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本科畢業(yè)論文-連桿加工的說(shuō)空編程-資料下載頁(yè)

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【正文】 合適,這就需要對(duì)零件進(jìn)行更仔細(xì)的工藝分析,選擇最適合,最需要進(jìn)行加工的工序。( 2)在加工中最主要還是要選用刀具,刀具的好壞會(huì)影響加工零件的精度、表面粗糙度,零件加工是否 合格,所以,在加工前,應(yīng)選擇適合該零件的刀具, 以達(dá)到較好的 效果。 28 謝 辭 本次 設(shè)計(jì)是對(duì)我們的一次綜合訓(xùn)練,在此過(guò)程中,不但需要我們獨(dú)立設(shè)計(jì)思考,而且也需要老師和同學(xué)的關(guān) 心幫助 。此次設(shè)計(jì)將近一個(gè) 月 ,從無(wú)從下手到所有任務(wù)的完成,培養(yǎng)了我 獨(dú)立進(jìn)行設(shè)計(jì)的能力,查找資料、搜集材料的能力,提高了 數(shù)控編程的 能力和機(jī)械 加工等方面的知識(shí) 。 在這次設(shè)計(jì)中,我的指導(dǎo)老師給予我很大的幫助,在剛開始不清楚怎么設(shè)計(jì),設(shè)計(jì)什么的時(shí)候,及時(shí)地提醒了我,讓我明確了設(shè)計(jì)內(nèi)容。在完成設(shè)計(jì)的過(guò)程中, 有時(shí)會(huì)比較著急,容易犯錯(cuò),而老師細(xì)心叮囑,不要著急,一步一步來(lái),在此非常感謝老師。同時(shí) 感謝 我的 同學(xué),在設(shè)計(jì)過(guò)程中幫助我搜集材料 并一 起探討設(shè)計(jì)方案,在每次有關(guān)于設(shè)計(jì)的通知或消息時(shí),都及時(shí)的告訴 我。 最后,再次感謝老師和所有給予我?guī)椭耐瑢W(xué) ,同時(shí)感謝大學(xué)期間各位老師的悉心教導(dǎo)。 29 參考文獻(xiàn) [1] 焦小明 . 機(jī)械加工技術(shù) [M]. 北京 : 機(jī)械工業(yè)出版社 , [2] 張世昌等 . 機(jī)械制造技術(shù)基礎(chǔ) [M]. 高等教育出版社 , 2021 [3] 鄒青主編 . 機(jī)械制造技術(shù)基礎(chǔ)課程設(shè)計(jì)指導(dǎo)教程 [M]. 北京 : 機(jī)械工業(yè)出版社 , 2021 [4] 陳宏鈞 , 方向明 , 馬素敏等編 . 典型零件機(jī)械加工生產(chǎn)實(shí)例 . 機(jī)械工業(yè)出版社 , 2021. 8 [5] 王季琨 , 沈中偉 , 劉錫珍等編 . 機(jī)械制造工藝學(xué) . 天津大學(xué)出版社 , 2021. 1 [6] 于駿一 . 典型零件制造工藝 . 機(jī)械工業(yè)出版社 , 1989. 1 [7] 王紹俊 . 機(jī)械制造工藝設(shè)計(jì)手冊(cè) . 哈爾濱工業(yè)大學(xué) , 1981. 5 [8] 上海市金屬切削技術(shù)協(xié)會(huì) . 編金屬切削手冊(cè) . 上??茖W(xué)技術(shù)出版社 , 1991. 10 [9] 薛彥成 . 公差配合與技術(shù)測(cè)量 [M]. 機(jī)械工業(yè)出版社 , 2021. 7 [10] 左敦穩(wěn) . 現(xiàn)代加工技術(shù) [M]. 北京 : 北京航空航天大學(xué)出版社 , 2021 [11] 張進(jìn)春 . 刀具半徑補(bǔ)償在 CAM 系統(tǒng)中的 應(yīng)用 [J]. 重慶職業(yè)技術(shù)學(xué)院學(xué)報(bào) , 2021(5): 142143 [12] 蔣建云 . 數(shù)控編程技術(shù) . 北京 : 科技出版社 , 2021. 5 [13] 王宏道 . 數(shù)控技術(shù) . 杭州 : 浙江大學(xué)出版社 , 2021. 6 [14] 胡香斌 . 數(shù)控加工 . 北京 : 中國(guó)石化出版社 , 2021. 1 [15] Managing the designManufacturing process John E. Ettlie,Henry W. Stell MeGrawHill, Inc. 1990 [16] 韓玉勇 . 數(shù)控機(jī)床與編程 . 國(guó)防工業(yè)出版社 , 2021 [17] 黃華 . 數(shù)控車削編程與加工技術(shù) . 機(jī)械工業(yè)出版社 , 2021 [18] 林其駿主編 . 機(jī)床數(shù)控系統(tǒng) . 北京 : 中國(guó)科學(xué)技術(shù)出版社 , 2021 [19] James , Joseph Goldenberg. Introduction to Computer Numerical . amp。Sons Company, 2021. 459 30 您好,為你提供優(yōu)秀的畢業(yè)論文參考資料,請(qǐng)您刪除以下內(nèi)容, O(∩ _∩ )O 謝謝!??! A large group of tea merchants on camels and horses from Northwes t China39。s Shaanxi province pass through a stop on the ancient Silk Road, Gansu39。s Zhangye city during their journey to Kazak hs tan, May 5, 2021. The caravan, consisting of more than 100 camels , three horsedrawn carriages and four support vehicles , started the trip from Jingyang count y in S haan xi on S ept 19, 2021. It will pass through Gans u province and Xinjiang Uygur autonomous region, and finally arrive in Almaty, formerly known as Alma Ata, the largest city in Kazak hs tan , and Dungan in Zhambyl province. The trip will cover about 15,000 kilometers and take the caravan more than one year to plete. The caravan is expected to return to Jingyang in March 2021. Then they will e back, carrying specialty products from Kazak hs tan A small art troupe founded six decades ago has grown into a h ous ehold name in the Inner Mongolia aut onomous region. In the 1950s , Ulan Muqir Art Troupe was created by nine young musicians , who toured remote villages on horses and performed tradition al Mongolian music and dances for nomadic families . The 54yearold was born in Tongliao, in eastern Inner Mongolia and joined the troupe in says there are 74 branch troupes across Inner Mongolia and actors give around 100 shows every year to local nomadic people. I can still recall the days when I toured with the troupe in the early 39。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。t help but sing the folk songs, Nasun says. The vastness of Inner Mongolia and the lack of entertain ment options for people living there, made their lives lonely. The nomadic people were very excited about our visits, Nasun recalls. We didn39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the re war ding part about touring isn39。t just abou t sharing art with nomadic families but also abou t gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。s performers of the troupe still tour the region39。s villages an d entertain nomadic families , but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and developmen t of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia an d being a member of the trou pe s howe d me where I belonged, Nas un, the art troupe39。s presiden t, who is also a renowned tenor, tells China Daily. During a tour in 1985, he went to a village and met an elderly local man, who told him a story abou t his friends hip with a solider from Shenyang, capital of Northeas t China39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers . Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families , and has bined contemporary musical elements with folk songs of the region. Haimu, a 25year old khoomei (a local varian t of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes- all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleas ant. I feel at home on the boundless grasslands , and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week , but it f ailed to create much s pring in the art market. Although t wo pieces of Chines e painting fetched more than 100 million yuan, the decline in trading volume and sa le rate showed a downturn this year. In the ―Grand View: Chinese Painting Highlight‖ ses
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