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天水麥積山石窟英語(yǔ)導(dǎo)游詞5篇(完整版)

  

【正文】 from the hole. Up to now, there is still a saying that the kite turns over and the cow hall in the local area. Among the caves in Xiya, caves 133 and 127 are the largest. stele cave is the most special cave in Maiji Mountain. In the cave, there are not only many clay sculptures, but also 18 stone tablets, some of which are covered with thousands of Buddha statues, so they are also called ten thousand Buddha Hall. Among them, No. 10, No. 11 and No. 16 are the essence of numerous tablets. Cave 127 is even more splendid. Most of the murals on the four walls and caisson are preserved. The style of the later Wei Dynasty is elegant and vertical. Draw a picture of Buddha39。 the clothing patterns of the statues in the Song Dynasty are realistic and solemn. Maijishan art is good at clay sculpture. The artists abandoned the previous meticulous details, and raised the appeal to the height of manding everything, with a moving look and a rich flavor of life. From the statues of different times in Maiji Mountain, we can see that the artists at that time broke through the Buddhist rules and regulations, and created religious figures with rich flavor of life, such as Buddha, Bodhisattva, disciple, and supporter, by taking real life figures as the main material and exaggerating, imagining, summarizing and refining the art. The Buddhists whispering in cave 121 and the virgins and virgins in cave 123 show not the piety of the ascetics, but the childish sincerity and pleasure under the influence of the ideological trend of the times. Therefore, influenced by the local social environment, Maijishan statues show the local people and feelings, make the Buddhist statues seem to be familiar in life, and make people feel the amiability and loveliness of the Buddhist world, so as to be faithful. Maijishan Grottoes used to be with niches are all Buddhas, no walls do not fly, but because of the rainy and humid, most of the murals peeled off, but still retain the Western Pure Land Change, Nirvana change, hell change and Bensheng stories of the Northern Dynasty, such as? Tzu Bensheng, sajina Prince sacrificing his life to feed the tiger, and so on. The cities, temples, cars and clothes depicted in the murals have the characteristics of Han culture, reflecting the reality of this period life. Feitian, in particular, is more colorful and distinctive, with clay sculpture, sculpture, painting and thin meat sculpture. Although the hometown of Feitian is in India, the Feitian in Maiji Mountain is the artistic crystallization of Chinese and foreign cultures, and is the fusion of Indian Buddhist heaven and Chinese Taoist immortals. She has no wings and no feathers. She is a beautiful girl flying in the air with the help of clouds instead of clouds. She is the most talented masterpiece of ancient Chinese artists. At the same time, dance and musical instruments are also reflected in murals and sculptures, which provides valuable information for the study of ancient Chinese music. Architectural art Maijishan grottoes are built on the precipice. The grottoes are as dense as beehives, and the trestle road is as high as flying in the air. They are stacked layer upon layer. Their precipitousness is rare in the world, forming a magnificent threedimensional architectural plex. Its wooden hall style stone cliff Pavilion is unique and magnificent. Most of the caves are of Buddhist temple style without central pillar, with obvious local characteristics. Maijishan Grottoes in the most magnificent, the most magnificent building is the fourth cave on the seven niches, also known as the sanhualou, located above the Dongya Buddha, about 80 meters above the ground, for seven eight column veranda structure, about 9 meters high, 30 meters wide, eight meters deep, divided into two parts of the front gallery and back room. The column is a big column with eight edges, covered with lotus petal shaped column base, and all the building ponents are exquisitely carved, which reflects the maturity of the construction technology in the Northern Zhou Dynasty. The back room is made up of seven four corner bunchy tent shaped niches. The curtain is overlapped layer by layer. The columns, beams and other building ponents in the niches are shown in relief. Therefore, the fourth cave of Maiji Mountain is the largest cave in China, which imitates the traditional Chinese architecture. It is an important material to study the wooden architecture of the Northern Dynasties. It truly shows the external and internal features of the Buddhist hall which has been sinicized in the late Northern and Southern Dynasties. It is of great significance in the development history of the grottoes. Cave 121: position: The upper west end of Xiya. Time: In the late Northern Wei Dynasty, it was rebuilt in Song Dynasty. Cave shape: Fu Dou Caijing square cave. The cave is meters high, meters wide and meters deep. Statues: Each of the three niches has a Buddha. Inside the niche, two men of strength are moulded on both sides of the middle door on the left and right walls. The upper part of the Buddha was remodeled in the Song Dynasty. The lower part of the Buddha39。s birth and biography from frescoes and carved stone tablets, such as? Tzu39。an grottoes Like Yungang Grottoes and Luoyang Longmen Grottoes, they have precious art treasures. In terms of artistic features, Dunhuang focuses on geous murals, Yungang and Longmen are famous for their magnificent stone carvings, while Maiji Mountain is famous for its exquisite statues. As our sculptor Liu Kaiqu praised: Maijishan is a large sculpture museum in Chinese history. Maiji Mountain has a long history and enjoyed a high reputation as early as 1620 x years ago. In Yutang gossip written by the Five Dynasties, it is said that Maiji Mountain people, crossing the Qingwei River in the north, gradua
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