【正文】 體、色彩、光照，虛實(shí)等關(guān)系的把握；意境創(chuàng)造的把握以及與周圍環(huán)境的關(guān)系諧調(diào)。要使設(shè)計(jì)者的觀念符合時(shí)代的節(jié)拍，應(yīng)從以下幾個(gè)方面進(jìn)行研究和思考：陳列設(shè)計(jì)的審美意識(shí)的重心應(yīng)從建筑的三維空間轉(zhuǎn)向時(shí)空環(huán)境的四維空間。現(xiàn)在，陳列設(shè)計(jì)藝術(shù)的概念愈來愈清晰明了。就欄桿本身而言，鍍金的金屬桿主體，紅色的絲絨圍繩，可謂富麗堂皇。這種內(nèi)心活動(dòng)的時(shí)間愈長 ，空間愈宏遠(yuǎn) ，其觀眾的心理感受就愈太。陳列的形式作為一種視覺藝術(shù)，不僅需要滿足觀者韻視覺要求，還要滿足人們的心理要求。然后，根據(jù)展品的時(shí)代序列劃分段落，在不同阻隔空間中把握不同的文脈特點(diǎn)，形成不同的風(fēng)格區(qū)域。這類展示空間，一般適用于旨在給人以系統(tǒng)完整印象之陳列館、紀(jì)念館、較有莊重、嚴(yán)謹(jǐn)、時(shí)序與邏輯層序感。而陳列設(shè)計(jì)一旦與建筑相結(jié)合，人可以進(jìn)人其中并在行進(jìn)的時(shí)間序列中來感受它的效果。所謂 “空”，是虛無而能容納之處；所謂“間”，有阻膈不連接的意思，如“間斷” 、“間接”；更有度量的意義，如柱與柱之間的“間距”、“間數(shù)”。（8）開放型陳列法：是一種體現(xiàn)現(xiàn)代展示新觀念的展品陳列方式。主要適用于展示事物發(fā)展過程和變化規(guī)律。隨著科技的不斷發(fā)展與應(yīng)用，它已成為衡量環(huán)境質(zhì)量的重要內(nèi)容。設(shè)計(jì)是一個(gè)思維過程，也是一個(gè)確定形態(tài)的過程。于是，以 “美化”為目的的單純地“室內(nèi)裝飾”開始衰落，代之以更為有計(jì)劃和理論性的“室內(nèi)綜合設(shè)計(jì)”—— 即按照不同的室內(nèi)功能要求，從內(nèi)部把握空間。章帝論》：“夫俗吏矯飾外貌。因此，我們的任務(wù)不能只停留在對(duì)陳列設(shè)計(jì)藝術(shù)賴以生存的獨(dú)特個(gè)性特征究竟是什么，首先需要搞清一些必要的概念。盡管每年全國博物館中各種陳列展覽活動(dòng)數(shù)以千計(jì)，盡管為籌備展覽活動(dòng)投入了眾多的專門人才，卻仍有人認(rèn)為“陳列展覽誰都會(huì)搞 ，“陳列展覽怎么搞都行”?！把b”，首先是裝扮的意思?！笆覂?nèi)裝飾”的目的在于美化，即在建筑師提供的內(nèi)部“方盒子”中對(duì)空間圍護(hù)的表面進(jìn)行涂脂抹粉的裝飾。那么，設(shè)計(jì)師的作用到底是“設(shè)計(jì)”，還是“美化”我們?cè)賮砜纯丛O(shè)計(jì)的含義。室內(nèi)裝修設(shè)計(jì)：按照空間處理的要求，把空間圍護(hù)體的幾個(gè)界面——墻面、地面、天花等進(jìn)行處理，即對(duì)建筑構(gòu)造體有關(guān)部位進(jìn)行設(shè)計(jì)處理。（2）系統(tǒng)陳列法：按照展品的邏輯結(jié)構(gòu)和科學(xué)分類原則，把同類事物按照一定的關(guān)系聯(lián)合起來，有秩序地進(jìn)行展品組合并順利陳列，使之共同組合成一個(gè)統(tǒng)一整體的陳列方式，稱為系統(tǒng)陳列法。（6）復(fù)原陳列法：屬于再現(xiàn)性陳列，是主題性強(qiáng)的展示項(xiàng)目常用的一種陳列藝術(shù)手法，其基本實(shí)施特征是根據(jù)歷史和現(xiàn)實(shí)中已經(jīng)發(fā)生的真實(shí)事件場景、物品，在原發(fā)生地點(diǎn)或展示場可按原大或比例縮小，運(yùn)用建筑、雕塑、機(jī)械加工、影視、繪制以及燈光、音響等各種工藝技術(shù)，通過修正補(bǔ)充、再造模擬等方式，真實(shí)地再現(xiàn)原事物的本來面目，以此來表達(dá)某個(gè)特定的主題或內(nèi)容。二、從“三維”到“四維”在室內(nèi)設(shè)計(jì)從“裝飾”走向“設(shè)計(jì)”的過程中，我們漸漸地習(xí)慣從“空間”的角度來思考問題。觀眾心理空間的建立，已成為現(xiàn)代陳列設(shè)計(jì)的重要藝術(shù)手段之一。展室的空間大致分為兩種：一、序列式展示空間。如美術(shù)陳列、雕塑、珍寶等不必強(qiáng)調(diào)時(shí)間的前后順序的分類展覽。這是因?yàn)榍罢呤且粋€(gè)多元整合的設(shè)計(jì)，在設(shè)計(jì)構(gòu)想中牢牢地把握象征、臆喻的啟迪連帶意識(shí)，使觀者跨躍時(shí)空，如身臨其“境”。如果對(duì)觀眾參觀過程作細(xì)微考察的話，可以看到處在營造空問中主體對(duì)象對(duì)觀者所引起的感受是不定形韻。如處置不當(dāng)，無節(jié)制夸大，反而喧賓奪主，擾亂功能，丑化環(huán)境。陳列設(shè)計(jì)的空間作為“人為的”營造空間，首先要明確的是 “為人的”空間。然而 “空間消失”的境界，則是展示空間設(shè)計(jì)最高的審美水準(zhǔn)。陳列設(shè)計(jì)應(yīng)強(qiáng)調(diào)關(guān)系學(xué)與整體把握。這些大膽的嘗試和開拓?zé)o疑對(duì)發(fā)展現(xiàn)代陳列設(shè)計(jì)藝術(shù)具有很好的啟發(fā)意義。 People watch it from outside. And display design once and architecture that people can be bined into one in which the time series and travel to feel its effect. People in this environment can be weeks, visible, can ask, can different Angle to observe, experience, feelings, to participate. Therefore, display space is a flow of fourdimensional space. Strictly speaking, the museum displays of space design should also include the museum that surrounded the space outside the room, the demonstration environment space munication space and auxiliary space such as service facilities design. Somewhere, here only discuss the showroom design. Exhibit space roughly divided