【正文】 spects of applied research status, and its current problems in the research process a simple explanation, which made a porous ceramic material future prospects and trends. Keywords porous ceramics。提倡綠色環(huán)保理念，實(shí)現(xiàn)無(wú)污染的綠色化工業(yè)生產(chǎn)是人類文明、科技進(jìn)步的體現(xiàn)和象征 。 該工藝是用有機(jī)泡沫浸漬陶瓷漿料，干燥后燒掉有機(jī)泡沫，獲得多孔陶瓷的一種方法。其板體內(nèi)形成很多大小分布均勻、相互連通的橋拱狀開口微孔通道，當(dāng)流體從微孔通道經(jīng)過(guò)時(shí)，其所含懸浮物如雜質(zhì)膠體顆粒、細(xì)菌、大分子有機(jī)物等，被過(guò)濾、截留；同時(shí)，流體經(jīng)微孔通道的外表面或內(nèi)部，亦產(chǎn)生各種物理效應(yīng)，從而達(dá)到機(jī)械篩濾、凈化，或擴(kuò)散、流態(tài)化、吸附截留等功效。一般而言，多孔體的孔徑越小，氣泡就越小，所有氣泡的總表面積也就越大，這有利于提高對(duì)氧的吸收效率。 控制熱污染的措施之一是防止熱量的散失， 由于多孔陶瓷孔隙率高，使得其密度較小、熱傳導(dǎo)系數(shù)較低，從而造成了巨大的熱阻及較小的體積熱容，使其成為新型保溫隔熱材料 的保溫隔熱材料 [25]。 (4)抗熱震能力和抗腐蝕能力 [3132]難以滿足現(xiàn)實(shí)應(yīng)用特殊條件需要。s Poly Theater. Their show, titled Ulan Muqir on the Grassland, depicted the history and development of the art troupe. Being from the region allowed me to embrace the culture of Inner Mongolia and being a member of the troupe showed me where I belonged, Nasun, the art troupe39。ve been here I have been tasked with nothing more challenging than learning my students39。t have a formal stage. The audience just sat on the grass. Usually, the performances became a big party with local people joining in. For him, the rewarding part about touring isn39。 因此，提高多孔陶瓷強(qiáng)度，克服脆性是尚待解決的主要問題 。 多孔陶瓷 的吸音原理是它可通過(guò)多孔 結(jié)構(gòu)對(duì)聲波引起的空氣壓力進(jìn)行 分散，從而達(dá)到吸音的目的。 對(duì)于城市污水和工業(yè)廢水，其 另一種處理方法 是活性污泥的生物學(xué)處理 [17]。 多孔陶瓷應(yīng)用于 廢水處理 處理鍋爐濕法除塵廢水、火電廠沖渣廢水 （ 1）廢水排外超標(biāo)問題 鍋爐濕法除塵廢水中含有大量懸浮狀態(tài)的粉煤灰和未燃盡的微小炭粒并由于吸收了 SO CO NO2等氣體而呈酸性，它與熱電廠水力沖渣廢水一樣都是弱酸性高濃度的廢水，懸浮物濃度高、灰渣量大處理難度大 。 (7)再生性 強(qiáng)，通過(guò)用液體或氣體反沖洗，可基本恢復(fù)原有過(guò)濾能力，從而具有較長(zhǎng)的使用壽命，同時(shí)抗菌性能好，不易被細(xì)菌降解。 prospects 。 performance。 多孔陶瓷的制備工藝及 其表征指標(biāo) 多孔陶瓷的首要特征是其多孔特性，制備的關(guān)鍵和難點(diǎn)是形成多孔結(jié)構(gòu)。 即使使用 沉淀除渣或與機(jī) 械脫水相結(jié)合的工藝， 處理后 的 水質(zhì)仍難以滿足國(guó)家排放標(biāo)準(zhǔn)。該方法是在廢水中通人好氧微生物并作曝氣處理，使廢水中的有機(jī)物得以分解和凈化。作為吸音材料， 要求多孔陶瓷要有較小的孔徑 (20～150tma)，高的氣孔率 (60％ )以及較高的機(jī)械強(qiáng)度 [23]。 (2)制造工藝特別是微孔級(jí)材料制造工藝仍較復(fù)雜，難以大規(guī)模生產(chǎn) ，并且生產(chǎn)成本高，效率低 [30]。t just about sharing art with nomadic families but also about gaining inspiration for the music and dance. Ulan Muqir literally translates as red burgeon, and today39。 names and figuring out what to do with them for the brief time each week that I stand in front of them. I do not consider the challenges of learning to live here part of a purposeful life. I consider those issues existential in nature. One of the problems with my life in America was that I felt it had no purpose. I went to work every day and even did what I could to make my colleagues39。