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) last month with Purple Sunset. The film tells a story which took place in 1945, at the very moment when World War Ⅱ was drawing to an end. A Chinese peasant and a Soviet woman soldier flee into a forest, where they seize a Japanese girl. They follow the girl in the hope that she will take them out of the forest, but instead they arrive in a Japanese base. Humanity (人道主義 ) prevents them from killing the young, innocent (無(wú)辜的 ) victim of Japanese militarism. This humanity, the longing for peace and eagerness to survive, make the three unite. “If people are touched by justice, tolerance and unselfishness, I think I have achieved my goal, ” Feng said. Feng admits that there are violent and bloody scenes in the film, such as tanks fighting and Japanese burning Chinese people alive, to show the cruelty of the war. But that39。s never his personal preference, he says. “Everyone who has watched my films can tell how much I detest war, ” he said. “I wrote all the things for my war films by myself. Whenever I finished one, I felt as though I had suffered great pain.” Feng regards every one of his productions as an opportunity to learn about human nature and humanity. In spite of violent scenes which frighten and sicken the audience, a balance is sought with beautiful scenery. Just like the snowy mountains in Red River Valley and the grand plateau (高原 ) in Lover39。s Grief over the Yellow River, a beautiful vast grassland appears in this film. “I used to study art,