【正文】
生產(chǎn)者和設(shè)計者沒有4分離,組織生產(chǎn)的形式也仍然保持傳統(tǒng)。這種民間藝術(shù)論的觀點也同樣在土家族人手中得到印證,傳統(tǒng)土家婦女人人都要學習織錦技藝,而且世代相傳,它是一種群體參與性的民間工藝類型。土家族織錦同土家族文化歷史一起經(jīng)歷了數(shù)千年漫長的發(fā)展歷程,見證了土家民族從原始走向現(xiàn)代歷史過程,有著不可估量的實用價值藝術(shù)價值和科學價值。日本以立法的形式對“無形文化財產(chǎn)”(類似于本文的民間文化遺產(chǎn)) 的保護始于 1950年。祝帥認為,傳統(tǒng)工藝不但在學術(shù)界被邊緣化,就是在日常生活中也還沒有充分發(fā)揮出其在現(xiàn)代社會中的魅力。傳承人的保護是非物質(zhì)文化遺產(chǎn)保護的一個重要方面。但因為種種原因,傳統(tǒng)手工藝的保護以及非物質(zhì)文化遺產(chǎn)的保護搶救,還是不盡如人意,舉步維艱。目前一些傳統(tǒng)手工藝正面臨著消失的危險,如江蘇無錫的惠山泥人、廣州著名的牙雕、老北京民間工藝毛猴、傳統(tǒng)的木板年畫、北京漆雕以及湖南湘繡等。隨著老一輩傳統(tǒng)手工藝師的逝世和新生代傳承人的“斷層” ,許多重要的手工技藝正在消亡或失傳。西蘭卡普是土家族一種原始而古老的織錦工藝技藝,它即集中體現(xiàn)了中國少數(shù)民族織錦工藝體系的基本特征,又具有其鮮明的個性特點。除文中已經(jīng)標明引用的內(nèi)容外,本論文不包含任何其他個人或集體已經(jīng)發(fā)表或撰寫過的研究成果。關(guān)鍵詞:土家族;西蘭卡普織錦;傳統(tǒng)手工藝;傳承保護AbstractTraditional crafts in my national q has a long history, its exquisite craft, the rich categories and the most excellent development up to now, is the treasure of Chinese folk culture and art palace. But with the development of the era, traditional handicrafts of inheritance and development is facing many difficulties, solve handicrafts physical problems of erosion and craftsmanship of the lost an important part of the intangible cultural heritage protection work. Sealand karp is a kind of primitive and ancient tujia brocade craft skills, that embody a concentrated reflection of Chinese ethnic minorities brocade system basic characteristic, but also has its distinct personality characteristics. Under the background of cultural transformation, sealand karp brocade the inheritance and development of facing the test of time. This article introduces the tujia sealand karp, on the basis of the traditional arts and crafts heritage of cultural heritage, protection and development are analyzed, and the problems faced on the basis of the proposed the relevant protection measures, provide the basis for passing on to protect traditional arts and crafts culture heritage.Key words: tujia nationality;Sealand karp tapestry;Traditional arts and crafts;Heritage protection目錄一、 導論 ......................................................................11. 傳統(tǒng)手工藝的傳承意義 ......................................................12. 傳統(tǒng)手工藝的發(fā)展現(xiàn)狀及存在的問題 ..........................................1(1)傳統(tǒng)手工藝的發(fā)展現(xiàn)狀 ...................................................1(2)傳統(tǒng)手工藝的發(fā)展存在的問題 .............................................13. 傳統(tǒng)手工藝傳承與發(fā)展研究現(xiàn)狀 ..............................................2(1)國內(nèi)傳統(tǒng)手工藝傳承與發(fā)展研究現(xiàn)狀 .......................................2(2)國外傳統(tǒng)手工藝傳承與發(fā)展研究現(xiàn)狀 .......................................2二、 土家族西蘭卡普的傳承與發(fā)展 ................................................31. 土家族西蘭卡普工藝簡述 ....................................................3(1)西蘭卡普的概念與歷史 ...................................................3(2)西蘭卡普的特質(zhì)分析 .....................................................3(3)西蘭卡普的文化價值 .....................................................42. 土家族西蘭卡普技藝傳承、保護與發(fā)展 ........................................4(1)西蘭卡普技藝傳承與發(fā)展的意義 ...........................................4(2)西蘭卡普傳承與發(fā)展過程中存在的問題 .....................................4(3)西蘭卡普技藝傳承與發(fā)展策略 .............................................5三、 國