【正文】 aiji Mountain, we can see that the artists at that time broke through the Buddhist rules and regulations, and created religious figures with rich flavor of life, such as Buddha, Bodhisattva, disciple, and supporter, by taking real life figures as the main material and exaggerating, imagining, summarizing and refining the art. The Buddhists whispering in cave 121 and the virgins and virgins in cave 123 show not the piety of the ascetics, but the childish sincerity and pleasure under the influence of the ideological trend of the times. Therefore, influenced by the local social environment, Maijishan statues show the local people and feelings, make the Buddhist statues seem to be familiar in life, and make people feel the amiability and loveliness of the Buddhist world, so as to be faithful. Maijishan Grottoes used to be with niches are all Buddhas, no walls do not fly, but because of the rainy and humid, most of the murals peeled off, but still retain the Western Pure Land Change, Nirvana change, hell change and Bensheng stories of the Northern Dynasty, such as? Tzu Bensheng, sajina Prince sacrificing his life to feed the tiger, and so on. The cities, temples, cars and clothes depicted in the murals have the characteristics of Han culture, reflecting the reality of this period life. Feitian, in particular, is more colorful and distinctive, with clay sculpture, sculpture, painting and thin meat sculpture. Although the hometown of Feitian is in India, the Feitian in Maiji Mountain is the artistic crystallization of Chinese and foreign cultures, and is the fusion of Indian Buddhist heaven and Chinese Taoist immortals. She has no wings and no feathers. She is a beautiful girl flying in the air with the help of clouds instead of clouds. She is the most talented masterpiece of ancient Chinese artists. At the same time, dance and musical instruments are also reflected in murals and sculptures, which provides valuable information for the study of ancient Chinese music. Architectural art Maijishan grottoes are built on the precipice. The grottoes are as dense as beehives, and the trestle road is as high as flying in the air. They are stacked layer upon layer. Their precipitousness is rare in the world, forming a magnificent threedimensional architectural plex. Its wooden hall style stone cliff Pavilion is unique and magnificent. Most of the caves are of Buddhist temple style without central pillar, with obvious local characteristics. Maijishan Grottoes in the most magnificent, the most magnificent building is the fourth cave on the seven niches, also known as the sanhualou, located above the Dongya Buddha, about 80 meters above the ground, for seven eight column veranda structure, about 9 meters high, 30 meters wide, eight meters deep, divided into two parts of the front gallery and back room. The column is a big column with eight edges, covered with lotus petal shaped column base, and all the building ponents are exquisitely carved, which reflects the maturity of the construction technology in the Northern Zhou Dynasty. The back room is made up of seven four corner bunchy tent shaped niches. The curtain is overlapped layer by layer. The columns, beams and other building ponents in the niches are shown in relief. Therefore, the fourth cave of Maiji Mountain is the largest cave in China, which imitates the traditional Chinese architecture. It is an important material to study the wooden architecture of the Northern Dynasties. It truly shows the external and internal features of the Buddhist hall which has been sinicized in the late Northern and Southern Dynasties. It is of great significance in the development history of the grottoes. Cave 121: position: The upper west end of Xiya. Time: In the late Northern Wei Dynasty, it was rebuilt in Song Dynasty. Cave shape: Fu Dou Caijing square cave. The cave is meters high, meters wide and meters deep. Statues: Each of the three niches has a Buddha. Inside the niche, two men of strength are moulded on both sides of the middle door on the left and right walls. The upper part of the Buddha was remodeled in the Song Dynasty. The lower part of the Buddha39。s good wishes. From the shape and clothing of the statue, it is gradually getting rid of the influence of foreign art, reflecting the characteristics of the Han nationality. Many caves in Maiji Mountain have been built into a unique cliff Pavilion. The seven Buddha Pavilion, 15 meters above the head of the clay Buddha on Dongya, is a typical Han style cliff Pavilion in China. It was built on a cliff 50 meters above the ground and was excavated in the middle of the 6th century. Although Maijishan grottoes are mainly clay sculptures, there are also a certain number of stone carvings and murals. Maijishan Grottoes have been listed as a key cultural relic protection unit of the state. More than 1300 meters of elevated plank road have been newly erected and restored, so that visitors can successfully access all the grottoes. The largest statue in Maijishan Grottoes is 16 meters, and the smallest one is only more than 10 centimeters. The statue in cave 44 is called Venus of the East by the Japanese. The clothes of the statues in caves 78 and 128 of the Western Qin Dynasty are carefully painted. The statues on the seven Buddha Pavilion, which is more than 70 meters high, are beautiful. The frescoes on the top of the corridor are exquisite. The pictures of cars, horses and pedestrians on the top of the west end are not the same no matter from which point of view, which can be called the classic position of frescoes in China. 天水麥積山石窟英語導(dǎo)游詞 4 Maijishan, located in the south of Maijishan Township, Beidao District, 50 kilometers southeast of Tianshui City, is an isolated peak in Xiaolong mountain of West Qinling Mountains. Maijishan Scenic area covers a total area of 215 s