【文章內(nèi)容簡(jiǎn)介】 tly between two liao dynasty indra as guinness stations, we called two of the henghe, from their mouths and handsshape can be seen, and to the left, closed this respect, shook hands, hmm, the appetite right hand kazakhstan, they are meters in height, muscle uplift, powerful and magnificent, keeping tight entrance, they stood here is 1,000 years of look at the two middle columns in the middle, is said to have a door before, the age, the discipline and should not be deposited, but here is the entrance and guanyin hitchcock line, the threshold from watching guanyin pavilion, see only partial, eventual step, the house on a panoramic view of the whole picture. we may try something, which is the wei and jin dynasties, monly used in the frame structure. north entrance slightly between the two sides is clear dynasty, drawing the four kings like. let us look at the east side : the progrowth south, carrying swords。 oriental country39。s kings and holding pipa. the west side of the two : the north killed more news days, holding umbrellas。 head prowestern canton, with a horse. four kings held by the hands of a position phrase weather, the expression of our people39。s aspirations.we take a look in the main us is the temple of the main architectural guanyin pavilion, which links 23 meters high. from the exterior view is spanided into upper and lower levels, in fact, a threetier structure, it is in the middle of a dark layer, the entire cabinet of the most prominent features is not a nail, are tenon joint structure, we view this is the hip after another. square pieces of wood for one, long wooden arch to arch, the entire cabinet shared a 152 brackets. tai kok to the roof ridge curled9, a sign beneath a goddess of mercy39。s corner, it is li39。s original artworks, this sign has been distinguished from the national revenue volumes, following this sign is inflicting 行 it is the ancient, and expresses this means that the inside has been practiced successfully kuanyin, with the conditions of the buddha.from this position we look at the back entrance, the entire entrance by 12 large pillars supporting ting, stigma all inward is an ancient architectural features, known as angle, building a more stable, in the correction of securing a two ornaments, inward protruding tail, the birdlike birds, fish like fish called tin kiss. lung health legends of nine children, the waves can be sprayed into a storm from the fire sprinkler lan purposes.we now you enter you look at the inside. in front of us was 10 while on the tree, it links 16 meters high, from the lotus platform, dark layer, direct your roof. guanyin with 33 side to one of guanyin, which genre elsewhere is absolutely can not see, because on the national speaking, only here worship the goddess of mercy is 10 side, it is also in the world only 13. we look at the entire guanyin slightly lean forward, and gives a sense. its two pennant from the wrist always vertical to the top of the lotus chinese taiwan, in fact, played a role in the resistance. we said that the goddess of mercy is the latest discovery, it is not entirely with soil pile up, its internal fake human skeleton structure of the wood, sculpture outside the along the side of guanyin is zenzai, that she bodhisattva two outs, waisttwisting, head five dover champion, is lively waves, give realistic, three with a statue in front of the henghe two, a total of