(jié)構(gòu)與關(guān)鍵技術(shù)分析,中國電信股份有限公司西安分公司, 2021,7 [12] 周洪斌 王洲捷 , LTE 離鐵路通信系統(tǒng)有多遠(yuǎn),華為技術(shù), 2021,12 [13] DorigoM,Bonabeau E, algorithmsand stigmergy[J].Future Generation Computer Systems,2021,6(16):851871. 大連交通大學(xué) 2021 屆本科生畢業(yè)設(shè)計(jì)(論文) 25 您好,為你提供優(yōu)秀的畢業(yè)論文參考資料,請(qǐng)您刪除以下內(nèi)容, O(∩ _∩ )O 謝謝?。?! A large group of tea merchants on camels and horses from Northwest China39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。s Zhangye city during their journey to Kazakhstan, May 5, 2021. The caravan, consisting of more than 100 camels, three horsedrawn carriages and four support vehicles, started the trip from Jingyang county in Shaanxi on Sept 19, 2021. It will pass through Gansu province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as AlmaAta, the largest city in Kazakhstan, and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2021. Then they will e back, carrying specialty products from Kazakhstan A small art troupe founded six decades ago has grown into a household name in the Inner Mongolia autonomous region. In the 1950s, Ulan Muqir Art Troupe was created by nine young musicians, who toured remote villages on horses and performed traditional Mongolian music and dances for nomadic families. The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertainment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s performers of the troupe still tour the region39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。s president, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story about his friendship with a solider from Shenyang, capital of Northeast China39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes- all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the boundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week, but it failed to create much spring in the art market. Although two pieces of Chinese painting fetched more than 100 million yuan, the decline in trading volume and sale rate showed a downturn this year. In the ―Grand View: Chinese Painting Highlight‖ session at China Guardian 2021 spring auctions, Pan Tianshou’s representative work Eagle, Rock and Flora hit a record auction price of 279 million yuan, while Li Keran’s masterwork Jinggang Mountain fetched million yuan, an unexpected high in recent years.