陜西省藍(lán)田縣焦岱中學(xué)人教版高中英語選修六-unit-1-素材(完整版)
【正文】 are believed to be associated with yang while water is associated with yin. Yinyang applies to perspective. Objects in the layout should be looked at from the front and the side. Brush strokes should be upright and slanted. There should be parts that are sparse and parts are dense. The light and the thick should balance. Thick ink must be acpanied by thin ink. Everywhere this principle of the opposites is applied to painting. Voids contribute much towards the suggestive quality of landscape painting. Like all other forms of art, Chinese painting, while changing and yielding to the times like an organism, will always have its distinctly Chinese character.The Pioneer of Contemporary Realistic PaintingThe New Culture Movement started from the May Fourth Movement, which at the beginning of the 20th century started a revolution against imperialism and feudalism in Chinese cultural fields. Many Chinese painters went abroad to learn Western painting skills. One of them was Xu Beihong, who went to Europe to study Western classical realist painting, and then bined it with traditional Chinese painting methods. He was the pioneer of contemporary Chinese realist fine arts. Xu Beihong (18951953) was a native of Yixing, Jiangsu Province. His father, from whom he learned painting in his childhood, was also a painter. At the age of 20, Xu went to Shanghai to sell paintings. In 1918, at the invitation of Cai Yuanpei, he went to Peking University to work as an instructor at the Painting Research Society. The next year, he went to Paris to study, then transferred to Berlin and Belgium to learn oil painting and sketch drawing. He liked the Western classical paintings of the Renaissance very much and diligently copied them day and night. After he came back to Beiping (presentday Beijing) in 1927, he served as the president of the Beiping Art Institute, dean of the Art Department of Nanjing Central University and later as principal of the Beiping Vocational Art School. After the liberation of the People’s Republic of China in 1949, Xu worked as the president of the Chinese Central Academy of Fine Arts and chairman of the Chinese Artists’ Association.Learning from Western paintings, Xu also incorporated his knowledge of human anatomy and modeling in his figure paintings. During his eight years in Europe, he studied the classic, romantic and impressionist painting styles and tried to understand th
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