【正文】 techniques of debate, the scope and scale to adapt to a variety of landscape design practice, to meet different design requirements, and created a different landscape image. 2 Evolution As the landscape is a living, changing anism, like the growth of the modern landscape architecture in the past more than a century as the development of American society as changing, reflecting the social reality of a particular time. naturalistic style swing beginning with The vast territory the United States, changing the natural landscape to landscape design has almost natural pursuit of naturalism, Olmsted and his followers in a city park system planning and design to promote naturalism, against the pursuit of dignity and clear structure of attractions and beautiful natural environment was poor cities in stark contrast to a return to nature to meet the needs of , after the . landscape architecture through the 安徽建筑大學(xué)畢業(yè)設(shè)計(jì)成果 1 15 flashy veneer of The Late Victorian Eclectic Landscape, City Beautiful Movement and the revival of classical neoclassical trends and so transform the style of decades and did not get out swinging in the modern society to adapt their own way. Modernism Before and after World War II, modern art and modern architecture in theory and works under the influence of American modernist landscape architecture in the socalled Harvard Revolution after landscape architecture is not the most positive contribution to the use of new materials, but that function should be the starting point of this concept design, modern landscape architecture and thus out of a beautiful design or landscape type Transcendentalism, to the venue and the reality of the times fit, given the rational application of landscape architecture and greater creative Harvard Revolution James Rose said: We can not live in the painting, but as a group to design the landscape paintings of our daily lives plundering the region39。ublishing BV，阿姆斯特丹 美國現(xiàn)代景觀建筑學(xué)發(fā)展的回顧與思索 ， “， . Timmins2， ?，F(xiàn)代景觀建筑的社會(huì)化使得現(xiàn)代景觀建筑學(xué)有了實(shí)實(shí)在在的生活根基，有了持續(xù)不斷的生機(jī)與活力。在逝去的百余年里，美國現(xiàn)代景觀建筑學(xué)的產(chǎn)生與發(fā)展引導(dǎo)了現(xiàn)代景觀建筑學(xué)的走向，并且?guī)缀鹾w了所有的探索。s economic development, our city building and landscape design and practice into a highspeed development period, but the petent departments of landscape architecture education, integrated with the mess and ignored the separation of landscape architectural practice so that we kaleidoscope reality that can not be sure what we are or how we should call ourselves architects, landscape architects, environmental designers?Shallow emerging formalized, the lack of real concern for people and the environment arbitrary landscape design, landscape architecture, deeply reflects the value of our concern for poor and pale, in our landscape architecture are still full of confusion and chaos when . founder of modern landscape architecture, Olmsted, and many American pioneer of modern landscape architecture theme insists to create sustainable, and his life and just the landscape, 安徽建筑大學(xué)畢業(yè)設(shè)計(jì)成果 1 19 and give a clear idea as to imagine that form, may be able to give us much encouragement and thrust of modern landscape architecture in the United States to pursue a century, may be the same with us into the modern landscape architecture in the next century. References Ahern, . 1999. Barriers, opportunities, strategies, and models for the application of landscape ecology in landscape planning and design. Abstract, 5th IALEWorld Congress, Snowmass, CO,USA. , M. 1999. Landscape ecology: from concepts and methodology towards applications in environmental and spatial planning. Plenary adress, 5th IALEWorld Congress, Snowmass, CO, , O. 1998a. The assessment of landscape functions – one precondition to define management goals. Ekol243。靈活處理綠道線路之間的銜接，因地制宜地選擇鋪裝和綠化方式，避免大拆大建，盡量結(jié)合利用現(xiàn)有資源，更多關(guān)注綠道實(shí)際效能的發(fā)揮。當(dāng)?shù)孛襟w驚呼 “一座城市為一座橋而發(fā)狂”。色彩上用具有民俗特征和喜慶熾烈的紅黃交替，同時(shí)結(jié)合晚間燈光和照明功能，流暢絢麗、便捷輕盈。同時(shí)，為了爭取更多的便宜土地進(jìn)行城市建設(shè)，大量河漫灘被圍建開發(fā)。將會(huì)種植大片的草原和熱帶草地，并且每年會(huì)進(jìn)行切割或者控制性焚燒來進(jìn)行再生。這些區(qū)域水容易積聚，樹木發(fā)展出較為淺和疏的根系。這個(gè) 1500 英畝的紀(jì)念公園由景觀建筑和規(guī)劃公司 Hare amp。畢業(yè)實(shí)習(xí)開始前，每名學(xué)生在熟悉和了解畢業(yè)設(shè)計(jì)選題的基礎(chǔ)上，制訂調(diào)研計(jì)劃和提綱。 安徽建筑大學(xué) 20xx 屆景觀學(xué)專業(yè)畢業(yè)設(shè)計(jì)成果 1 專 業(yè) 景 觀 學(xué) 班 級 11 城建景觀 1 班 學(xué)生姓名 樊 林 亞 學(xué) 號 11202920xx5 課 題 鷺山湖景區(qū)景觀設(shè)計(jì) 指導(dǎo)教師 冀 鳳 全 建筑與規(guī)劃學(xué)院 景觀系 20xx 年 3 月 18 日 安徽建筑大學(xué)畢業(yè)設(shè)計(jì)成果 1 1 目錄 目錄 畢業(yè)實(shí)習(xí)重點(diǎn)是針對畢業(yè)設(shè)計(jì)選題進(jìn)行調(diào)研，赴省內(nèi)外考察、學(xué)習(xí)，重點(diǎn)了解畢業(yè)設(shè)計(jì)選題在國內(nèi)外已達(dá)到的狀況和發(fā)展趨向。 挑戰(zhàn) 休斯頓植物園和自然中心的位置靠著水牛河（ Buffalo Bayou），是一個(gè)155 英畝的地區(qū)性資源，用于為原生動(dòng)植物提供庇護(hù)場所，同時(shí)也是城市的環(huán)境教育的一個(gè)聚點(diǎn)。樹冠樹木生長在 “ 凹陷 ” 地區(qū)。志愿者將在波浪中種 植漂浮的新芽植物。 與水為友的彈性設(shè)計(jì) 地處中國東部亞熱帶地區(qū)，金華受強(qiáng)烈的海洋季風(fēng)氣候特征，有旱、雨季分明，雨季常受洪水之?dāng)_。步行橋飄忽燕尾洲 頭的植被之上，使游客能在城市之中近距離觸摸到真實(shí)的自然。據(jù)安裝在步行橋頭的進(jìn)出口自動(dòng)計(jì)數(shù)器顯示，步行橋的日使用人數(shù)平均達(dá) 4 萬余人次。在用地局促、綠道無法連續(xù)的情況下可合理借道。s ecological systems closely associated with. Postmodernism and the art of landscape to explore When largescale ecological landscape planning and rational method of turning at the same time, smallscale landscape architectural design by 60 environmental art since noon, and postmodern film incentives, art and landscape linkages have done a lot of new new generation of landscape architect Peter Walker bines minimalism, classical and modernist minimalism to create a unique of mystery in his landscape design work, Walker used a simple form, repetition, geometric structure of the natural materials from the material in a natural structure of the original millionstyle together, bringing a new structure produced new means of visual integrated of general features of nature, human contact with nature has a mysterious atmosphere by a metaphor out of the art scene, landscap