s villages and entertain nomadic families, but their fame has spread around the world. On May 16 and 17, nearly 100 singers and dancers from the troupe performed at Beijing39。 (3)提高催化劑載體活性的同時(shí)，多孔陶瓷材料的壽命 [17]會(huì)有所下降。 多孔陶瓷應(yīng)用于節(jié)能隔熱及熱污染治理 熱污染 是指 現(xiàn)代工業(yè)生產(chǎn)和生活中排放的廢熱所造成的環(huán)境污染 ， 對(duì)大氣、水體、人類都能帶來(lái)極大的危害。提高曝氣效果，重要的是使廢水中的微小氣泡能夠均勻分布并發(fā)泡。多孔陶瓷過(guò)濾板 [1213]由石英、氧化鋁、碳化硅等成 分為骨料，摻雜 一定比例的粘結(jié)劑、成孔劑、稀土抗 蝕劑， 經(jīng)高溫?zé)贫伞? 多孔陶瓷常用的制備工藝如下： (1)有機(jī)（聚合物）泡沫浸漬工藝 [9]。環(huán)境保護(hù)已成為制約社會(huì)進(jìn)步和發(fā)展的瓶頸。 environmental governance。 (5)體積密度小，具有發(fā)達(dá)的比表面積及獨(dú)特的表面特性。 3 多孔陶瓷 材料 在環(huán)境治理中的應(yīng)用 多孔陶瓷材料 除了具有多孔材料共有的特性之外，因 優(yōu)良 的 物理 化學(xué)性 能使其得到了 很 大的發(fā)展和工業(yè)應(yīng)用，成為環(huán)境工程領(lǐng)域 中 關(guān)注的熱點(diǎn)。而多孔泡沫陶瓷 因其優(yōu)良的特性 很好地滿足了上述要求。 多孔材料應(yīng)用于噪聲治理 噪聲是除水污染、大氣污染、固體廢物污染之外的第四大公害，給人們的日常生活帶來(lái)了極大的影 響。但是， 目前在多孔陶瓷材料在環(huán)境方面的研究和應(yīng)用 還存在許多問題有待解決： (1)多孔陶瓷的低強(qiáng)度和高脆性 [2829]。80s. We sat on the back of pickup trucks for hours. The sky was blue, and we couldn39。s essay affects me very deeply. Not as an urging to bee self reliant – I39。s Liaoning province, decades ago. The solider gave the old man a handmade saddle when they bid farewell. The story inspired Nasun to write Carved Saddle, a song that later became one of his most popular numbers. Now, every year, Nasun recruits young singers and dancers for the troupe. The troupe has also designed a new repertoire, which is mostly based on the daily lives of Mongolian people, especially the lives of nomadic families, and has bined contemporary musical elements with folk songs of the region. Haimu, a 25yearold khoomei (a local variant of overtone singing) singer, joined the troupe three years ago. Along with a sixmember band, he performs fast songs and soft ones that he writes－ all while playing the horsehead fiddle.Although I learned the piano since childhood and grew up listening to various kinds of music, to me, the folk music of Inner Mongolia is the root, he says. Performing in remote villages is pleasant. I feel at home on the boundless grasslands, and the warm people there make me feel fulfilled. The first round of spring auction season in Beijing ended last week, but it failed to create much spring in the art market. Although two pieces of Chinese pai