five temple of the liao dynasty statue temple expert evaluation is a statue of an early option, high artistic value.in between, each have a stigma on the hip, the entire house 152 brackets, 24 forms, distribution in various parts court, it appears the joints, this is guanyin you through 1,000 years of storms, and 28 earthquake, still one of the reasons unharmed.the entire house is three to one art, it is the ancient architecture, sculpture, through columns filled with color wall murals. these murals drawn in the yuan dynasty, in 1972 it was discovered that the original had been to protect the soil inside, it found a high historical value, research value and artistic value. it has been felt treasury ine, the buddhist murals in 16 of them and two kings theme buddhism among the legends, secular themes have formed groups of independent and connected with each other huge picture.mentary this is the end of the scene, the following time, we can own tour.天津獨(dú)樂(lè)寺導(dǎo)游詞300字篇九獨(dú)樂(lè)寺位于薊縣城武定北側(cè)，它始建于天寶十一年，遼代重建。關(guān)于獨(dú)樂(lè)寺的得名，這里有三種說(shuō)法，第一種說(shuō)法是獨(dú)樂(lè)寺的主體建筑是十一面觀世音的內(nèi)部，就是一顆參天而立的獨(dú)梨樹(shù)。第二種說(shuō)法是，安祿山起兵反唐，這里是誓師地，他蓋思獨(dú)樂(lè)而不與民同樂(lè)，故名獨(dú)樂(lè)寺：還有一種說(shuō)法是,佛家清心寡欲，獨(dú)以普渡眾生為樂(lè)故名獨(dú)樂(lè)寺。整個(gè)獨(dú)樂(lè)寺有三部分組成，東路是清朝皇帝辟建的行宮，西路是僧房，中路由山門(mén)，觀音之閣，八角亭，臥佛殿，三佛殿組成。整體建筑布局簡(jiǎn)潔，主題突出，宏偉莊嚴(yán)。獨(dú)樂(lè)寺有五個(gè)之最：觀音閣是我國(guó)僅存的最古老的木結(jié)構(gòu)高層樓閣。觀音像是我國(guó)僅存的最大古代泥塑之一。山門(mén)為現(xiàn)存最早，等級(jí)最高的廡殿頂山門(mén)。山門(mén)正脊上有最早的鴟吻。獨(dú)樂(lè)寺為第一批全國(guó)重點(diǎn)文物保護(hù)單位?，F(xiàn)在，我們到站了。現(xiàn)在我們大家看到的這個(gè)建筑就是山門(mén)，他高10米，面闊三間，進(jìn)深兩間，中間坐穿堂，兩側(cè)是稍間。在山門(mén)的檐下有一塊匾，上書(shū)獨(dú)樂(lè)寺三個(gè)字，為明代大學(xué)士嚴(yán)嵩手筆，據(jù)說(shuō)他在北方只留下六個(gè)字，另外三個(gè)字就是北京的六必居三個(gè)字。在山門(mén)的前兩稍間有兩尊遼代的金剛力士站像，也就是我們俗稱(chēng)的哼哈二將，從他們的嘴形和手形可看出，左邊這尊閉口，握手為哼將，右邊張口，伸手為哈將，肌肉隆起，威武雄壯，緊守著山門(mén)，他們站在此地已經(jīng)是一千多年的歷史了。我們看這兩根中柱的中間，相傳以前有一扇大門(mén)，由于年代久遠(yuǎn)，這門(mén)及應(yīng)不存了，但這里是山門(mén)和觀音之閣的分界線，站在門(mén)檻這一邊看觀音之閣，只能看到局部，跨過(guò)門(mén)檻一步，大閣全貌就盡收眼底了。大家不妨試一下，這是魏晉時(shí)期，普遍采用的畫(huà)框式結(jié)構(gòu)。山門(mén)北稍間的兩側(cè)是清光緒年間繪制的四大天王像。先看東側(cè)：南方增長(zhǎng)天王，手持寶劍。東方持國(guó)天王，手持琵琶。西側(cè)的兩尊：北方多聞天亡，手持雨傘。西方廣目天王，手握銀蛇。四大天王手中所持之物組成一個(gè)成語(yǔ)風(fēng)調(diào)雨順，表達(dá)了我國(guó)老百姓的愿望。我們?nèi)タ匆豢粗黧w建筑。我們面前的就是獨(dú)樂(lè)寺的主體建筑觀音之閣，它通高23米，從外觀上看分為上下兩層，實(shí)際上是三層，在它正中間有一個(gè)暗層，整個(gè)大閣最突出的特點(diǎn)是沒(méi)有一根釘子，都是榫卯結(jié)構(gòu)的，我們看這一朵朵的就是斗拱，方形木塊為斗，長(zhǎng)條拱木為拱，整個(gè)大閣共用了152朵斗拱。大閣的房頂為九脊歇山式，檐下有一塊匾額觀音之閣，它是李白的真跡，這塊匾額已經(jīng)收入全國(guó)名匾大全了，下面這塊匾額是具足圓成它是咸豐的手筆，意思是說(shuō)里面的觀音已經(jīng)修行圓滿(mǎn)，具備成佛條件了。我們從這個(gè)位置回頭看一下山門(mén)，整個(gè)山門(mén)是由12根粗大的柱子支挺的，柱頭全部向內(nèi)傾斜。它是我國(guó)古建筑的一個(gè)特點(diǎn)，稱(chēng)為側(cè)角，使建筑物更加穩(wěn)定，在山門(mén)的正脊上有兩個(gè)飾物，尾巴向內(nèi)翹起，似鳥(niǎo)非鳥(niǎo)，似魚(yú)非魚(yú)，叫做鴟吻。傳說(shuō)為龍生九子之一，能?chē)娎顺捎?，取噴水震火之用?，F(xiàn)在我們走進(jìn)大閣里邊來(lái)看一下。在我們面前的就是十一面觀音像，它通高16米，站在蓮花臺(tái)上，通過(guò)暗層，直達(dá)閣頂。觀音有33種變化形式。十一面觀音為其中一種，這種體裁在別處是絕對(duì)看不到的，因?yàn)榫腿珖?guó)來(lái)講，只有這里供奉的是十一面觀音，它在世界上也僅存13尊。我們看整個(gè)觀音略向前傾，給人以親切感。它的兩個(gè)飄帶從手腕處一直垂到蓮花臺(tái)之上，實(shí)際上是起了支撐點(diǎn)的作用了。我們說(shuō)這個(gè)觀音是泥塑的，并不是說(shuō)它完全是用泥堆起來(lái)的，它的內(nèi)部有仿人體骨架的木結(jié)構(gòu)，外面雕刻的是泥。十一面觀音兩旁的是善財(cái)，龍女兩位脅持菩薩，他們腰部微扭，頭頂五佛冠，顯得生動(dòng)活波，給人以真實(shí)感，這三尊塑像加上前面的哼哈二將，獨(dú)樂(lè)寺共有5尊遼代的塑像，專(zhuān)家評(píng)價(jià)獨(dú)樂(lè)寺的早期塑像就是少而精，藝術(shù)價(jià)值高。在里邊來(lái)看，每個(gè)柱頭上都有一個(gè)斗拱，整個(gè)大閣152朵斗拱，24種形式，分布在大閣各個(gè)部位，它好似人的關(guān)節(jié)一樣，這是觀音之閣歷經(jīng)1000多年的風(fēng)風(fēng)雨雨，28次地震，依然安然無(wú)恙的原因之一。整個(gè)大閣是以三大藝術(shù)于一堂的，它就是古建筑，