into two kinds: one, sequence type display space. That is, from gate sequence hall the size of the secondary one orderly exhibition hall epilogue. The sequence and trenchant. Before and after This kind of exhibition space, generally applied in aims to give a person with a plete and systematic the galleries, memorial and impressed more grave, rigorous, timing and logical sequence stratigraphy the feeling. Such as the history as the main sequence all kinds of display. Second, modular display space. Namely between each exhibition hall in no particular order, meaningless masterslave, bination is free, walk line arbitrarily, give a person with relaxed, open and relaxed sense of freedom. Modular display space, apply to have the freedom to choose, fully GuanLan with different characteristics, the exhibition. If art exhibition, sculpture, treasures without focusing on such as the classification of time sequence exhibition. In the design of exhibition space sequence type as bear the responsibility of the overall design, stylist in dealing with good perfect display subject to environmental later, the prelude to watch the arts design note to care about environmental sequence. This is the prelude to induce ornamental subject not only with the exhibition space environment function and style, but also related to the subject of art with interest relevant themes. Then, according to the sequence of age exhibits in different block division paragraph, hold different context in the space, forming different style characteristics of regional. Finally, after a subject for deepening ornamental later, artistic image, still should reasonably arrange certain followup space sequence, let art implication the potential for historical situation still echo of the viewer to purify, sublimation thoughts, emotions and thoughts, coagulate into the deep heart. Indians people In binedtype display space, more should pay attention to grasp the main body style, shorten the distance between the sculpture of cultural relics, build vivid art atmosphere. With the Shanghai museum sculpture gallery, for example: use auxiliary material position of tone and texture, suitable match with moderate lamplight, convex bination in space in different styles, placed sculpture foil gives grottoes and temple etc ancient Chinese sculpture existence environment, give a person with immersive feel. This is better than in metope to replicate the few niches will e much better. This is because the former is a multiple integration design, in the design conception of firmly grasp the symbol, chest metaphor enlightenment consciousness, which jointly across space and time, viewers step as confront its landscapes. While the latter in particular environment also can have the feeling of mendably, but due to stay in intuitively specific copy stage. Is a kind of curt spatiotemporal conversion, is not easy to cause the beholder39。 The artistic conception creation and surroundings hold and the relationship humorous. 4, display design aesthetic level format on the culture consciousness from beauty. From the past to decorate and decorate, or a way to create an atmo